Claim Missing Document
Check
Articles

Found 2 Documents
Search

The Meaning of Text Visualization in Contemporary Paintings in West Sumatra Fitryona, Nessya; Sari, Dwi Mutia; Khairi, Asra Ilal; Firza, Firza
Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Vol 25, No 1 (2024)
Publisher : Fakultas Bahasa dan Seni UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/komposisi.v25i1.126366

Abstract

Within two decades in West Sumatra, some artists' paintings contain visualization of letters, numbers, sentences, which are sometimes arranged scattered, even upside down. This is unusual considering that contemporary painting has developed into more sophisticated forms. This research aims to explore the meaning of text visualization in contemporary paintings of artists in West Sumatra. This research uses descriptive qualitative method with Hans-Georg Gadamer's hermeneutic approach. The object of study was selected based on purpose sampling, namely the paintings of Syahrial, Yasrul Sami, Yon Indra and Dika Adrian. The results showed that the meaning of Syahrial's painting text hints at a critical mindset in viewing the reality of life facing the value conventions of Western theories that give distance to the mindset of the community towards culture. The meaning of the text in Yasrul Sami's painting is a representation of the inner and psychological self over the problems of life. The meaning of Yon Indra's painting text leads to the essence of the attitude and mindset of the younger generation. The meaning of the text of Dika Adrian's paintings, leads to cultural consumption, social context and environment of today's young generation. From the results of the research, it can be concluded that the text in the paintings has personal meaning and social meaning. The difference in the way the text visualization is expressed in the work has an influence on cross-generational cultural consumption.
Analisis Estetika Karya Seni Lukis Ferdian Ondira Asa Aini, Ulfa; Khairi, Asra Ilal
Serupa The Journal of Art Education Vol 14, No 1 (2025)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/stjae.v14i1.135001

Abstract

Penelitian ini bertujuan untuk menganalisis, dan memahami konsep yang mendasari proses penciptaan karya seni lukis Ferdian Ondira Asa serta menganalisis aspek visual karya lukis Ferdian Ondira Asa berdasarkan teori estetika Monroe Beardsley. Ferdian Ondira Asa merupakan salah seorang dosen seni rupa UNP sekaligus seniman Sumatera Barat yang konsisten dengan gaya melukis yang khas yaitu menggunakan sudut pandang dari atas dalam mengambarkan objek dan mengedepankan gaya realistik. Karyanya sering menampilkan elemen yang tidak biasa, seperti tikus, jejak kaki tikus, secangkir kopi, dan kucing. Penelitian ini menggunakan jenis penelitian kualitatif dengan pendekatan deskriptif. Data didapatkan dengan menggunakan teknik observasi, wawancara dan dokumentasi. Teknik analisis data memakai model Miles dan Huberman yang terdiri dari reduksi data, penyajian data, dan penarikan simpulan (verifikasi).Hasil penelitian ini menunjukkan bahwa kesatuan, kerumitan, dan kesungguhan hadir secara konsisten dan kuat dalam karya-karya Ferdian Ondira Asa. Melalui ketiga karya yang dianalisis terlihat bagaimana Ferdian Ondira Asa menyusun elemen dalam lukisan saling mendukung sehingga membentuk kesatuan yang harmonis, menghadirkan kerumitan dari variasi objek, detail, dan simbol yang saling berinteraksi membentuk makna, serta kesungguhan dari kualitas ekspresi yang ditampilkan dalam karya.