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Generalisasi Pakaian Muslim Menjadi Modest Wear pada Tren Fashion Indonesia Tahun 2010-an: - Ratuannisa, Tyar
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.47898

Indonesia is a country with the largest Muslim population in the world and with a diversity of languages, culture, and religious beliefs. From time to time, fashion trends in Indonesia are associated with the process of how an appropriate idea can be accepted and internalized through the filtration of Indonesian culture. Modest wear derived from Muslim wear does not only serve as a physiological fulfilment but also a need for identity. There are two types of modest wear users. The first ones are those who use it as an identity, they do not care about trends and will continue to use them. Meanwhile, the second ones are those who choose modest wear to keep up with the trend. This phenomenon raises an idea that, for a Muslim woman, the basis of clothing using modest wear is to use the hijab/jilbab/kerudung as part of the basic clothing. However, many also use head coverings temporarily and do not last long. Thus, this commitment to modest choices becomes a mere trend at one time or, in other words, the use of hijab does not represent their identity. This study investigates the change in Indonesia regarding hijab identity diachronically and the reinterpretation of modest wear in the 2010s accompanied by the determinant factors viewed from the synchronic aspects. It was revealed that modest wear was acceptable due to the dominant factors of trend drivers that are interconnected and interdependent, namely world events, economic conditions, social change, entertainment world, technological innovation, and fashion leaders in Indonesia.

Studi Pengolahan Air Limbah Batik pada Skala Industri Rumah Tangga dan Usaha Kecil Menengah di Cirebon, Indonesia Diyah, Nazuwatussya’; Ratuannisa, Tyar; Ekawati, Estiyanti; Yulia, Elfi; Purwasasmita, Bambang Sunendar; Nugraha, Ashari Budi
Dampak Vol 20, No 1 (2023)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/dampak.20.1.8-15.2023

Since the admission of batik as a world cultural heritage by the United Nations Educational, Scientific and Cultural Organization, the public interest in batik and the batik industry has been increasing. However, the problem arises when the development of the batik industry is not accompanied by batik wastewater treatment that fits the wastewater quality standard. Hence it causes environmental pollution, especially for the aquatic body. This paper discusses the conditions and awareness for batik wastewater treatment in the batik industry on household and small-to-medium scales in Plered District, Cirebon, Indonesia. It examines the pollutant load of batik wastewater in the area, the respondent's knowledge about wastewater processing systems, wastewater impact on the environment, and the need for education about batik wastewater treatment plants (WWTPs). The examination of wastewater samples showed that batik wastewater did not meet the waste quality standards and potentially harmed the environment. The respondents generally use synthetic dyes, and were unaware of its impact on the surrounding environment. Keyword: batik, WWTPs, batik production process, dye, wastewater impact ABSTRAK Sejak ditetapkannya batik sebagai warisan budaya dunia oleh United Nations Educational, Scientific and Cultural Organization, minat masyarakat terhadap batik dan industri batik semakin meningkat. Namun permasalahan muncul ketika pengembangan industri batik tidak dibarengi dengan pengolahan air limbah batik yang sesuai dengan baku mutu air limbah. Oleh karena itu menyebabkan pencemaran lingkungan, terutama untuk badan air. Tulisan ini membahas tentang kondisi dan kesadaran pengolahan air limbah batik pada industri batik skala rumah tangga dan kecil-menengah di Kecamatan Plered, Cirebon, Indonesia. Kajian ini mengkaji beban polutan air limbah batik di wilayah tersebut, pengetahuan responden tentang sistem pengolahan air limbah, dampak air limbah terhadap lingkungan, dan perlunya penyuluhan tentang Instalasi Pengolahan Air Limbah (IPAL) batik. Pemeriksaan sampel air limbah menunjukkan bahwa air limbah batik tidak memenuhi baku mutu limbah dan berpotensi merusak lingkungan. Responden umumnya menggunakan pewarna sintetis, dan tidak mengetahui dampaknya terhadap lingkungan sekitar. Kata kunci: COD, elektrokoagulasi, elektroda aluminium, air limbah tahu, monopolar.

