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All Journal Ethical Lingua: Journal of Language Teaching and Literature Jurnal Pengabdian Masyarakat Chi`e: Jurnal Pendidikan Bahasa Jepang
Seruni, Ayu Putri
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Arts Humanities Computer Science & IT Education Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : Chi`e: Jurnal Pendidikan Bahasa Jepang

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Representation of Feminity in the 16th Century: The Main Character in Kei Ookubo's Anime Arte Series Marselana, Sela; Seruni, Ayu Putri
Chi e Journal of Japanese Learning and Teaching Vol. 12 No. 1 (2024): March 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chie.v12i1.2567

Abstract

Women in the renaissance era were portrayed as weak, emotional and illogical. This made it obligatory for women to be in the domestic sector, namely taking care of household affairs and limiting women to work. Until finally feminism was born in women who craved freedom. Today, feminism is present in various forms of literary works, one of which is the anime series Arte by Kei Ookubo. The purpose of this study is to analyze the basic character of feminism in the main character of the anime series Arte, Analyzing the internal and external factors of the emergence of the spirit of feminism. Both objectives are analyzed based on Sarah Gwyneth Ross's theory of feminism.This research uses a qualitative analysis description method with a literary feminism approach. This research uses a literature study where the object of research is the anime Arte which is researched using Sarah Gwyneth Ross's theory of feminism. It was found that Arte fulfills the five basic characters of feminism. First, Arte maintains she excellence in the arts. Second, Arte has intelligence equal to men. Third, the masculinity shown by Arte is the courage to speak up. Fourth, Arte understands the discrimination experienced by women so that she appreciates and praises women's hard work. Fifth, Arte has high creativity. Arte's inner voice to highlight she artistic talent is an internal factor in the formation of feminism. Meanwhile, the figure of father is an external factor in the formation of feminism.
Criminality and Social Structure in Takeshi Kitano’s Outrage: A Sociological Approach Seruni, Ayu putri; Filzarifadly, Muhammad
Chi e Journal of Japanese Learning and Teaching Vol. 13 No. 2 (2025): October 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chie.v13i2.24595

Abstract

This study examines the representation of criminality in Takeshi Kitano’s Outrage through a sociological approach to literature, drawing on Willem Adriaan Bonger’s theory of criminal forms. Using a descriptive qualitative method, data were collected through observation and documentation, focusing on dialogues and scenes that depict economic, sexual, aggressive, and political dimensions of crime. The analysis also explores the underlying social factors that drive these forms of criminality. The findings reveal that Outrage portrays not only physical and psychological violence within the yakuza hierarchy but also fraud, extortion, and manipulation as systemic features of organized crime. These criminal forms are interrelated and serve as reflections of broader social inequalities. Viewed through the lens of literary sociology, the film represents a critique of Japan’s hierarchical and profit-driven society, where criminal behavior emerges as a response to structural injustice and social competition. Overall, this research demonstrates that Outrage functions as a mirror of social reality depicting criminality as both a personal and institutional phenomenon rooted in unequal power relations and sustained cycles of retribution.
Co-Authors Abdul Latief Agustina Karnawati, Rita Filzarifadly, Muhammad Hendra, Akbar Nadjar Karnawati, Rita Agustina Marselana, Sela Masrokhah , Yuni Nur Aini, Aisyah Septiany, Nia