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All Journal Buletin Al-Turas Al-Zahra : Journal for Islamic and Arabic Studies Al-A'raf: Jurnal Pemikiran Islam dan Filsafat
Ummah, Sayidatul
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Religion Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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The Arab Ethnic Identity Politics in Indonesia: A Female Representation in Fatat Qarut and Fatimah Amsariah, Siti; Al-Bahar, Ali Hasan; Ummah, Sayidatul
Buletin Al-Turas Vol 30, No 2 (2024): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v30i2.36014

Abstract

PurposeThis research sought to delve into the representation of Arab women in 'Fatat Qarut' and 'Fatimah' as well as conducting a comparative analysis upon the textual ideologies instilled in both works.MethodThis research was a qualitative study utilizing descriptive analysis. A documentation technique was used as data collection means concentrating on specific passages within the text in order to uncover the strategies employed in representing women through textual quotations. Technically, the quotations were analysed using a comparative literature framework and feminist literary criticism. FindingsThis research demonstrated that the two texts present different portrayals of women based on the narrative strategy used. This variance was attributed to the generational gap between the two authors. 'Fatat Qarut' depicts women as superior and independent, whereas 'Fatimah' portrays women as inferior and submissive. ConlcusionThe study conlcudes these depictions highlight that the role and status of women within the Arab ethnic group are shaped and dominated by social and cultural stratification.
The Arab Ethnic Identity Politics in Indonesia: A Female Representation in Fatat Qarut and Fatimah Amsariah, Siti; Al-Bahar, Ali Hasan; Ummah, Sayidatul
Buletin Al-Turas Vol. 30 No. 2 (2024): Buletin Al-Turas
Publisher : Fakultas Adab and Humaniora, Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v30i2.36014

Abstract

PurposeThis research sought to delve into the representation of Arab women in 'Fatat Qarut' and 'Fatimah' as well as conducting a comparative analysis upon the textual ideologies instilled in both works.MethodThis research was a qualitative study utilizing descriptive analysis. A documentation technique was used as data collection means concentrating on specific passages within the text in order to uncover the strategies employed in representing women through textual quotations. Technically, the quotations were analysed using a comparative literature framework and feminist literary criticism. FindingsThis research demonstrated that the two texts present different portrayals of women based on the narrative strategy used. This variance was attributed to the generational gap between the two authors. 'Fatat Qarut' depicts women as superior and independent, whereas 'Fatimah' portrays women as inferior and submissive. ConlcusionThe study conlcudes these depictions highlight that the role and status of women within the Arab ethnic group are shaped and dominated by social and cultural stratification.
Sulūk wa-Iḥyā’ al-Ḥadīth fī al-Ḥaram al-Jāmi‘ī al-Akhḍar fī Bī’at Jāmi‘at Sharīf Hidāyatullāh Jākartā Salim, Hasan Basri; Zahasfan, Alvian Iqbal; Hidayatulloh, Muhammad; Fatihunnada, Fatihunnada; Kamaliah, Mawritsa; Ummah, Sayidatul
Al-Zahra : Journal for Islamic and Arabic Studies Vol. 22 No. 1 (2025): Al-Zahra: Journal for Islamic and Arabic Studies
Publisher : Fakultas Dirasat Islamiyah, Univitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/zr.v22i1.46455

Abstract

This study examines the Green Campus practices of academics at UIN Syarif Hidayatullah Jakarta by exploring the underlying motives that drive their environmental attitudes and actions. Unlike earlier Living Hadith studies that documented eco-friendly behavior as acts of worship, this research adopts a qualitative phenomenological approach using observation, documentation, and interviews to uncover the meaning behind such practices. The findings show that the academic community actively supports sustainability through energy conservation, waste reduction, recycling initiatives, the use of eco-friendly transportation, and the promotion of responsible lifestyle choices, demonstrating a strong institutional commitment to environmental stewardship. Notably, their motivation is rooted more in rational and modern ecological awareness than in strict textual adherence to religious teachings. In this context, hadith functions not as a primary normative source, but as a reinforcement of universal values aligned with environmental ethics. Cleanliness, for example, has become an internalized social norm, practiced not out of command, but out of logical necessity. This reflects a selective and contextual engagement with religious texts, where Islamic teachings are harmonized with global sustainability values. Environmental motivation is thus multidimensional: religious, social, and ecological.
THE FILM 'PESANTREN' AND RELIGIOUS TOLERANCE IN INDONESIA: REALITY, REPRESENTATION AND IDEOLOGY Abdullah, Irfan Mas’ud; Hasbi, Rusli; Fatihunnada, Fatihunnada; Ummah, Sayidatul
Al-A'raf : Jurnal Pemikiran Islam dan Filsafat Vol. 20 No. 2 (2023)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ajpif.v20i2.7813

Abstract

This article aims to explain the form of religious tolerance values in the documentary film 'Pesantren' which was released in 2022. This film is interesting because it reveals the educational side of religious tolerance in Indonesia, which shows another side of pesantren, which is considered by some to be a hotbed of indoctrination of radical and fundamental religious views. Through descriptive qualitative method, this article focuses on the value of religious tolerance in the film presented through verbal and non-verbal signs. The data is analyzed using John Fiske's semiotic theory that explains the codes of television, namely the level of reality, the level of representation and the level of ideology. This theory is useful to reveal the meaning behind each scene. This article shows that in the film Pesantren, the value of tolerance is more dominant after reading the ideology stage. The value of tolerance in the film is present in the frame of inter and intra-religious tolerance. The value is instilled in three major narratives, namely: respecting differences of opinion, avoiding fanaticism because God's love is also unlimited, preaching with good words and staying away from discrimination against people of different beliefs.
Co-Authors Abdullah, Irfan Mas’ud Al-Bahar, Ali Hasan Amsariah, Siti Fatihunnada, Fatihunnada Hasan Basri Salim Kamaliah, Mawritsa Muhammad Hidayatulloh, Muhammad Rusli Hasbi Zahasfan, Alvian Iqbal