Fatimah, Mutiara Dewi
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KIDUNG PARI: EKSPRESI KEARIFAN LOKAL PEREMPUAN RURAL JAWA UNTUK KINI DAN NANTI Fatimah, Mutiara Dewi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5470

Abstract

The concept of the Kidung Pari work broadly draws inspiration from the role of rural Javanese women in farming activities, starting from pre-production, farming production, post-production, to activities outside the agricultural space, such as ngliwet or cooking rice. By drawing inspiration from each detail of these activities, positive values about the attitudes and roles of Javanese women in their social environment will become apparent. Although women’s roles in these activities may appear as “rough labor,” their involvement is significant in almost every stage of farming, from the rice fields to the kitchen. Through the composition of the Kidung Pari music, it will reveal another aspect of women, who are generally known for being gentle, beautiful, emotional, and nurturing. This community empowerment project through the arts is an effort to explore the intrinsic values and local knowledge possessed by the residents, as well as the development of existing traditional art potential as a means of preservation, education, and promotion of the region’s untapped potential. The activities to be carried out in this program include collaborative practices in visual arts and performing arts, including training in Karawitan for the mothers of the Tani Makmur group in Tawangrejo Village, and the results of this training will be showcased. The Kidung Pari work is an endeavor to immortalize the story of rural Javanese women in history, culture, society, worldview, and self-reflection in Javanese society. Through the Kidung Pari work, Indonesia needs to explore and develop new values to elevate the status of rural Javanese women, making them more superior, resilient, and empowered in the present and future.
Pengembangan Kaulinan Barudak sebagai Atraksi Budaya Berbasis Musik Tradisional untuk Meningkatkan Pariwisata Jawa Barat saryanto, Saryanto; Saputra, Dani Nur; Wijaya, Barkah Bangkit; srimoko, gandung joko; Fatimah, Mutiara Dewi
PROMUSIKA Vol 12, No 2 (2024): Oktober, 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v12i2.13945

Abstract

Kaulinan Barudak merupakan permainan rakyat khas Jawa Barat yang dipadukan dengan elemen musik tradisional dan lagu-lagu lokal. Kesenian ini tidak hanya merepresentasikan kearifan budaya lokal tetapi juga memiliki potensi besar dalam memperkuat identitas budaya dan daya tarik wisata. Namun, eksistensinya saat ini semakin memudar akibat minimnya inovasi, rendahnya minat generasi muda, serta kurangnya perhatian dalam mengemasnya sebagai bagian dari atraksi wisata budaya. Oleh karena itu, penelitian ini bertujuan untuk mengembangkan Kaulinan Barudak sebagai atraksi wisata budaya berbasis musik tradisional guna meningkatkan daya tarik dan nilai destinasi wisata di Jawa Barat. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi kasus. Data dikumpulkan melalui observasi langsung, wawancara mendalam dengan pelaku budaya, seniman lokal, serta pengelola pariwisata, dan studi pustaka untuk menggali nilai historis, elemen estetis, serta potensi komersial dari kesenian ini. Analisis data dilakukan dengan pendekatan deskriptif-interpretatif untuk memahami bagaimana revitalisasi Kaulinan Barudak dapat diintegrasikan dalam strategi pengembangan pariwisata budaya yang berkelanjutan. Hasil penelitian menunjukkan bahwa revitalisasi Kaulinan Barudak dapat dilakukan melalui berbagai pendekatan strategis, di antaranya: penyelenggaraan festival budaya tahunan yang melibatkan komunitas lokal, program pelatihan interaktif untuk generasi muda, penyelenggaraan lokakarya (workshop) musik dan permainan tradisional, serta pemanfaatan media sosial sebagai sarana publikasi dan promosi. Selain itu, pengemasan atraksi yang lebih kreatif dan menarik—seperti kolaborasi Kaulinan Barudak dengan pertunjukan musik tradisional yang lebih dinamis—dapat menjadi daya tarik tambahan bagi wisatawan domestik maupun mancanegara. Temuan ini mengindikasikan bahwa revitalisasi Kaulinan Barudak tidak hanya mampu memperkuat identitas budaya lokal tetapi juga berkontribusi secara signifikan terhadap peningkatan daya tarik wisata budaya di Jawa Barat. Implementasi strategi ini perlu melibatkan berbagai pemangku kepentingan, termasuk pemerintah daerah, komunitas budaya, dan pelaku pariwisata, untuk memastikan keberlanjutan dan keberhasilan pengembangan kesenian ini sebagai aset wisata yang bernilai tinggi. Dengan demikian, Kaulinan Barudak memiliki potensi untuk menjadi ikon wisata budaya Jawa Barat yang mampu menarik minat wisatawan serta mempromosikan kearifan lokal ke panggung global.Developing Kaulinan Barudak as a Cultural Attraction Based on Traditional Music to Enhance West Java TourismAbstractKaulinan Barudak is a traditional children’s game from West Java that incorporates elements of traditional music and local songs. This cultural art form not only represents local wisdom but also holds significant potential in strengthening cultural identity and enhancing tourism appeal. However, its existence is currently declining due to a lack of innovation, decreasing public interest, and insufficient efforts to package it as a cultural tourism attraction. Therefore, this study aims to develop Kaulinan Barudak as a cultural tourism attraction based on traditional music to enhance the appeal and value of tourist destinations in West Java. This research employs a qualitative method with a case study approach. Data were collected through direct observation, in-depth interviews with cultural practitioners, local artists, and tourism managers, as well as literature studies to explore the historical, aesthetic, and commercial potential of this traditional art. Data analysis was carried out using a descriptive-interpretative approach to understand how the revitalization of Kaulinan Barudak can be integrated into sustainable cultural tourism development strategies. The findings indicate that the revitalization of Kaulinan Barudak can be achieved through several strategic approaches, including the organization of annual cultural festivals involving local communities, interactive training programs for younger generations, workshops on traditional music and games, and the use of social media as a platform for publication and promotion. Furthermore, creatively packaging the attraction—such as combining Kaulinan Barudak with more dynamic traditional music performances—can add significant appeal for both domestic and international tourists. These results suggest that revitalizing Kaulinan Barudak not only strengthens local cultural identity but also significantly contributes to enhancing cultural tourism appeal in West Java. Implementing this strategy requires the involvement of various stakeholders, including local governments, cultural communities, and tourism actors, to ensure the sustainability and success of this art form as a high-value tourism asset. Thus, Kaulinan Barudak has the potential to become a cultural tourism icon of West Java, attracting tourists while promoting local wisdom on the global stage.Keywords: Kaulinan Barudak; traditional music; cultural tourism; revitalization of art; cultural identity; West Java
SAJUMPUT MENDUNG PUTIH (Transformasi Terlihat Menjadi Terdengar) Fatimah, Mutiara Dewi
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (784.636 KB) | DOI: 10.33153/acy.v10i1.2291

