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All Journal Abdi Seni Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Gulendra, I Wayan
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Arts Humanities Social Sciences

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CUPU MANIK TIRTA AMERTA UNTUK MENJAGA KESEIMBANGAN KOSMOLOGI AIR DARI GUNUNG KE LAUT Setem, I Wayan; Gulendra, I Wayan; Yudha, I Made Bendi
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 3 (2023): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Pengabdian kepada masyarakat ini bertujuan untuk mencipta dan menyajikan cupu manik tirta amerta sebagai peningkatan apresiasi pendidikan ramah lingkungan untuk menjaga kelestarian lingkungan alam. Model pengabdian dengan penciptaan seni patung cupu manik tirta amerta menjadi ekspresi budaya yang mampu menjadi media upaya solusi atas permasalahan kerusakan daerah aliran sungai (DAS) Unda yang terjadi saat ini. Metode penciptaan dan penyajian meliputi perancangan model untuk menemukan desain penyajian seni patung yang memiliki kebaruan,eksplorasi alat dan bahan untuk menemukan materi utama. Proses penciptaan bersifat kalaborasi dengan masyarakat, pemerintah Desa Paksebali, Dawan Klungkung, komunitas seni, pencinta lingkungan, dan mahasiswa sehingga terjadi saling respon dan pertukaran pengalaman. Penciptaan ini juga untuk mendukung pertumbuhan ekonomi dan pengembangan inovasi dengan kreativitas yang bisa merevitalisasi objek wisata Kali Unda guna mengembalikan vitalitas kawasan yang telah menurun. Dampak penciptaan ini mampu mempengaruhi meningkatnya kunjungan wisata yang berdampak pula pada kesejahteraan masyarakat.
DEKONSTRUKSI PERUBAHAN KARAKTER KEBENDAAN IMAJINASI KREATIF DALAM KARYA SENI LUKIS Yudha, I Made Bendi; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.130

Abstract

Art is a reflection and sensitivity of spiritual experience related to environmental phenomena. It is the values of life which constantly offer anxiety over the changes. Exploration through observation and scrutiny on this phenomenon stimulates imaginative and expressive spirit. Therefore, it is necessary to do a deeper approach on life values through understanding and appreciation. This can be transformed into visual works which present moral messages of lifereality. Life today is full of a challenge that changes the mental attitude. There is a tendency of being materialistic which affects the uncontrolled behavior of life. So, crime is rampant with different motives and forms in society. Abuse of power, authority, law and religion are only a mask to meet the goal of temporary interests. Money and property have been embezzled the soul and the sense of human’s life. These phenomena have stimulated spiritual and emotional feeling to lift up an idea about the meaning of changes. The admirers of changes took pride of this material world. Life is a process of love, sorrow, sadness and starch as the nature of life. All material elements are not eternal. They are being bound by the limitation of the natural law of life cycle; the birth, growth and destruction (pralina). Appreciating these values can create ideas in understanding of the character of the material elements such as aging, decrepitude, distraction and destruction. In the creation process, this idea is very important.
Eksplorasi Cerita Rajapala Sebagai Inspirasi Dalam Penciptaan Seni Lukis Komik Digital Aryandika, Made; Gulendra, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1539

Abstract

Rajapala's story is a symbol of the love and escaptic marriage between man and angel. The message that can be gleaned from this story or literary work is "do not seek pleasure by means of bulus wit or akompli nature like I King pala against the angel Ken Sulasih". Therefore the author became inspired to do the writing and embodiment entitled "Exploration Rajapala Story As Inspiration In The Creation Of Digital Comic Painting". Afterwards by examining the message and meaning of Rajapala's story, the author was inspired to create a storyline with the embodiment style of the author that they re-authored rajapala story based on the theoretical approach of the book "Making Comics", Scott McCloud. Not to forget also the author uses elements of digital comic painting so that in the creation effort can run well. Therefore, the creation of digital comics writers use the method of creation of digital comic painting works, namely exploration, experimentation, and formation so that digital comic art can be created. The creation of rajapala digital comics is an attempt to explore of Rajapala's story.
Upakara Aci Usaba Sumbu Desa Pakraman Timbrah Sebagai Inspirasi Penciptaan Karya Seni Lukis Silasana, I Putu Arya; Gulendra, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1835

