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Religious Moderation Discourses on Digital Platforms: Upholding Diversity, Rejecting Violence, and Embracing Local Wisdom Handayani, Rizqi; Alfida, Alfida
Insaniyat: Journal of Islam and Humanities Vol. 9 No. 2 (2025): Insaniyat: Journal of Islam and Humanities
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University (UIN) Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/gmqz2712

Abstract

This research examines the dissemination of religious moderation discourses through digital platforms, particularly YouTube, by analyzing lectures from two moderate dai, Gus Baha and Adi Hidayat. In light of social change and the evolution of digital media, the study aims to identify the values of religious moderation reflected in their messages. Key research questions address the various da’wah approaches utilized on YouTube and how these pillars such as commitment to national unity, respect for diversity, rejection of violence, and openness to local wisdom are communicated to audiences. Employing a qualitative approach with content analysis, the study selects lecture videos through purposive sampling based on view count and thematic relevance. The findings reveal that both Gus Baha and Adi Hidayat effectively use digital platforms to convey moderation messages, albeit through different strategies. Gus Baha focuses on cultural narratives familiar to the community, while Adi Hidayat employs a scientific, structured approach rooted in religious texts. The analysis indicates that YouTube serves not only as a channel for disseminating moderate religious information but also plays a critical role in preventing radicalization by providing inclusive content. In conclusion, this study offers contribution to digital literacy policy by highlighting the role of digital media in enhancing religious moderation in Indonesia amidst complex information flows and underscores the importance of digital literacy in amplifying the positive impact of moderation messages online. 
Men's Objectification of Women in the Novel "Naqah Shalihah" by Saud Al Sanousi Lutfiyati, Indah; Handayani, Rizqi
Litteratura: Jurnal Bahasa dan Sastra Vol. 2 No. 2 (2023): LITTERATURA
Publisher : Fakultas Adab dan Humaniora, Universitas Islam Negeri Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/ltr.v2i2.34264

Abstract

Since the 20th century up to the present day, the objectification of women is still a central phenomenon in feminist discourse, particularly in the Arab cultural context such as in Kuwait. One tradition that serves as a fertile ground for this issue is the practice of forced arranged marriages, as discussed in the novel "Naqah Shalihah" by Saud al-Sanousi. This novel presents issues related to the culture of forced marriages towards women in the Badui tribe, which gives rise to men's objectification of women. This research aims to analyze the various forms of male objectification of women present in the novel "Naqah Shalihah" by Saud al-Sanousi. The research method used is descriptive analytics with a feminist literary criticism approach and the theories of objectification by Martha Nussbaum and Rae Langton. In the process, data is collected and then analyzed using content analysis techniques. The results of the data analysis indicate nine forms of male objectification of women, namely instrumentality, denial of autonomy, ownership, denial of subjectivity, inertness, violability, fungibility, reduction to body, and reduction to appearance.
Konsepsi Raja Melayu dalam Hikayat Petualangan Ajaib Hikayat Kemala Bahrain Handayani, Rizqi
Manuskripta Vol 10 No 1 (2020): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v10i1.113

Abstract

This article explains the views of the Malay community regarding the concept of a king in one of the magical adventure stories, entitled Hikayat Kemala Bahrain ML 443 (HKB). HKB is one of the classic Malay magical adventures stored in the National Library of the Republic of Indonesia. HKB tells about the adventures of a king in finding his identity as the heir to the kingdom. The results of this study indicate that HKB carries the idea of ​​the Malay king as the caliph on earth (Ḍillullah fī al-‘ālam). However, in formulating the concept of king's leadership, the Malay community was still trapped in the idea of god-king spiritualism (devarāja spiritualism) which became one of the criteria attached to the Malay king. Based on the king's conception presented by HKB, it is clear that the Malay worldview aspires to a leader or king who upholds political and state ethics based on noble moral values that are relevant to various situations and conditions. === Artikel ini menjelaskan pandangan masyarakat Melayu mengenai konsep raja dalam salah satu hikayat petualangan ajaib, yang berjudul Hikayat Kemala Bahrain ML 443 (HKB). HKB merupakan salah satu hikayat petualangan ajaib melayu klasik yang tersimpan di Perpustakaan Nasional RI. HKB bercerita tentang petualangan seorang raja dalam menemukan identitas dirinya sebagai pewaris kerajaan. Penelitian ini merupakan penelitian kepustakaan. Hasil penelitian ini menunjukkan bahwa HKB mengusung gagasan tentang raja Melayu sebagai khalifah di muka bumi (Ḍillullah fī al-‘ālam). Namun, dalam merumuskan konsep kepemimpinan raja, masyarakat Melayu masih terjebak pada gagasan tentang spiritualisme dewa-raja (devarāja spiritualism) yang menjadi salah satu kriteria yang melekat pada raja Melayu. Berdasarkan pada konsepsi raja yang ditampilkan HKB maka terlihat jelas bahwa pandangan dunia Melayu mencita-citakan pemimpin atau raja yang menjunjung tinggi etika politik dan kenegaraan yang berbasis pada nilai-nilai moral yang luhur yang relevan dengan berbagai situasi dan kondisi.