Abstract

In Javanese tradition, batik is an art. In terms of its creation  to application, batik is very close to life, likewise with one of these phenomenal batik, which is jumputan.  A rare event is now transforming  like mushrooms in the rainy season.  The cloth which was used to be worn by lower class society is now an idol among the upper class society. By carrying the Javanese concept in a song namely the song of Winengku Sastra, the composition of this music was created.This research attempted to use phenomenological and ethnographic studies in reviewing, dissecting and analyzing the event. Phenomenology is expected to be able to unravel the logical reasons for past and present views including placing them in the frame of the phenomenon of musical performances. Meanwhile, ethnography is expected to be able to review and describe in detail the fabric structure into distinctive music. Likewise the musical concept will be carried in this work, namely the concept of transmedia instrument. Keywords: Jumputan, Society, and Music.
Eksistensi Karawitan Putri Di Kota Budaya (Studi Kasus Karawitan Sekar Praja Putri, Pemerintah Kota Surakarta) Fatimah, Mutiara Dewi
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (732.515 KB) | DOI: 10.33153/acy.v11i2.2986

Abstract

ABSTRAKKarawitan adalah bagian dari hidup oleh masyarakat Solo. Kondisi psykologis masyarakat Solo juga mempengaruhi berkembangnya karawitan di kota budaya. Salah satunya fenomena karawitan putri yang sampai saat ini masih terdengar meski lirih gaungnya di lingkungan seniman Solo dan sekitarnya. Sekitar tahun 80an karawitan putri mulai bermunculan, seiring diadakannya Lomba Karawitan Putri di Radio Republik Indonesia (RRI Surakarta). Fokus dari penelitian ini adalah karawitan sekar praja putri dimana karawitan putri masih diterima baik oleh masyarakat dan mampu bertahan walaupun telah digerus jaman. Sampai sekarang karawitan putri terus berkembang, adanya sekolah seni SMK N 8 Surakarta (SMKI/ Konser Vatori Surakarta) dan Perguruan Tinggi Seni (ASKI menjadi STSI sekrang ISI Surakarta) serta sanggar-sanggar seni menjadikan karawitan selalu ada dan tetap hidup.Kata Kunci: karawitan, karawitan putri. ABSTRACTKarawitan is a part of life for the people in Solo. The psychology condition of Solo community also influenced the development of karawitan in the cultural city. One of them is the female karawitan which is still heard, until now even with the soft echo among the Solo artists and its surroundings. In 1980s the female karawitan music began to emerge, along with the Women's Karawitan Contest that was held at Radio Republik Indonesia (RRI Surakarta). Focus of this research is the Karawitan Sekar Praja Putri with the female musicians which are still well received by the community and are able to survive even though it has been crushed by the era. The female karawitan continues to grow until now. The existence of SMKN 8 Surakarta (Vocational High School), ISI Surakarta (Indonesia Institution of Arts) and art studios make karawitan always exist and stay alive.Keywords: karawitan, female karawitan.
KIDUNG PARI: EKSPRESI KEARIFAN LOKAL PEREMPUAN RURAL JAWA UNTUK KINI DAN NANTI Fatimah, Mutiara Dewi
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5470

