Hidayah, Lutfi Nur
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Stigmatization of Muslim in Karim Miské’s Arab Jazz: an Orientalism Study Hidayah, Lutfi Nur; Djohar, Hasnul Insani
Journal of English Teaching, Applied Linguistics and Literatures (JETALL) Vol 7, No 1 (2023): JETALL VOLUME 7 NUMBER 1 2024
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/jetall.v7i1.19042

Abstract

Although Islam is the second largest religion in France, it is still a minority compared to the overall population. As in other Western countries, Muslims who are in the minority find it difficult to adapt to their surroundings. Apart from the significant cultural differences, mistreatment by the local population, such as isolation and neglect, is also a contributing factor. Muslims have long been the subject of ridicule and victims of the bad stigma of Western society, various slanders are directed at Muslim minorities there with the assumption that Muslim minorities in the West are very easy to be used as scapegoats for all the actions they have committed. Of the many previous studies that discuss how Muslim minorities struggle to survive in an environment that often discriminates against them because of differences in culture and appearance, researchers rarely or almost do not find research that discusses how Muslim minorities survive being scapegoated by Westerners in murder cases in the area where they live there. The researchers here want to focus on how Muslims face various discriminations, especially being scapegoated by Westerners in Karim Miské's Arab Jazz. By using a qualitative approach, the researchers collected and analyze the data using Said’s orientalism theory as the main theory, Goffman’s stigma theory and Bhabha’s mimicry as the supporting theory to classify the stigma and explain the resistance towards the Muslim stigmatization.
Kerancuan Identitas Diaspora dalam Cerpen Randa Jarrar, Him, Me, Muhammad Ali Fitria, Sari; Hidayah, Lutfi Nur; Arrizqina, Muhammad Jumhur; Rahmadania, Nur Dini
BASIS (Bahasa dan Sastra Inggris) Vol 10 No 1 (2023): JOURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v10i1.7220

Abstract

This study was purposed to reveal doubleness of cultural identity experienced by diaspora individuals in a short story written by Randa Jarrar, entitled Him, Me, Muhammad Ali. This story captured a life of diaspora who was not easy for a completely different culture between the homeland and the hostland. Jarrar depicted how being a Muslim living in a western country could be totally a mess for her cultural identity. To conduct this study, the method used was qualitative descriptive by collecting the data through reading the novels. Then, the certain quotations that relates to diaspora were analyzed by cultural identity and diaspora concept from Stuart Hall. This diaspora term refers to the character who owns two or more different culture in his life. The result of the analysis framed that being a diaspora living in a country with a completely different culture is complicated, especially to define the diaspora individual’s cultural of identity. The diaspora character was in the state of doubleness, which they could not completely belong to one culture. The character has culture in between his homeland (Muslim culture) and hostland (American culture). However, Jarrar depicts that there was a tendency for a culture to be more dominant than the other one.