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All Journal JELL (Journal of English Language and Literature) STIBA-IEC Jakarta
muslim, ikhwan
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Languange, Linguistic, Communication & Media

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A Conversational Implicature Analysis in the Movie “Bird Box” Directed by Susanne Bier Sarsono, Sarsono; Abdulloh, Abdulloh; Muslim, Ikhwan; Basuki, Slamet; Silaban, Delvina
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 10 No 01 (2025): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v10i01.284

Abstract

The research aims to show the types of conversational implicatures between the main characters in the movie Bird Box and to show the contextual meanings of conversational implicatures between the main characters in the movie Bird Box. To determine the generalized and particularized conversational implicature, the researchers employ a qualitative approach to data analysis. Watching the film for many times and recording any utterances that contain the sort of conversational implicature in a data form is how the research's data are gathered. According to the research findings, conversational implicature is present in 15 utterances. Seven of the fifteen data included generalized conversational implicature, and eight of the fifteen contained particularized conversational implicature. Malorie has four particularized conversational implicature data and seven generalized conversational implicature data. On the other hand, Tom and Jessica have two examples of particularized conversational implicature. The contextual meaning of conversational implicature amongst the main characters is also discovered by the researchers, who discover that while Jessica and Tom frequently speak explicitly in the context, Malorie tends to speak out of it
Women, Culture, and Resistance: A Feminist Critique of Minang Matrilineal Norms in Cinta Tapi Beda Sarsono, Sarsono; Abdulloh, Abdulloh; Aprilian Luthers, Fanny Sarah; Basuki, Slamet; Muslim, Ikhwan
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 10 No 02 (2025): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v10i02.311

Abstract

This study investigates the representation of feminist theory within the matrilineal system of Minangkabau (Minang) culture as portrayed in the Indonesian film Cinta Tapi Beda (2012), directed by Hanung Bramantyo and Hestu Saputra. The research focuses on the conflict between the protagonist, Diana, and her mother, which reflects broader tensions between tradition, gender roles, and female autonomy. A qualitative approach was employed, utilizing textual and character analysis of selected scenes. The analysis applied key frameworks of feminist theory—postmodern, liberal, and multicultural/global feminism—to identify the intersections of feminist discourse and matrilineal values. The findings indicate that while the Minangkabau matrilineal system provides women with a degree of symbolic authority, patriarchal structures continue to dominate social and cultural practices. This tension is most visible in the rejection of Diana’s romantic relationship, shaped primarily by religious and cultural restrictions rather than the matrilineal framework itself. The study demonstrates that feminist perspectives highlight contradictions within the Minang matrilineal system, revealing how female authority remains constrained by patriarchal norms. These insights contribute to a deeper understanding of the interplay between cultural identity, gender roles, and cinematic representation in Indonesia. Future research is recommended to examine how contemporary Indonesian films further negotiate tradition and gender equality.
A Jungian Archetypal Study of Main Characters in the TV Series Bridgerton Season 1 Muslim, Ikhwan; Abdulloh, Abdulloh; Suprihandani, Eny; Nilda, Mutia
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 10 No 02 (2025): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v10i02.312

Abstract

This study investigates the psychological development of the two main characters in Bridgerton Season 1—Daphne Bridgerton and Simon Basset—through the lens of Carl Gustav Jung’s archetype theory. The research is motivated by the need to understand how archetypal structures shape emotional growth, internal conflicts, and relational dynamics within popular screen narratives. The research employs a qualitative descriptive approach within the framework of literary criticism. Selected dialogues and narrative events were analyzed to identify the presence and function of five primary Jungian archetypes: Persona, Shadow, Anima/Animus, Hero, and Self. The analysis reveals that Daphne undergoes a transformation from conformity to societal expectations toward the assertion of a more authentic self. In contrast, Simon confronts his fragmented emotional identity by reconciling with his past, ultimately achieving greater psychological integration. These archetypal patterns illuminate each character’s individuation process and their evolving relationship dynamics. The findings suggest that Jungian archetypes not only serve as effective analytical tools for understanding character development in television narratives but also function as symbolic frameworks that resonate with audiences. By highlighting the interplay between psychological archetypes and narrative construction, this study contributes to broader discussions of how media representations provide insight into human emotional experiences.
The Role of Yoon Yeon Woo in Supporting the Story of the Drama My Perfect Stranger Directed by Kang Soo Yeon Suprihandani, Eny; Ariska, Nurul Auliya; Muslim, Ikhwan
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 9 No 01 (2024): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v9i01.222

Abstract

The study was written to fulfil the writer’s final examination with the subject is The Role of Yoon Yeon Woo in Supporting The Story of The Drama My Perfect Stranger Directed By Kang Soo Yeon. The objectives of this study are: first, to identify Yoon Yeon Woo’s character in the drama My Perfect Stranger. Second, to find out Yoon Yeon Woo’s conflict in the drama My Perfect Stranger, and the third is to identify Yoon Yeon Woo’s role in supporting the story in the drama My Perfect Stranger. In this study, the writer of this study uses the qualitative research,because it focuses on understanding social phenomena from the perspective of the human participants in natural setting.The discussion focused on internal or a character in the drama. My Perfect Stranger is a mystery fantasy drama that tells about 2 main character in the drama went to time travel to year 1987 for uncover the serial murderer happen in Woojung-ri village and fix their future life. Hopefully this research will be useful, and in the future this research can become a source of data for future researchers who will conduct research on the same or related themes.
Code Mixing Used by Youtuber - Nessie Judge’s Entitled “Pekerjaan-Pekerjaan yang Sudah Punah karena Teknologi” Abdulloh, Abdulloh; Ilahi, Wahyu; Muslim, Ikhwan; Sarsono, Sarsono; Basuki, Slamet
JELL (Journal of English Language and Literature) STIBA-IEC Jakarta Vol 9 No 02 (2024): JELL STIBA IEC
Publisher : STIBA IEC JAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37110/jell.v9i02.240

Abstract

The blending of two or more languages or linguistic subtypes in speech is known as code mixing. Code mixing widely used either in written or spoken language. Social media nowadays mostly use spoken form especially YouTube. The purposes of the research are to investigate the use of code mixing in Nessie Judge’s videos and try to describe the type of code mixing used by the youtuber. Descriptive qualitative method used to gain the data analysis. The code mixing then, analyzed into two types: intra sentential and intra lexical code mixing. Type of intra sentential then classified into three kinds: interrogative, declarative, and imperative. The intra sentential and intra lexical then classified into five levels: word, phrase, clause, idiom and baster. The result shows that there are 24 types of intra sentential and 1 type of intra lexical. From the sub type of sentential found 23 types of declarative, 1 interrogative, and no imperative type. While the level of code mixing found 12 words level, 5 phrases level, no idiom level, 8 clauses level, and 2 basters level.
Co-Authors Abdulloh Abdulloh Aprilian Luthers, Fanny Sarah Ariska, Nurul Auliya Ilahi, Wahyu Nilda, Mutia Sarsono Sarsono Silaban, Delvina Slamet Basuki suprihandani, eny