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KARAKTERISTIK TIPOLOGI ARSITEKTUR KOLONIAL BELANDA PADA RUMAH TINGGAL DI KAWASAN TIKALA Tarore, Larry T.; Sangkertadi, Prof.; Kaunang, Ivan R. B.
Jurnal Arsitektur DASENG Vol 5, No 2 (2016): Volume 5 No.2 November 2016
Publisher : PS S1 Arsitektur. Jurusan Arsitektur, Fakultas Teknik Universitas Sam Ratulangi Manado

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Abstract

Penelitian tesis ini bertujuan untuk mengungkapkan karakteristik tipologi arsitektur kolonial Belanda di kawasan Tikala dan mengidentifikasi perubahan fungsi ruang dalam pada rumah berciri khas arsitektur kolonial Belanda. Metodologi penelitian yang dipakai adalah metodologi penelitian rasionalisme dalam bentuk kualitatif dengan pendekatan tipologi. Metode kualitatif untuk mengidentifikasi tipologi bangunan kolonial Belanda yang berada di Kawasan Tikala. Kriteria pemilihan sampel berdasarkan aspek keaslian fasade bangunan yang tidak memiliki perubahan pada fasade dan kondisi dalam yang masih asli. Analisis yang digunakan adalah analisis kualitatif. Melalui penelitian ini penulis dapat mengidentifikasi karakteristik tipologi arsitektur kolonial Belanda pada rumah tinggal yang berada dikawasan Tikala dan bagaimana perubahan fungsi ruang dalam pada bangunan rumah tinggal dengan menggunakan pendekatan tipologi dan mengambil acuan dari beberapa teori seperti teori fungsi dan teori perubahan. Melalui penelitian ini diharapkan masyarakat yang mempunyai rumah yang masih berciri khas arsitektur kolonial Belanda agar tetap mempertahankan keaslian fasade dan bentuk bangunan dan untuk pemerintah agar bisa membuat peraturan daerah yang mengatur perlindungan dan pelestarian bangunan-bangunan bersejarah dikota Manado. Kata Kunci              : Arsitektur kolonial Belanda, karakteristik tipologi, perubahan fungsi.
Physiological Motivational Meanings of Farmer's Chant 'Amang Kasuruan' During the Cap Tikus Production (Semiotic Analysis, Ethnolinguistic Approach) Rambing, Christy C.; Warouw, Maya P.; Kaunang, Ivan R. B.
Edumaspul: Jurnal Pendidikan Vol 7 No 2 (2023): Edumaspul: Jurnal Pendidikan
Publisher : Universitas Muhammadiyah Enrekang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33487/edumaspul.v7i2.7121

Abstract

The cultural legacy holds a position of utmost richness in the collective human society. It manifests in diverse forms, with cultural traditions displaying unparalleled uniqueness across regions. These distinctive traits, deeply ingrained in the societal fabric, are exemplified by various customs, including the reverence for indigenous languages expressed through song. The significance of regional languages, especially in indigenous or cultural musical compositions, profoundly influences the everyday lives of communities. North Sulawesi, with its diverse tribes, epitomizes a cultural mosaic characterized by rich mores and customs. Among these, the South Minahasa tribe prominently utilizes the Tountemboan language as a linguistic emblem. This vernacular permeates daily discourse, not only in conversations but also resonating within the verses of songs and chants, inseparable from their artisanal endeavors. This study explores the motivational significance embedded in folk songs utilized during the intricate process of crafting Cap Tikus, a cultural artifact interwoven with the region's agricultural pursuits. The amalgamation of labor and lyrical expression in this context provides an intriguing subject for investigation, acting as a catalyst for instilling enthusiasm and fortitude among farmers, particularly those dedicated to cap tikus cultivation. Methodologically, the research employs a descriptive qualitative approach following Spradley's framework. It is supplemented by Semiotic analysis, drawing from Ferdinand Saussure's perspective on signs in the social milieu. Additionally, the study integrates Abraham Maslow's theory of motivational needs, outlining a hierarchical structure that encompasses physiological or basic needs. The explication of motivational underpinnings, ensuring the fulfillment of basic needs, unfolds through the impassioned rendition of folk songs during the cap tikus farming process. In essence, this research reveals the profound layers of motivation inherent in the ritualistic singing of folk songs, elucidating their role as markers and signifiers within the lyrical fabric. The comprehensive explication of these motivational meanings serves as a testament to the intricate interplay between cultural expressions, agricultural practices, and the fulfillment of fundamental human needs.