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Social media and virtual sisterhood: The Instagram account @perempuanberkisah as a space for women's solidarity Andina, Tri Kurnia Revul; Pembayun, Estavita Chantik; Fahadi, Prasakti Ramadhana
Informasi Vol. 53 No. 2 (2023): Informasi
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/informasi.v53i2.63994

Abstract

The practical and interactive nature of social media has played a pivotal role in fostering unity among women. Social media has evolved into platforms for women to express their worries, share their fears, discuss their problems, and be more emphatetic towards each other. In this virtual realm, a distinct form of solidarity has emerged, allowing women to amplify their voices beyond the confines of the non-virtual world. An exemplary illustration of this phenomenon is the Instagram account @perempuanberkisah, which actively advocates for women's issues, particularly focusing on cases of violence. @perempuanberkisah curates diverse content, frequently featuring themes related to violence, including posts tagged #kisah18+ and #triggerwarning. Notably, the content goes beyond mere storytelling; it includes ongoing support for the individuals sharing their experiences, both from the @perempuanberkisah team and the broader community of women, as evidenced by the supportive comments flooding the posts. This study aims to delve into the virtual solidarity that has taken root among women within the @perempuanberkisah community, particularly within the context of contents labelled #kisah18+ and #triggerwarning. This research uses the virtual etnography method with descriptive-critical analysis. The result shows that virtual solidarity emerges from the empathy shown by @perempuanberkisah and women on Instagram through almost the entirety of their content. The sense of belonging and shared experience have generated solidarity among women despite the lack of interactions beyond the virtual space.
The Issue of Teenage Girl Marriage in Indonesian Films: Analysis of the "Yuni" Film Reception Pembayun, Estavita Chantik; Purwaningtyas, Mashita Phitaloka Fandia
LONTAR: Jurnal Ilmu Komunikasi Vol. 10 No. 2 (2022): Lontar : Jurnal Ilmu Komunikasi
Publisher : Program Studi Ilmu Komunikasi Universitas Serang Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30656/lontar.v10i2.5081

Abstract

The film titled “Yuni” talks about a young girl named Yuni who experiences pressure from her society to get married. Despite gaining international recognition through awards at prestigious events, this film has attracted various discourses on social media. This research aims to examine the audience’s meaning of the film “Yuni”, especially for women who have married in their teens. This is phenomenological research that focuses on the experience of the audience as individuals. The research method uses Stuart Hall’s reception analysis with the concept of encoding and decoding and uses the stereotype concept of Richard Dyer as an analytical tool. This research uses in-depth interviews, observations, and literature studies. The results show that the audience’s meaning is in a position of dominance and negotiation. A dominant position occurs through scenes that show that married teenage girls are victims of a still-strong cycle of patriarchal systems and we will limit the options to develop themselves for experience after marriage. The negotiating position occurs in scenes that show stereotypes related to women must be smart in matters of kitchens, wells, and beds.