Menghidupkan Kembali Masa Lalu: Sebuah Studi tentang Bagaimana Generasi Z Memahami dan Mengadopsi Tren Fashion Vintage Pradana, Dhanar; Ratuannisa, Tyar
Jurnal Desain Indonesia. Vol 6 No 2 (2024): Design Thinking In The Era Of Artificial Intelligence, Can humanity be replaced?
Publisher : Aliansi Desainer Produk Industri Indonesia (ADPII)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52265/jdi.v6i2.412

This research project is primarily dedicated to comprehension of individuals' perspectives on vintage fashion styles. In the contemporary era, vintage fashion has not only emerged as a substantial trend within the fashion industry but has also captured the interest of numerous individuals who are drawn to clothing and accessories reflecting elements from bygone eras. Employing a quantitative research methodology and utilizing the semantic differential approach, the study endeavors to quantify and understand consumers' perceptions of products embodying vintage styles. Furthermore, the investigation seeks to discern the various factors that contribute to shaping individuals' perceptions of vintage fashion, including the influences of prevailing fashion trends and cultural elements.The significance of acquiring an in-depth understanding of the intricate nature of perceptions surrounding vintage fashion within the broader fashion landscape holds considerable potential for elucidating how individuals engage with the historical dimensions of fashion. Despite the scarcity of research focus on this particular phenomenon, this study is prompted by the imperative to scrutinize the factors that impact consumer interest and comprehension of fashion trends in Indonesia, employing constructed perceptions as a framework. Consequently, the research aims to address and bridge existing knowledge gaps, aspiring to provide a more profound and nuanced understanding of the role that vintage fashion plays in the Indonesian fashion industry and its consequential impact on individual perceptions. In conclusion, Generation Z exhibits a well-rounded knowledge of vintagestyle fashion, understanding distinctive characteristics like silhouettes, colors, and era-specific motifs. They possess awareness of specific years, recognize brands, and differentiate vintage fashion from new products.

Introduction of Basic Geometry Shapes for Children Aged 5-6 Years Through Fashion Ready to Wear Alfarist, Salsabila Zahra; Ratuannisa, Tyar
Moda : The Fashion Journal Vol. 6 No. 1 (2024)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v6i1.4450

Learning for children aged 5-6 years requires concrete media so that learning can be conveyed well and students can understand learning easily. Based on the results of observations found problems in learning math geometry, namely the lack of media that supports learning geometry in the material so that students mastery of the material is still not optimal. Therefore, the focus of this research is to create design innovations by applying printing and knitting techniques as visual and sensory media on ready-to-wear clothing products for children aged 5-6 years to prevent delays in knowledge of geometric shapes before entering further education. This research was conducted using the creation theory method of “three stage design process”. The design is also meant to promote children’s fashion as part of a trend that is now rare to find. In addition, this design will produce a product that is different from other clothing products, this research produces a design concept and modification of geometric motifs applied to printing and knitting techniques using fabric materials applied to basic products of ready-made children’s clothing that has aesthetic and modern values.

The Vintage Waves: Generation Z Style Perception in Indonesia Pradana, Dhanar; Ratuannisa, Tyar
Moda : The Fashion Journal Vol. 6 No. 1 (2024)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v6i1.4502

This research project is primarily dedicated to comprehension of individuals’ perspectives on vintage fashion styles. In the contemporary era, vintage fashion has not only emerged as a substantial trend within the fashion industry but has also captured the interest of numerous individuals who are drawn to clothing and accessories reflecting elements from bygone eras. Employing a quantitative research methodology and utilizing the semantic differential approach, the study endeavors to quantify and understand consumers’ perceptions of products embodying vintage styles. Furthermore, the investigation seeks to discern the various factors that contribute to shaping individuals’ perceptions of vintage fashion, including the influences of prevailing fashion trends and cultural elements. The significance of acquiring an in-depth understanding of the intricate nature of perceptions surrounding vintage fashion within the broader fashion landscape holds considerable potential for elucidating how individuals engage with the historical dimensions of fashion. Despite the scarcity of research focus on this particular phenomenon, this study is prompted by the imperative to scrutinize the factors that impact consumer interest and comprehension of fashion trends in Indonesia, employing constructed perceptions as a framework. Consequently, the research aims to address and bridge existing knowledge gaps, aspiring to provide a more profound and nuanced understanding of the role that vintage fashion plays in the Indonesian fashion industry and its consequential impact on individual perceptions. In conclusion, Generation Z exhibits a well-rounded knowledge of vintage- style fashion, understanding distinctive characteristics like silhouettes, colors, and era-specific motifs. They possess awareness of specific years, recognize brands, and differentiate vintage fashion from new products.

