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KOHERENSI ANTAR CERITA DALAM PENYUTRADARAAN DRAMA LEPAS SABTU SORE BERCERITA Isnaadi, Muhammad Aldila; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Nowadays, Omnibus is the soap opera program which rarely appears on the televiseprogram in Indonesia. With soap opera program, there are so many short movies which arebroadcasted by televise stations. But, the story of short movies should be repackaged. Inaddition,duration of Soap Opera Sabtu Sore Bercerita is 48 including 3 stories of short movies.Adirector was covering three short movies through coherency to connect locations, an artist,and time.Keywords:Omnibus, coherency, soap opera,and Sabtu Sore Bercerita

CREATIVE STRATEGY OF BW PURBA NEGARA IN CASTING AND DIRECTING OF FIGURE MBAH SRI IN FILM “ZIARAH” Akhlaq, Muna Rif'atil; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

This study aims to descibe BW Purba Negara's creative strategy in casting and directing Mbah Sri character in the Ziarah film. The research method uses qualitative descriptive. The results showed, creative strategies in casting are done by going to villages looking for people who are suitable for the 3D character of Mbah Sri, based on physical suitability and the similarity of the story with the personal life of the actor Mbah Sri. In directing, creative strategies are done by reciting repeatedly and imitated, explaining explosively to be embedded in the memory of the character Mbah Sri, repeated repetition, and imitating a longdialogue.

KOHERENSI ANTAR CERITA DALAM PENYUTRADARAAN DRAMA LEPAS SABTU SORE BERCERITA Isnaadi, Muhammad Aldila; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 7 No. 2 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v7i2.1697

Nowadays, Omnibus is the soap opera program which rarely appears on the televiseprogram in Indonesia. With soap opera program, there are so many short movies which arebroadcasted by televise stations. But, the story of short movies should be repackaged. Inaddition,duration of Soap Opera Sabtu Sore Bercerita is 48 including 3 stories of short movies.Adirector was covering three short movies through coherency to connect locations, an artist,and time.Keywords:Omnibus, coherency, soap opera,and Sabtu Sore Bercerita

CREATIVE STRATEGY OF BW PURBA NEGARA IN CASTING AND DIRECTING OF FIGURE MBAH SRI IN FILM “ZIARAH” Akhlaq, Muna Rif'atil; Setiawati, Sri Wastiwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v10i1.2187

This study aims to descibe BW Purba Negara's creative strategy in casting and directing Mbah Sri character in the Ziarah film. The research method uses qualitative descriptive. The results showed, creative strategies in casting are done by going to villages looking for people who are suitable for the 3D character of Mbah Sri, based on physical suitability and the similarity of the story with the personal life of the actor Mbah Sri. In directing, creative strategies are done by reciting repeatedly and imitated, explaining explosively to be embedded in the memory of the character Mbah Sri, repeated repetition, and imitating a longdialogue.

STRENGTHENING SELF-EXPRESSION OF PERSONS WITH DISABILITIES THROUGH FILM SCRIPTWRITING TRAINING AT RUMAH VOKASI HANENDA Setiawati, Sri Wastiwi; Rahmad, Cito Yasuki; Ariyanto, Ahmad Fajar; Panggabean, Rizqullah Ramadhan
International Journal of Engagement and Empowerment (IJE2) Vol. 6 No. 1 (2026): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v6i1.251

The short film scriptwriting training for persons with disabilities, organized by Rumah Vokasi Hanenda in collaboration with the Indonesian Institute of the Arts (ISI) Surakarta, aims to enhance narrative literacy, creativity, and inclusive participation of people with disabilities within the filmmaking ecosystem. The program was implemented through a community-based empowerment approach that positioned participants as active subjects using methods such as discussion, hands-on practice, and production. The activity involved 11 participants from 10 special-needs schools (SLB) in Yogyakarta, supported by 12 accompanying teachers who served as adaptive facilitators. The training materials covered ideation, premise development, character building, and the writing of simple scripts, all adjusted to the needs of deaf, blind, and intellectually disabled participants. The outcomes demonstrate improvements in the participants’ scriptwriting skills, self-confidence, and creative expression. The four scripts produced reflect human values, inclusion, and the participants’ lived experiences. This program not only strengthens individual capacities but also fosters a collaborative space that promotes authentic representation of disability in film. The initiative serves as an inclusive learning model that can be replicated to empower people with disabilities in the arts and cultural sector.

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