Garuda - Garba Rujukan Digital

ANALISIS HERMENEUTIKA FILM DOKUMENTER SAMPARKOUR Hermansyah, Kusen Dony
IMAJI Vol. 15 No. 3 (2024): Ruang, Penonton, dan Wacana Sinematik
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v15i3.246

Samparkour merupakan film observational documentary yang biasa. Daya tariknya terletak pada kesulitan menyampaikan pesan dari aksi Zico Corrêa sebagai atlet parkour. Corrêa tidak pernah gagal sekalipun saat melakukan aksinya di jalanan São Paulo, karena hal tersebut sudah menjadi kebiasaan atau rutinitasnya. Penelitian ini akan menggunakan metode penelitian kualitatif dengan sumber datanya adalah film Samparkouritu sendiri. Pengumpulan data menggunakan studi dokumen dan kepustakaan. Teori hermeneutika Paul Ricœur menjadi instrumen untuk analisis datanya. Merujuk dari teori Ricœur, film Samparkourbukan hanya film tentang atlet parkour yang menjelajah kota, tetapi ada aspek lain yang “dijual”. Hasil penelitian ini menggambarkan film dokumenter menggunakan gaya observational documentary dengan genre city profile dan kemasan soft-sell appeal. Penonton dimanjakan dengan gaya film (film style) yang sangat baik dengan staging permainan parkour yang bagus.

Between Aesthetics and Politics: Narrative Review of Sociopolitical Functions of Art Hermansyah, Kusen Dony
Harmonia : Journal of Music and Arts Vol. 2 No. 2 (2024): May 2024
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v2i2.900

This narrative review explores how contemporary art criticism and cultural studies intersect to illuminate sociopolitical narratives within global artistic practices. The study aims to analyze how art functions as both an aesthetic form and a medium of political engagement, focusing on themes of critique, identity, commodification, and memory. A systematic literature search was conducted using Scopus, Web of Science, and Google Scholar, employing keywords such as art criticism, cultural studies, sociopolitical narratives, contemporary art, and identity politics. Inclusion criteria prioritized peer-reviewed works from 2000 to 2025 addressing sociopolitical contexts in art. The analysis revealed four dominant themes. First, art serves as a medium of political critique, providing platforms for resistance and public dialogue in contexts ranging from Kazakhstan to Mexico. Second, art mediates ideology and identity, reflecting tensions shaped by migration, gender, and globalization. Third, the global art market plays a paradoxical role by both enabling and constraining critical voices, often subordinating cultural meaning to economic value. Fourth, spectral theory offers insight into how art engages with trauma and collective memory across diverse cultural contexts. These findings highlight the influence of systemic political and economic forces on art while affirming its potential as a catalyst for dialogue and transformation. Policy support, educational integration, and digital innovation are identified as key strategies to strengthen art’s critical role. Future research should expand cross-cultural comparisons and explore digital methodologies to address current gaps. The review underscores art’s continuing relevance as a vehicle for sociopolitical critique in a globalized world.

System, Expression, and Timbre: Expanding the Taxonomy of Counterpoint in Contemporary Choral Music Farlina, Nina; Hermansyah, Kusen Dony
Harmonia : Journal of Music and Arts Vol. 3 No. 2 (2025): May 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i2.1114

This study explores the redefinition of counterpoint in 21st-century choral music, focusing on its systemic and re-contextualized modalities across seven representative works. The research investigates how composers such as David Lang, Arvo Pärt, Caroline Shaw, Eric Whitacre, and Tarik O’Regan reinterpret contrapuntal strategies in light of contemporary aesthetic and structural demands. Using a multi-dimensional analytical framework, the study evaluates contrapuntal types (e.g., imitation, canon, tintinnabuli), polyphonic density, and timbral techniques through segment-based coding. Quantitative tools such as the Voice Overlap Index (VOI) and Polyphonic Density Index (PDI) supplement traditional score analysis, enabling cross-style comparison. Inter-rater reliability measures and algorithmic analyses ensure rigor and reproducibility. Findings reveal that systemic counterpoint evident in Lang's process layering and Pärt’s algorithmic tintinnabuli functions as a generative architecture rooted in structural clarity. Conversely, re-contextualized counterpoint employed by Shaw, Whitacre, and O’Regan blends text-driven imitation, modal interplay, and timbral diversity for expressive depth. The emergence of “timbral counterpoint” underscores the increasing role of extended vocal techniques in contrapuntal design. The article concludes that counterpoint in contemporary choral music is both a structural and expressive tool, redefined to accommodate modern compositional priorities. By establishing a typology that includes systemic, expressive, and timbral counterpoint, this study expands the analytical vocabulary available to scholars and practitioners.

Co-Designing Culture: Ethical Frameworks for Digital Representation of Batik Motifs Rusnalasari, Zulidyana Dwi; Hermansyah, Kusen Dony
Harmonia : Journal of Music and Arts Vol. 3 No. 3 (2025): August 2025
Publisher : Indonesian Scientific Publication

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61978/harmonia.v3i3.1118

The digital reinterpretation of Batik, a UNESCO-recognized Intangible Cultural Heritage, presents both opportunities and ethical challenges. This study explores the boundaries of cultural remixing through a mixed-methods approach combining user experience (UX) testing, qualitative interviews, and legal-normative analysis. Forty illustrators participated in a task-based UX experiment to assess perceptions of usability, aesthetic value, and ethical alignment when reimagining Batik motifs. Senior illustrators exhibited higher ethical sensitivity and design fidelity, as confirmed by ANOVA. Stakeholder interviews with artisans, curators, and designers revealed themes emphasizing respect for pakem (traditional rules), the importance of community participation, and risks of symbolic dilution. Legal analysis of Indonesian Copyright Law and UNESCO ICH guidelines highlighted gaps in enforcement and the need for soft-law instruments such as ethical toolkits and participatory protocols. Findings suggest that responsible innovation requires integrated frameworks combining legal, educational, technological, and participatory strategies. A Digital Ethics Toolkit is proposed to support designers in navigating cultural representation responsibly. This toolkit includes a pakem rubric, attribution checklist, AI output review system, and co-design templates. The study concludes that safeguarding heritage in digital contexts must involve collaborative stewardship, where ethical awareness and cultural dialogue shape innovation.

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