Abstract

The concept of the Kidung Pari work broadly draws inspiration from the role of rural Javanese women in farming activities, starting from pre-production, farming production, post-production, to activities outside the agricultural space, such as ngliwet or cooking rice. By drawing inspiration from each detail of these activities, positive values about the attitudes and roles of Javanese women in their social environment will become apparent. Although women’s roles in these activities may appear as “rough labor,” their involvement is significant in almost every stage of farming, from the rice fields to the kitchen. Through the composition of the Kidung Pari music, it will reveal another aspect of women, who are generally known for being gentle, beautiful, emotional, and nurturing. This community empowerment project through the arts is an effort to explore the intrinsic values and local knowledge possessed by the residents, as well as the development of existing traditional art potential as a means of preservation, education, and promotion of the region’s untapped potential. The activities to be carried out in this program include collaborative practices in visual arts and performing arts, including training in Karawitan for the mothers of the Tani Makmur group in Tawangrejo Village, and the results of this training will be showcased. The Kidung Pari work is an endeavor to immortalize the story of rural Javanese women in history, culture, society, worldview, and self-reflection in Javanese society. Through the Kidung Pari work, Indonesia needs to explore and develop new values to elevate the status of rural Javanese women, making them more superior, resilient, and empowered in the present and future.
SAJUMPUT MENDUNG PUTIH (Transformasi Terlihat Menjadi Terdengar) Fatimah, Mutiara Dewi
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v10i1.2291

Abstract

In Javanese tradition, batik is an art. In terms of its creation  to application, batik is very close to life, likewise with one of these phenomenal batik, which is jumputan.  A rare event is now transforming  like mushrooms in the rainy season.  The cloth which was used to be worn by lower class society is now an idol among the upper class society. By carrying the Javanese concept in a song namely the song of Winengku Sastra, the composition of this music was created.This research attempted to use phenomenological and ethnographic studies in reviewing, dissecting and analyzing the event. Phenomenology is expected to be able to unravel the logical reasons for past and present views including placing them in the frame of the phenomenon of musical performances. Meanwhile, ethnography is expected to be able to review and describe in detail the fabric structure into distinctive music. Likewise the musical concept will be carried in this work, namely the concept of transmedia instrument. Keywords: Jumputan, Society, and Music.
Eksistensi Karawitan Putri Di Kota Budaya (Studi Kasus Karawitan Sekar Praja Putri, Pemerintah Kota Surakarta) Fatimah, Mutiara Dewi
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v11i2.2986

Abstract

ABSTRAKKarawitan adalah bagian dari hidup oleh masyarakat Solo. Kondisi psykologis masyarakat Solo juga mempengaruhi berkembangnya karawitan di kota budaya. Salah satunya fenomena karawitan putri yang sampai saat ini masih terdengar meski lirih gaungnya di lingkungan seniman Solo dan sekitarnya. Sekitar tahun 80an karawitan putri mulai bermunculan, seiring diadakannya Lomba Karawitan Putri di Radio Republik Indonesia (RRI Surakarta). Fokus dari penelitian ini adalah karawitan sekar praja putri dimana karawitan putri masih diterima baik oleh masyarakat dan mampu bertahan walaupun telah digerus jaman. Sampai sekarang karawitan putri terus berkembang, adanya sekolah seni SMK N 8 Surakarta (SMKI/ Konser Vatori Surakarta) dan Perguruan Tinggi Seni (ASKI menjadi STSI sekrang ISI Surakarta) serta sanggar-sanggar seni menjadikan karawitan selalu ada dan tetap hidup.Kata Kunci: karawitan, karawitan putri. ABSTRACTKarawitan is a part of life for the people in Solo. The psychology condition of Solo community also influenced the development of karawitan in the cultural city. One of them is the female karawitan which is still heard, until now even with the soft echo among the Solo artists and its surroundings. In 1980s the female karawitan music began to emerge, along with the Women's Karawitan Contest that was held at Radio Republik Indonesia (RRI Surakarta). Focus of this research is the Karawitan Sekar Praja Putri with the female musicians which are still well received by the community and are able to survive even though it has been crushed by the era. The female karawitan continues to grow until now. The existence of SMKN 8 Surakarta (Vocational High School), ISI Surakarta (Indonesia Institution of Arts) and art studios make karawitan always exist and stay alive.Keywords: karawitan, female karawitan.