suprihandani, eny
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A Jungian Archetypal Study of Main Characters in the TV Series Bridgerton Season 1 Muslim, Ikhwan; Abdulloh, Abdulloh; Suprihandani, Eny; Nilda, Mutia
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 10 No 02 (2025): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v10i02.312

Abstract

This study investigates the psychological development of the two main characters in Bridgerton Season 1—Daphne Bridgerton and Simon Basset—through the lens of Carl Gustav Jung’s archetype theory. The research is motivated by the need to understand how archetypal structures shape emotional growth, internal conflicts, and relational dynamics within popular screen narratives. The research employs a qualitative descriptive approach within the framework of literary criticism. Selected dialogues and narrative events were analyzed to identify the presence and function of five primary Jungian archetypes: Persona, Shadow, Anima/Animus, Hero, and Self. The analysis reveals that Daphne undergoes a transformation from conformity to societal expectations toward the assertion of a more authentic self. In contrast, Simon confronts his fragmented emotional identity by reconciling with his past, ultimately achieving greater psychological integration. These archetypal patterns illuminate each character’s individuation process and their evolving relationship dynamics. The findings suggest that Jungian archetypes not only serve as effective analytical tools for understanding character development in television narratives but also function as symbolic frameworks that resonate with audiences. By highlighting the interplay between psychological archetypes and narrative construction, this study contributes to broader discussions of how media representations provide insight into human emotional experiences.
A STUDY OF IDIOMATIC EXPRESSIONS IN THE TV MINISERIES “WANDA VISION” DIRECTED BY MATT SHAKMAN Sarsono, Sarsono; Zayyan, Arianto Abid; Abdulloh, Abdulloh; Suprihandani, Eny
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 8 No 02 (2023): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v8i02.195

Abstract

The Objectives of the research are to find out the idiomatic expressions, to identify kinds of the idiomatic expressions, and find out the meaning of the idiomatic expressions found in the Wanda Vision TV miniseries. Some phrases in English language cannot be understood literally. A reader often needs to see the whole unit to understand the context of the phrases and these phrases are called idiom. The writer uses qualitative method to gain the objectives of the study. The researcher already collected the data from the script of the miniseries and categorized the idiomatic expression. The total number of idiom expressions is105. The categories found are 4 similes, 2 binomials, 5 proverbs, 9 clichés, and 85 fixed statements. And each idiomatic expressions meaning could be defined. The conclusion from the data gathered based on the 105 idiomatic expressions found in the Wanda Vision TV miniseries is fixed statement idiomatic expressions frequently used
The Role of Yoon Yeon Woo in Supporting the Story of the Drama My Perfect Stranger Directed by Kang Soo Yeon Suprihandani, Eny; Ariska, Nurul Auliya; Muslim, Ikhwan
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 9 No 01 (2024): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v9i01.222

Abstract

The study was written to fulfil the writer’s final examination with the subject is The Role of Yoon Yeon Woo in Supporting The Story of The Drama My Perfect Stranger Directed By Kang Soo Yeon. The objectives of this study are: first, to identify Yoon Yeon Woo’s character in the drama My Perfect Stranger. Second, to find out Yoon Yeon Woo’s conflict in the drama My Perfect Stranger, and the third is to identify Yoon Yeon Woo’s role in supporting the story in the drama My Perfect Stranger. In this study, the writer of this study uses the qualitative research,because it focuses on understanding social phenomena from the perspective of the human participants in natural setting.The discussion focused on internal or a character in the drama. My Perfect Stranger is a mystery fantasy drama that tells about 2 main character in the drama went to time travel to year 1987 for uncover the serial murderer happen in Woojung-ri village and fix their future life. Hopefully this research will be useful, and in the future this research can become a source of data for future researchers who will conduct research on the same or related themes.
Constructing Persona and Identity in Charli XCX’s Brat Album Suprihandani, Eny; Muslim, Ikhwan; Abdulloh, Abdulloh; Wirayudha, Riscky
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 01 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i01.332

Abstract

This study examines how Charli XCX constructs and performs persona and identity in her 2024 album Brat. In contemporary pop music, persona functions as a performative self that mediates between an artist’s private identity and public image. While previous studies have explored musical persona and identity in popular music, limited attention has been given to the analysis of a full hyperpop album that integrates lyrics, vocal delivery, and production as a cohesive character construction. Addressing this gap, this research aims to analyze (1) how persona and identity are constructed in Brat, (2) the recurring emotional and character traits that define Charli XCX’s performed self, and (3) how the album reflects her identity in relation to themes of fame, vulnerability, and digital culture. Using a qualitative method, the study applies textual and interpretive analysis to all fifteen tracks of Brat, treating the album as a cultural text. The findings reveal that Charli XCX presents a fluid and shifting persona that oscillates between confidence, rebellion, insecurity, and emotional fragility. These traits are reinforced through minimalist lyrics, varied vocal performances, and experimental electronic production. The study concludes that Brat functions as both a personal and performative work, demonstrating how contemporary pop albums serve as spaces for identity construction through sound, voice, and cultural expression
Reconstructing Feminism through Gender Roles, Women’s Opportunities, and Love in Greta Gerwig’s Little Women Sarsono, Sarsono; Dewi, Ryana; Abdulloh, Abdulloh; Basuki, Slamet; Suprihandani, Eny
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 11 No 01 (2026): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v11i01.340

Abstract

The purpose of this study is to analyze the feminism issues faced by women in the film Little Women (2019) directed by Greta Gerwig which is adapted from the classic novel by Louisa May Alcott. This study also examines the representation of feminism in Greta Gerwig’s Little Women focusing on gender roles and expectations, women’s opportunities and ambitions, and the institution of love and marriage as sites of inequality and restriction. Using a qualitative descriptive method, a feminist approach and textual analysis, selected scenes and dialogues are examined to reveal how gender roles shape women’s ambitions and how marriage functions not merely as a romantic resolution but as an economic and ideological institution. The findings indicate that Gerwig’s adaptation reconstructs feminism by presenting diverse forms of female agency rather than a singular feminist ideal such as a) gender roles and expectations, b) woman’s opportunities and ambitions, c) love and marriage. The study concluded that some problems arose in Little Woman such as inequality and restrictions experienced by female characters Jo, Amy, Meg, and Beth, and how they deal with these issues in their own ways. They are not only showing incredible determination, but they are also actively making progress toward freedom and equality in their lives. Based on the analysis, the researcher hopes this study inspires and broadens to appreciate regardless of gender, both men and women