Made Sri Putri Purnamawati
Institut Hindu Dharma Negeri Denpasar

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KOMUNIKASI TRANSENDENTAL RITUAL NGULAPIN DALAM PEMUJAAN IBU PERTIWI DENGAN SARANA WAYANG KLUPAK TIYING DI DESA ADAT JERO KUTA BATUBULAN I Wayan Hendi Yasa; Relin D.E.; Made Sri Putri Purnamawati
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 2 No. 1 (2022): Moderation and Communication Culture
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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Abstract

Transcendental communication is an interaction that is not real or real but has high spiritual power, such as the wayang klupak trying tradition, which is a spiritual activity that uses symbolic interactions to carry out transcendental communication. In this study, the problem raised in the ritual process of transcendental communication which has a microcosmic function or effect and also has a macrocosmic effect that is realized by continuing to carry out cultural traditions.This research is qualitative research, the data obtained included the form of sentences and descriptions. The theory used in this research is ritual communication theory, structural-functional theory, and transcendental communication theory. The data of this research are sourced from primary data and secondary data. The technique of determining informants used the snowball technique, data collection using interview techniques, and literature study. Data analysis techniques consist of data reduction, data presentation stage, and conclusion drawing stage. The novelty of this research includes the following: 1) the characters of Wayang Malen and Wayang Merdah are the main symbols in the ngulapin ritual of worshiping the motherland, to communicate transcendentally in order to be in harmony with nature. 2) mantra or sesontengan is a transcendental communication power for connecting in order to achieve physical and spiritual health in order to achieve the concept of tri hita karana. Even though technology has now mastered the world, the ancient cultural traditions of wayang klupak tiying in Batubulan village are still carried out by the local community because it is strongly believed that this noble cultural tradition has had a positive effect, and has also been proven to provide health and healing to local communities who continue to uphold the high tradition of this culture.
PENGARUH TERPAAN TAYANGAN DHARMA WACANA BALI TV TERHADAP PEMAHAMAN UMAT MENGENAI AJARAN AGAMA HINDU DI BALI SELATAN I Dewa Gede Agus Priana Putra; Ni Made Yuliani; Made Sri Putri Purnamawati
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 1 (2021): Communication, Moderation and Harmony
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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Abstract

The purpose of this correlational quantitative research is to determine the exposure impact of Dharma Wacana Bali TV show (X) with the indicators of broadcasting frequency, duration and attention on the understanding people about Hinduism knowledge with the indicator of three Hindu religion framework: Tattwa, Susila and upacara. The data were collected using questionnaire with 100 respondents of Bali Selatan area. After instrument test of variable X that is exposure Dharma Wacana Bali TV show which consists of 8 questions and variable Y that is the understanding people about Hinduism knowledge which consists of 20 questions using Corrected Item-Total Correlation to 20 samples, it can be concluded that all questionnaires are valid. Likewise reliability test using Alpha Cronbach technique, both variables are reliable. So that, further testing can be done. The data were processed and analyzed using descriptive and correlations with Software IBM SPSS V.25.0 for Windows. Descriptive hypothesis testing results show that the exposure of Dharma Wacana Bali TV Shows from the sample calculation found an average of 69.69% of the expected. The results of testing the descriptive hypothesis of the understanding people about Hinduism knowledge in South Bali from sample calculations found an average of 77.74% of what was expected. Thus the third hypothesis is that there is a significant influence of the exposure of Dharma Wacana Bali TV show on the understanding people about Hinduism knowledge in South Bali.
PEMENTASAN JRO GEDE PANEMBAHAN SAKTI DI DESA GUBUG PERSPEKTIF KOMUNIKASI TRANSENDENTAL Ni Komang Susani; I Nengah Duija; Made Sri Putri Purnamawati Purnamawati
Anubhava: Jurnal Ilmu Komunikasi HIndu Vol. 1 No. 1 (2021): Communication, Moderation and Harmony
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