Abstract

the phenomenon of religious rituals in Timbrah Village named Aci Usaba Sumbu which has its own uniqueness from the facilities used in the ritual. Banten Sumbu which resembles a towering tower with all the attributes that adorn the banten and the banten be guling which is presented by the public en masse is an attraction or encouragement to present the visualization of the ceremony in a painting with certain references to achieve the goals and meanings expressed. The problem faced is how to process the visuals of the ceremony so that the meanings contained in a work can be realized and look attractive. The visualization stage in the work will apply the principles of art in the form of Balance, Proportion, Rhythm, Emphasis, and Unity. To answer related to the phenomena described, the method of creation is to carry out exploration, improvisation, formation and completion stages. From the ideas obtained, 6 works were created entitled: 1) "Kesadaran Manusia", 2) "Menjaga Keharmonisan", 3)" Rwa Bhineda", 4) "Keyakinan", 5) "Tulus Iklas" , 6)"Tali Silaturahmi". In the embodiment of the work, the author uses several references related to the tools, colors and styles that produce the work by adopting the form of offerings in the Aci Usaba Sumbu tradition which has the meaning of each object displayed. With the creation of this work, it is hoped that it will be able to convey a message or meaning to the observed phenomena and feelings of the writer.
Perca Endek Sebagai Inspirasi Kolaborasi Pouch Lukis Yang Bernilai Seni Tinggi Apriliani, Sari; Gulendra, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1851

Abstract

Adding surface designs or paintings to traded products is one way to increase the value of the goods, the value in question is aesthetics and selling price. Agung Bali Collection as a writing partner in MBKM Entrepreneurial activities, provides knowledge about the canting massage technique which can be used as an additional technique in making surface designs. HOLD ME is a form of Start-Up business that the author created personally, this business is engaged in the fashion sector, with canvas bags and endek patchwork as the main raw materials for making strong and environmentally friendly products, as well as the use of endek patchwork in the Agung Bali Collection as a form of cultural preservation and processing of patchwork waste will make goods have high selling power. Until now, HOLD ME has produced six pouch product models and is planning to expand its business. The product that has been produced is a canvas cloth bag in collaboration with endek patchwork and there is a surface design with brush and massage techniques with use of glitter which can create unique, beautiful, and special bag products, consumers not only enjoy the product through visual beauty but also can be enjoyed from the functional or usability aspect of the product.
Makna Warna pada Shio sebagai Implikasi Objek Karya Seni Lukis Raphael Tan, Joseph; Gulendra, I Wayan; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1852

Abstract

Myth is not fictional like novels that is read every day, however a reality that is believed to have happened and continues to contribute to human life and destiny. Likewise with the myths that exist in the sub-ethnic groups in the world, namely the Chinese. Chinese tribes in the world have various kinds of myths that are consciously embedded in human life. One of the most trusted is about the Chinese zodiacs. In everyday life, the majority of Chinese people believe in and adhere to the Chinese zodiac in all decisions that must be made. Shio is often used in calculating a person's luck in a year, to determine a person's name, to choose a wedding or funeral date and to read a person's character. Not infrequently, often zodiac signs are also used as a benchmark to determine the "compatible" mate. Shio is believed to be something that is able to determine and has its own meaning for everyone who believes in it. The zodiac is symbolized by the animal symbol, starting with the Rat zodiac and the last zodiac being the Pig zodiac. The method that the author took to make this work is a qualitative method with interviews and observations. The author made this work with the aim of understanding more deeply the meaning of colors and the meaning of the zodiac both in terms of astrology, the characteristics of a person's personal nature and psychology.
Memaknai Kain Poleng Sebagai Inspirasi Penciptaan Karya Seni Lukis Putra, I Kadek Sangging Adi Apreliana; Utami, Ni Made Purnami; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2336