Color Scheme Test of Color Mapping in Batang Batik Design Ratuannisa, Tyar; Tresnadi, Chandra; Nurfitriyana, Annisaa; Kahdar, Khafiati; Pratiwi, Annisa Nurul
PANGGUNG Vol 34 No 4 (2024): Dekonstruksi dan Rekonstruksi Identitas Budaya
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i4.3581

The use of natural dyes for batik in recent years, apart from being a trend, has also become an alternative solution to the ongoing environmental issues. For specific crafter communities, natural dyes can be a challenge that raises new obstacles due to their special treatment compared to the easier synthetic dyes. Another concern is losing the distinct character of a region's batik. This research tries to mediate these challenges by retrieving the 2017 research on color mapping of three centers of batik tulis in Batang district. The mapping resulted in a distinct color scheme and how it is equivalent to natural colors. To show the possibility of using natural dyes without losing the distinct regional character, the color mapping was followed by a color schemes test. The findings of this research result in the use of natural colors whose intensity tends to be reduced compared to synthetic dyes, so the colors tend to be fainter and softer. Thus, batik with natural dyes has provided new diversification for the batik and added new skills for the crafters.

PERANCANGAN BUSANA GENDERLESS FASHION BERDASARKAN ANALISIS PREFERENSI DAN PERSEPSI GENDER PADA DEWASA AWAL Kamilia, Alya Izza; Ratuannisa, Tyar
MODA Vol. 6 No. 2 (2024)
Publisher : Universitas Ciputra Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/moda.v6i2.4823

The continuous development of technology and information flow has brought about significant shifts in the dynamics of life, including changes in culture, values, and social norms in today's era. This transformation also impacts the fashion industry, which is an integral part of society's appearance and lifestyle. The phenomenon of genderless fashion trends exemplifies a significant change in the contemporary fashion landscape. Genderless fashion expands perspectives on gender and creates space for individual expression without rigid gender boundaries. However, in Indonesia, this trend faces challenges in acceptance by a society that predominantly adheres to patrilineal cultural values. Through a qualitative phenomenological research approach, this study aims to design and generate recommendations for genderless fashion clothing forms that are responsive and relevant based on the analysis of preferences and gender perceptions among young adults in Indonesia. Additionally, this research aims to identify and evaluate factors influencing the acceptance of genderless fashion clothing among young adults in Indonesia, particularly concerning the essence and role of genderless fashion trends. By considering issues such as ethics, sustainability, and inclusion, this research is expected to provide insights into the industry regarding the relevance and urgency of these issues amid current social developments and fashion trends. Thus, this research is expected not only to contribute to the academic domain but also to serve as a bridge for educating and fostering open dialogue among the wider society and unraveling its current complexities. The findings of this research will provide significant benefits to researchers, academics, designers, the fashion industry, and society as a whole. It is hoped that this research will serve as a valuable guide in designing more inclusive and relevant genderless fashion clothing aligned with current social values and fashion trends, thereby enhancing understanding and acceptance of the genderless fashion concept in Indonesia.

Batik Digital dalam Inovasi Desain Animateutik (Animasi Batik Tulis) Bergaya Maduraan Tresnadi, Chandra; Ratuannisa, Tyar
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 40 No. 1 (2023): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v40i1.7695

Ragam hias batik merupakan identitas warisan budaya tak benda di Indonesia yang menjadi kebanggan masing-masing sentra. Sebagian besar penerapan ragam hias dalam praktik desain pada media digital hanya meminjamnya sebagai konten atau elemen visual semata, karya tersebut tidak memenuhi kaidah sebagai karya batik tradisi. Batik Madura (maduraan) memiliki karakter khas yang dikenal dengan penggambaran hewan, tanaman akar-akaran, juga gori (isen-isen) yang menarik untuk dieksplorasi menembus batas dunia kriya tekstil tradisional beralih menjadi karya animasi digital. Penelitian ini bertujuan mengidentifikasi visual ragam hias batik maduraan sebagai aset visual karya Animateutik (animasi batik tulis); mendefinisikan dan merumuskan model “Batik Digital Indonesia”; dan menerapkan model tersebut melalui inovasi desain Animateutik. Penelitian dilakukan menggunakan metodologi kualitatif dengan kajian pustaka untuk merumuskan definisi dan model batik digital Indonesia, serta pendekatan perancangan desain (design action) untuk mewujudkan Animateutik bergaya maduraan. Penelitian menghasilkan rumusan definisi dan model “Batik Digital Indonesia” dan karya inovasi desain berupa Animateutik (animasi batik tulis) bergaya maduraan yang berperan strategis memperluas inovasi, sinergi interdisiplin, dan memberikan alternatif peluang pengembangan antara ranah kriya batik tulis tradisional dengan media digital.

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