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Abstract

Jro Gede Panembahan Sakti staging in Gubug Village, Tabanan District is a dance performance that uses the symbol of a form of Barong Landung or what is called Jro Gede Panembahan Sakti. The issues to be discussed include: (1) What is the process of staging Jro Gede Panembahan Sakti in Gubug Village, Tabanan District, Tabanan ? (2) What elements of communication are contained in the performance of Jro Gede Panembahan Sakti in Gubug Village, Tabanan District, Tabanan Regency? (3) What are the communication implications arising in the performance of JroGedePanembahanSakti in Gubug Village, Tabanan District, Tabanan Regency? Analyze the problem formulation : Aesthetic by Djelantik, Interersonal Communication by Burhan Bungin, and The Dependency Theory of Mass Communication Effects by Ardianto. The methods used to collect data are: observation, interviews, documentation and literature.      The results of the study show that (1) the process of implementing Jro Gede Panembahan Sakti in Gubug Village, Tabanan District, Tabanan Regency, namely: History of Jro Gede Panembahan Sakti where it began during Majapahit government and the entry of other religions that were not Hindu in Majapahit and at that time Bhatara Dalem Majapahit left Majapahit, the form of prerai, gambelan used, clothing, offerings and the process of staging Jro Gede Panembahan Sakti, at the initial stage of preparation, implementation and closing stages. (2) The elements of communication contained in the performance of Jro Gede Panembahan Sakri in the village of Gubug, namely: Communications,  messages, media, communicants, and feedback, (3) Implications of Communication in the Staging of Jro Gede Panembahan Sakti in Gubug Village, namely: knowledge (knowledge about staging, and learning of Hinduism), Tri Hita Karana implications and religious implication.
Penggunaan Okokan Pada Tawur Kasanga (Perspektif Pendidikan Sosio Religius) I Made Yoga Sedana; Made Sri Putri Purnamawati; Ngakan Ketut Juni
Kamaya: Jurnal Ilmu Agama Vol 2 No 3 (2019)
Publisher : Jayapangus Press

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Abstract

This research was conducted based on researchers' interest in a religious ritual on the use of Okokan on Tawur Kasanga in the Kediri Traditional Village, Kediri District, Tabanan Regency. Religious rituals on the use of Okokan on Tawur Kasanga in the Kediri Traditional Village, Kediri District, Tabanan Regency are unique rituals in the Kediri Traditional Village. The sound of this musical instrument Okokan is believed to provide fibration so that it can neutralize negative forces. This study was examined from a socio-religious perspective referring to the concept of Tri Hita Karana. Problems that will be discussed in this study are 1. Procession of the implementation of ritual use of Okokan on Tawur Kasanga in Kediri Traditional Village, 2. The function of using okokan as a means of Tawur Kasanga in Kediri Traditional Village, 3. The value of socio-religious education contained in the use of Okokan on Tawur Kasanga in Kediri Traditional Village. The purpose of this study is to find out and understand the procession, function and value of education in the socio-religious perspective through the ritual of using okokan on tawur kasanga. The theory used in this study is religious theory and value theory from Koentjaraningrat and functional structural theory from Tri Guna. This type of research uses qualitative research. Data collection techniques in this study are observation, interviews, literature studies and documentation. The technique of presenting the analysis in this study by using description analysis. The results of the discussion of this study are (1) the procession of the implementation of the ritual use Okokan on Tawur Kasanga begins with preparation, then the implementation of the okokan staging and ends with the laying okokan in each banjar Kediri Traditional Village (2) The function of using Okokan as a means of Tawur Kasanga is a religious function, complementary function in Tawur Kasanga ceremony, function of neutralizing negative forces, function of cultural preservation, aesthetic function, harmony function. (3) Value of socio-religious education contained in the use of Okokan on Tawur Kasanga, Parhayangan value, Pawongan value, and Palemahan value.
KAJIAN FILOSOFIS NIBANNA DALAM KITAB SUTTA PITAKA Made Sri Putri Purnamawati
Pangkaja: Jurnal Agama Hindu Vol 25 No 2 (2022)
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pjah.v25i2.2025

Abstract

Buddhist philosophy does not teach that life goal can only be achieved in life in another realm. Herein lies the main difference between the Buddhist concept of Nibbana and the Non-Buddhist (Hindu) concept, Nibbana being freedom from suffering, the destruction of egoism, greed, hatred and delusion. Based on this description, the author is very interested in researching the Philosophical Study of Nibbana in the Sutta Pitaka. This type of research is a type of qualitative research. The data collection techniques in this study are; literature review, interviews, and documentation. In this study, the raw data that had been collected were processed using descriptive and qualitative methods. The concept of Nibbana in the Sutta Pitaka is a very unique Buddhist philosophy. Nibbana is something that cannot be described in words because Nibbana can only be understood by the wise. Nibbana is a definite state after craving disappears, fire is extinguished because it runs out of fuel as well as Nibbana is the cessation of craving, attachment, passions and defilements. Nibbana is the Eternal Truth, unborn, unperishable and unchanging. The philosophical study of Nibbana in the Sutta Pitaka includes the study of Ontology, Epistemology and Axiology.