Harendika, Melania Shinta
Departemen Bahasa Dan Sastra, Fakultas Ilmu Budaya, Universitas Brawijaya Jl. Veteran, Malang, 65145

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PIERRE-FELIX BOURDIEU'S PHILOSOPHICAL BASIS IN LITERARY STUDIES Harendika, Melania Shinta
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 18, No 1 (2023): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v18i1.19839

Abstract

The concepts of Pierre-Felix Bourdieu regarding capital, habitus, and fields are often found in literary studies. However, only a few studies examine the basic assumptions behind these concepts. This study discusses Bourdieu's assumptions about individuals, society, authors, literary works, and literary studies to be accepted entirely. This study adopts the perspective put forward by Ahimsa-Putra. A literature review, used as a research method, helps the author describe these basic assumptions comprehensively. This study reveals that individuals have strengths and perspectives that determine their strategy in social life. This strategy is required to survive because Bourdieu said society is a game. In this case, the game also influences literary works. Bourdieu created two poles: autonomous and heteronomous between intellectuals and authors. Therefore, the literature study requires in-depth observation methods to describe it clearly.
Exploring the field of cultural production: The development of Pentigraf in Indonesia Harendika, Melania Shinta; Salam, Aprinus; Sudibyo, Sudibyo
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 53, No. 1
Publisher : citeus

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Abstract

This research examines the development of Pentigraf, an Indonesian minifiction form with a three-paragraph structure initiated by Tengsoe Tjahjono to suit modern, fast-paced culture. The emergence of Pentigraf and its community, i.e., KPI (Kampung Pentigraf Indonesian or the Indonesian Pentigraf Village), influenced the dynamics of the Indonesian field of cultural production. Using Bourdieu’s theory, it analyses Pentigraf’s position in cultural production from 2016-2023 based on literature reviews, media content analysis, competition records, and participatory observations in KPI. By studying the legitimacy and consecration of Pentigraf in the cultural production field, the research provides insights into how this literary format has been embraced by various institutions, serving as a medium for amateur writers. This research shows that Pen-tigraf has gained institutional support within the cultural production and has adapted to the literary environment by integrating conventional and digital to promote a new literary work. The position of Pentigraf moves from the left to the right below in Bourdieu’s diagram of cultural production, indicating its movement toward popular literature. The conclusion underscores the usefulness of Bourdieu’s framework in understanding new literary phenomena and highlights the implications of Pentigraf for the growth of popular literature in Indonesia.