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All Journal Jurnal Igel: Journal of Dance Sciencestatistics: Journal of Statistics, Probability, and Its Application
Suminto
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Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Mathematics

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Bentuk Tari Dedari Dalam Tradisi Makenak-Kenakan Di Pura Desa, Desa Penatahan, Penebel, Tabanan Hani Yustia; Dyah Kustiyanti; Suminto
Jurnal IGEL : Journal Of Dance Vol 1 No 1 (2021): Terbitan Pertama Bulan Juni
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (217.33 KB)

Abstract

The Makenak-kenakan tradition is a symbol of offering, joy, and embodiment as an expression of geatitude to Ida Sang Hyang Widhi Wasa for being given an abundance of produce, avoiding disasters, and hoping to avoid disease outbreaks. This dress-up tradition is carried outby prasayang Ida Batara (a group of sutri penyungsung) the Penatahan tradisional village temple using a series of ritual processes that are carried out with a sincere sense of sincerity. The Dedari dance has certain meaningful symbols. Symbols are a major component of culture. Everything that humans see and experience can be translated into symbols that we can all understand. The Dedari dance is danced by seven dancers who are alive niskala symbolizes the seven widyadari who came down from heaven. Dedari dance is a sacred dance that is performed in the Dewa Yadnya ceremony in Penatahan village. The Dedari dance is one of the dances in the Makenak-kenakan tradition which is sacred in the village of Penatahan, Penebel, Tabanan. This dance is accompanied by gamelan Gong Kebyar. Talking about the problem of form, it is explained about the structure, the dancers of the Dadari dance, the various movements of the Dedari dance, make up, and fashion, accompaniment music, and the Dedari dance performance place, as well as the Dedari dance symbol. Dedari dance research is composed of several theories and qualitative research methods. The theory used in this research is aesthetic and functional theory. The researcher dug up information from several community leaders and residents of the Penatahan village which was then described back toin writing. Key words : Makenak-kenakan tradition, Dedari dance, Form.
Tari Legong Suddhamala Di Sanggar Semara Ratih Ubud Ni Nyoman Gek Ayu Indah Lestari; Ida Ayu Wimba Ruspawati; Suminto
Jurnal IGEL : Journal Of Dance Vol 2 No 2 (2022): Terbitan Kedua Bulan November tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (832.526 KB)

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Merdeka Belajar-Kampus Merdeka merupakan program belajar di luar program studi kurikulum baru yang dibuat oleh Mentri Pendidikan dan Kebudayaan (Nadiem makarim) diterapkan pada 24 Januari 2020 guna untuk mencetak lulusan yang unggul dan menguasai berbagai keilmuan yang berguna untuk memasuki dunia kerja. Tari Legong Suddhamala merupakan tari hiburan yang diciptakan oleh Prof. Dr. I Wayan Dibia, SST., MA. pada tahun 2012 dengan musik iringan yakni gamelan Semarandana yang diciptakan oleh I Ketut Cater, S.Sn. Legong adalah tari klasik Bali yang memiliki perbendaharaan gerak yang sangat kompleks. Sedangkan Suddhamala adalah kata dalam Bahasa Sanskerta yang mengandung arti penyucian atau peleburan. Tari Legong Suddhamala memiliki keunikannya tersendiri yakni memiliki gerakan yang murni dari tarian legong dan mengangkat sebuah kisah dari cerita Kunti Sraya mengenai pengeruwatan (penyucian). Dengan menggunakan metode kualitatif, maka akan mengacu pada teori estetika dan teori kontekstual. Dari hasil analisis data dan hasil temuan menunjukan struktur pertunjukan dalam membuat karya, sehingga terwujud suatu karya yang dihasilkan melalui proses penelitian. Kata Kunci : Semara Ratih, Legong Suddhamala, Penyucian
Factor Analysis on Possum Dataset to Simplify Many Independent Variables Into Fewer Factors Larasati, Ayu; Suminto
Sciencestatistics: Journal of Statistics, Probability, and Its Application Vol. 2 No. 1 (2024): JANUARY
Publisher : Universitas Muhammadiyah Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24127/sciencestatistics.v2i1.5649

Abstract

This research aims to apply factor analysis to possum data with the aim of simplifying many independent variables into fewer factors. The factor analysis steps begin by grouping the variables to be analyzed and compiling a correlation matrix using the Bartlett test and the Kaiser-Meyer-Olkin (KMO) test. From the test results, it was found that the variables had sufficient correlation to proceed to factor analysis. After that, factor extraction was carried out using three criteria, namely eigenvalues, diversity percentage, and scree plot, which concluded that the number of factors formed was two. Next, factor rotation was carried out using the varimax method to simplify interpretation. The results show that certain variables have high loadings on certain factors, making it easier to identify patterns. In conclusion, factor analysis succeeded in simplifying the relationship between variables into two factors that can be interpreted more easily.
Payas Roko Deeng Buleleng di Desa Liligundi Kecamatan Sukasada Kabupaten Buleleng Kadek Rendy Wiradana; Ni Made Arshiniwati; suminto
Jurnal IGEL : Journal Of Dance Vol 5 No 1 (2025): Jurnal IGEL Vol 5 No 1 2025
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jijod.v5i1.5656

Abstract

Buleleng has one of the Payas Deeng called Payas Roko Deeng Buleleng precisely in Liligundi Village,Sukasada District. Payas Roko Deeng Buleleng was originally used during the cremation ceremony or palebon by thepuri community precisely during the palebon of I Gusti Putu Gria. This Payas is used as a symbol of final respect fortheir ancestors and those who perform the deeng are relatives or siblings who have died. They must or are required topresent a pair of Deeng, male and female to help guide the deceased's spirit to heaven. Payas Roko Deeng Buleleng iscurrently being studied with the help of a Partner, namely Uje Mua Bali. Uje Mua Bali is located in Buleleng, using theoffline learning method or direct meetings to learn how to install the head shape and clothing of Payas Roko DeengBuleleng. It is hoped that with this Thesis, it can provide broad information about Payas Roko Deeng Buleleng. PayasRoko Deeng has a payasan form that uses a roll of roko roko on the head, uses songket and men use 2-meter longkancut. This has the meaning that roko-roko is used as a symbol of akasa or upper space and kancut as a symbol ofpertiwi (lower space) or land. The unification of these two elements will help the deceased spirit to harmonize the upperand lower realms. A pair of Deeng is also used as a symbol of purusa and pradana or the difference between men andwomen. Payas Roko Deeng Buleleng is also seen based on the current social strata of society, the economy of societycan be seen through the Payas Deeng that is offered.Keywords: Cremation, Payas Roko, Buleleng Deeng
Co-Authors Ayu Larasati Hani Yustia Ida Ayu Wimba Ruspawati, Ida Ayu Kadek Rendy Wiradana Kustiyanti, Dyah Ni Made Arshiniwati Ni Nyoman Gek Ayu Indah Lestari Rahma Faelasofi