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All Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Tjokropramono, Gede Yosef
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Arts Humanities

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Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
PENCIPTAAN SENI UNTUK MEMULIAKAN ALAM Setem, I Wayan; Tjokropramono, Gede Yosef; Gulendra, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini bertujuan untuk menelaah proses penciptaan karya seni object art yang terinspirasi dari pengamatan atas aktivitas penambangan eksploitatif pasir di Kecamatan Selat. Dampak penambangan telah memicu peningkatan pertumbuhan sektor ekonomi, namun masyarakat penambang tampaknya tidak pernah sadar dengan dampak kerusakan lingkungan yang sudah dan akan ditimbulkan. Eksploitatif penambangan pasir menimbulkan persoalan yang luar biasa yang tak terbayangkan sebelumnya, utamanya dari aspek keberlanjutan ekosistem sangat merugikan dan tidak akan bisa terbentuk seperti matra alam sebelumnya. Realitas kerusakan penomena penambangan eksploitatif pasir tersebut menjadi thema dan subject matter kekaryaan. Selanjutnya dari hasil observasi dilakukan pengumpulan dan pemilahan data sehingga pengkarya memperoleh pemahaman, kedalaman dan keluasan cara pandang. Setelah mendapat pemahaman, lalu insights diubah menjadi proses kreatif melalui aksi yakni aksi simbolis berupa kekaryaan. Untuk mewujudkan kekaryaan mengunakan metode pendekatan dan langkah-langkah kreatif untuk membantu mengembangkan kemampuan mencipta yang mencakup tahapan-tahapan terstruktur maupun langkah yang tidak terduga, spontan dan intuitif. Problematikanya dinyatakan ke dalam bentuk bahasa rupa menggunakan metode penyangatan/hiperbola. Target kekaryaan tidak hanya sebagai ekspresi individual yang terbatas pada persoalan estetik namun menjadi cara atau alat untuk menyeberangkan (mengkampanyekan) isu lingkungan.
Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
Co-Authors Gulendra, I Wayan I Wayan Setem, I Wayan Kariasa Putra, I Komang Pemayun, Tjokorda Udiana Nindhia