Annita, Annita
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ANALYSIS OF HUMOR LANGUAGE IN “NGENEST THE MOVIE” COMEDY SCENE Natanael, Christian; Annita, Annita
VCD: Journal of Visual Communication Design Vol. 7 No. 1 (2022): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v7i1.2902

Abstract

Humor language is verbal humor created through words, the meaning of words, and jargon. Directors use language humor to build comedy scenes, introduce the characters, or give the impression of a scene. However, sometimes, excessive techniques will be insufficient for the scene itself. Therefore, this study aims to find how language humor in comedy scenes in a film is overused and eventually dries the comedy. Research material was selected from a comedy movie entitled "Ngenest," produced in 2015, directed by Ernest Prakasa, who has a comical background and often uses comedic techniques in his films. The research method chosen is qualitative, with content analysis to identify the value of integrated humor and scenes in the movie "Ngenest.” Keywords: humor, humor language, scene, comedy
Preserving Identity, Embracing Change: The Survival of Pekalongan Peranakan Batik Purnomo, Setianingsih; Annita, Annita; Depita, Natalia
ULTIMART Jurnal Komunikasi Visual Vol 18 No 2 (2025): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v18i2.4415

Abstract

Indonesia is famous for its cultural heritage. One of the acknowledged heritages is Pekalongan Peranakan batik, a delicate and beautiful craftmanship influenced by Asia, Arab, and Europe. The Peranakan batik combines Javanese batik-making artistry with the Chinese design planning and trading strategies. This article investigates the survival of Pekalongan Peranakan batik as an endangered culture and how the artisan batik adapts with the modern era.  The method used in this study is literature review, interview with the owner of the last producer of Pekalongan Peranakan batik and descriptive–qualitative analysis. The findings reveal that although UNESCO’s recognition of batik as intangible heritage, and Peranakan batik holds centuries-old heritage of cross-cultural exchange, this art form now risks extinction. This paper examines its historical development and contemporary challenges, arguing that revitalization through innovation is essential for its survival. Besides that, this research contributes to archiving the process and the portrait of artisan batik Liem Ping Wie in Kedungwuni, Pekalongan.   Keywords: Chinese Javanese Peranakan Batik; cultural heritage; revitalization.