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All Journal Al-Adyan: Jurnal Studi Lintas Agama Jurnal Muara Ilmu Sosial, Humaniora, dan Seni JLA (Jurnal Lingua Applicata)
Handayani, Andri
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Arts Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Toward An Open Integralism: Multi-Religious Interactions In Sumberjo, Kediri Saputra, Riza; Handayani, Andri; Mujab, Saiful
AL-ADYAN Vol 15 No 1 (2020): Al-Adyan: Jurnal Studi Lintas Agama
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/ajsla.v15i1.6095

Abstract

This research reveals some perspectives of multi-religious interaction in Sumberjo hamlet concerning the forms of tolerance and the role of the environment. Sumberjo Hamlet exemplifies social awareness in a variety of religious life and has successfully presented social solidarity among distinct traditions of each religious group. There are four major religions living in Sumberjo Hamlet, namely, Islam, Hindu, and Christianity (both Protestantism and Catholics). This research aims at finding the processes of multi-religious interaction in Sumberjo Hamlet, the form of religious tolerance, and the role of the religious environment in building multi-religious tolerance. Conducting a semi-structured interview to the villagers, religious leaders, and village official, the study reaches the following results, firstly, there are three forms of religious tolerance in Sumberjo hamlet, and these three categories are Understanding, Openness, and Respect. Secondly, there are three periods of multi-religious interaction in Sumberjo hamlet, these three periods are: exclusivism, Inclusivism, and Open Integralism,. Thirdly, there are some roles of environment which give contribution in social and individual life: Social consciousness, Social solidarity, and Social humanism
REPRESENTASI IDOLA BARU KOREA: STUDI KASUS PROGRAM ACARA RAGAM KOREA SELATAN STREET WOMAN FIGHTER Hasanah, Ummul; Handayani, Andri; Kusumaning Ratri, Ajeng
Jurnal Muara Ilmu Sosial, Humaniora, dan Seni Vol. 9 No. 1 (2025): Jurnal Muara Ilmu Sosial, Humaniora dan Seni
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jmishumsen.v9i1.23264.2025

Abstract

This study aims to examine the representation of new South Korean female idols as reflected in the dance crew on Street Woman Fighter and how the discourse on street woman dancers is depicted through this broadcast in accordance with Stuart Hall's representation theory. The theory of representation used is specifically a constructionist approach through the production of meaning and the production of discourse. The research method used is a qualitative method with a literature study data collection technique with the main text of the SWF program broadcast on Mnet which is accessed via VIU's paid over-the-top video service in December 2021. In addition, the author also examines various sources of literature as secondary data sources. such as books, journal articles, articles from websites and social media as a complement to data analysis. The results of the study show that the representation of new Korean idols represented by dance crews participating in Street Woman Fighter is very close to the images of street dancers and hip hoppers which are dominated by men. The image of street culture and hip hopper can be seen from the style of dress, style of makeup, tattoos on the body, style of speech and dance battle shown. Even though it brings fresh air to the world of television content by appointing background dancers as the main characters, Street Woman Fighter is not free from representational problems. Some of the problems that arise are the incompatibility between the promotional material and the title of the program being broadcast, there is a process of changing the image of female idols who are feminine, refined and beautiful, there is a process of masculinizing the image of female dancers participating in SWF events, and the role of the media in building the image of a street dancer or This street fighter is especially in the content editing process. Keywords: representation; self-image; street dance; hip hop; Street Woman Fighter
Language and Intercultural Communication: Belgian Business Owner with Indonesian Workers in Murianto Workshop, Jepara, Central Java Ulfani, Kireina Geza; Handayani, Andri
JLA (Jurnal Lingua Applicata) Vol 7, No 2 (2024)
Publisher : DBSMB, Vocational College of Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jla.87272

Abstract

This study explores the dynamics of intercultural communication between Niels Evens, a Belgian business owner, and his Indonesian workers in the Murianto Workshop in Jepara, Central Java. Drawing upon the Communication Accommodation Theory (CAT) by Giles and Coupland and the Conversational Constraints Theory (CCT) by Kim, the study discusses the interplay of cultural adaptation and communication strategies. The objectives of this study are to understand the implementation of CAT and CCT by the owner and the workers of Murianto Workshop in Jepara, Central Java, and also to identify the constraints during the communication between the owner and the workers of Murianto Workshop. The data for this research was gathered through a semi-structured interview conducted with Niels Evens and presented descriptively. The finding shows that Niels Evens’ effort to adapt and understand the local culture can be called convergence from the Communication Accommodation Theory. Although many of his actions reflect collectivist tendencies, he establishes boundaries with his workers to maintain a professional work environment. From the Conversational Constraints Theory, it can be concluded that the constraints faced by Niels Evens are about clarity and effectiveness concerns. The constraints he faced are related to the change of communication strategy from a direct to an indirect approach, which is also his constraint in adapting to the local culture.
Co-Authors Hasanah, Ummul Kusumaning Ratri, Ajeng Saiful Mujab, Saiful Saputra, Riza Ulfani, Kireina Geza