Pradnya, I Made Adi Surya
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TARI WALI BARIS BUGBUG DI PURA DALEM GEDE SELAUNGAN KECAMATAN BANGLI KABUPATEN BANGLI Suarjata, Ida Bagus Ketut; Girinata, I Made; Pradnya, I Made Adi Surya
Pangkaja: Jurnal Agama Hindu Vol 26 No 2 (2023)
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v26i2.2685

Abstract

ABSTRACT The Baris Bugbug wali dance is different from the Baris dance in general, where in general the Baris dance is used as a complement to a ritual, but the uniqueness of the Baris Bugbug wali dance is as part of a series of piodalan ceremonial activities at Dalem Gede Selaungan Temple. The Baris Bugbug wali dance is a symbol of the Gandharwa-gandharwi as Ida Bhatara's troop or plan that goes down with Ida Bhatara during the piodalan ceremony. Before the Baris bugbug has been danced, other piodalan ritual activities cannot be continued, after which the Baris Bugbug dance will continue with the offering ritual of offering offerings. The purpose of this study was to determine the relationship between staging and piodalan activities at Dalem Gede Selaungan Temple. This study used a qualitative model, with data sources collected based on observations, literature studies and interviews with informants who were determined by purposive sampling technique. The conclusion of this research is from the formulation of the problem of the existence of the Baris Bugbug wali dance, that is, the entire range of movements and floor patterns of the Baris Bugbug wali dance has the meaning of the process of purifying the universe as the descent of Ida Bhatara's holy energy during the piodalan ceremony. From the formulation of the problem for staging Baris Bugbug, it is found that the stage before the performance is mental strengthening and seriousness to carry out the yadnya ceremony, the staging stage is part of the process of self-purification and jnana kanda to Ida Sang Hyang Widhi. And the finished stage of the performance is the process of releasing negative energy and welcoming positive energy in humans. In the formulation of the problem of the stages of sacralization, the result is that the process of sacralization is carried out on the dancers as a medium for the decline of Ida Bhatara's energy, and the spears and coils are places where Ida Bhatara's sacred energy descends. Keywords: wali dance, bugbug line, presence, staging, sacralization.
KONSEP KALEPASAN PADA TEKS BUBHUKSAH GAGAKAKING: Perspektif Teologi Hindu Santika, Ni Made Mitia; D.E., Relin; Pradnya, I Made Adi Surya
Pangkaja: Jurnal Agama Hindu Vol 27 No 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v27i2.3776

Abstract

In order to achieve the final goal of this life, namely Moksa, there are various paths that can be taken. Several teaching sources contained in the Vedas, Itihasa, Puranas and Hindu literature are tools to be guided by in order to find the path to kalepasan. One of the sources from Hindu literature that is used as research regarding kalepasan in this case is the Bubhuksah Gagakaking Text. Meanwhile, the methods used are identification of the type of research, intertext observation, documentary, online data search, instruments followed by data analysis techniques and presentation of data analysis results. The text structure consists of Synopsis, Characters, Incidents, Plot, Setting, Theme and Message. Meanwhile, the teachings contained in Bubhuksah Gagakaking's text are Harmony, Moral Teachings, Shiva Buddha Teachings, Peditativity Teachings. The concept of kalepasan that can be explained consists of the Shiva Abhrawi Concept implemented by Gagakaking, namely a path to kalepasan through self-discipline, meditation by becoming a Pandita who always adheres to the provisions of the Veda, is faithful to the promise to avoid various taboos, is always compassionate, and does not commit murder. and abstain from eating meat. Meanwhile, Bubhuksah's concept of kalepasan Buddha Bhrawi is to always be self-disciplined by becoming an ascetic as a Buddhist priest, worshiping diligently facing west, eating everything he likes, killing game animals and eating them without any leftovers, as the basis for liberation of these animals. Kalepasan can be done perfectly through Tyaga Pati, namely self-discipline to follow the path of truth towards God with full sincerity without blaming others. Towards the One God who is supernatural or Acintya as the source of all that exists can be reached with concentration of mind, not through japa, meditation or science.