Abstract

The author's interest stems from the visual uniqueness of Poleng cloth which influenced the writer in adopting Poleng cloth as a painting. So it occurred to the author's desire to create a painting with the concept of Poleng Cloth as an inspiration for the creation of a painting that could represent the theme raised. The problem faced is how to visualize Poleng cloth to represent ideas, phenomena, meanings and techniques presented in creating works of art. The method of creation is a way of creating works of art systematically. In realizing this creation, the methods used are: the stages of exploration (exploration), imprivisation (experimentation), and forming (formation), which are supported by elements of fine art so that 6 works are created entitled: 1) "contemplation", 2 ) "Thennow", 3) "Related", 4) "Alignment", 5) "Heritage", 6) "Poleng establishes togetherness". In creating works, the author applies several artist references related to technique, color, composition, and tools, so that they can be developed to produce works with the development of several techniques with polleng cloth objects, it is expected to produce the author's identity in painting works. From this creation, the authors develop ideas creatively to become works that have aesthetic value and are meaningful. And with the creation of this work, the meaning and phenomenon presented by the author in the creation of the work can be conveyed.
Kucing Sebagai Ide dalam Penciptaan Karya Seni Lukis Putri R., Lintang Diani; Yudha, I Made Bendi; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2343

Abstract

Everyone has their own way of expressing their relationship with pets like cats. The process of creating a work of art is closely related to the experiences experienced such as emotional closeness with cats and experiences full of feelings and thoughts in everyday life that are excited. This uniqueness gives rise to a sense of expressing it through creativity and imagination into the form of paintings using various techniques, media, taking into account the elements and principles of art. There is a method from Alma M. Hawkins as a reference at the stage of making this painting, including exploration, improvisation, and forming. The artwork created displays visuals that lead to naive forms with freedom in processing shapes and expressing lines that do not depend on the original object.
The Meaning of Wayang Wong Ramayana at Taman Pule Temple, Mas Village As An Inspiration for Painting Suartana, I Made; Gulendra, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2992

Abstract

This independent study TA thesis raises the theme of the Meaning of Wayang Wong Ramayana at Taman Pule Mas Village temple as a source of painting creation. Departing from an illustration idea of Wayang Wong Ramayana and the procession carried out by the local community has a very deep meaning both from the Wayang Wong itself and at the time. ritual procession is performed. From this it sparked the author's desire to raise the meaning of Wayang Wong by combining certain techniques and references to achieve the desired meaning. The problem faced is how to visualize the meaning and techniques used in the embodiment of the work so that it looks attractive. The purpose and benefits of this creation are that first, in general, the author wants to embody the meaning of Wayang Wong Ramayana at Taman Pule Mas Village temple into painting, and to be able to embody the meaning or values of Wayang Wong in a symbolic form that reflects the identity of the author.To answer what is the goal in creating this work, the method used by the author in realizing this method is by exploring, improvising, forming, and finalizing the process and combining it with ideas to create 6 works. In realizing the author's work using several references related to techniques from the works of other artists, it is then processed according to the needs of the author to support the meaning to be conveyed and can produce quality work and become the identity of the author.
Revitalization of Kali Unda Tourism Objects Nataprawira, Muhammad Rafli Ramdhani; Yudha, I Made Bendi; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3007

Abstract

Paksebali Village is one of 12 villages in Dawan District and is located east of Semarapura City, 1 Km away. Paksebali Village consists of 5 Office Banjars. The Klungkung River Dam Tourism Object, which is currently called the Unda River Tourism Object, is the most easily accessible tourist attraction because when heading to this area it is located close to the connecting bridge between Klungkung City and Dawan District. The Kali Unda Tourism Object has a natural panorama that captivates tourists because this tourist spot has a dam that forms a two-story waterfall, which is known as "Curtain Waterfall". Around the dam there are shady trees and restaurant huts as a means of enjoying the natural beauty of Kali Unda Tourism Object. Revitalizing the Unda River Tourism Object through Community Service activities, the condition of the Unda River is currently increasingly apprehensive, namely environmental conditions that are not maintained, lack of reflection therapy fish ponds, ornamental fish ponds and fish nurseries, botanical gardens, and inadequate photo spots. Likewise with existing infrastructure such as changing room walls, mossy and dull toilets, no signs providing information, and unused entry counters, so revitalization is needed to restore and increase visits as a water tourism object.
Co-Authors Abdini, Ni Gusti Ayu Arum Aryandika, Made BUDIAPRILLIANA, LUH Budiarta, I Dewa Putu Gede Drs. I Wayan Mudana,M.Si. . Eveanna, Caitlin Ginting, Serevina Rikel Carroland I Made Bendi Yudha, I Made Bendi I Wayan Setem, I Wayan Kariana, I Nengah Kondra, I Wayan Nataprawira, Muhammad Rafli Ramdhani Nisa, Apriliana Putri Khairun Pemayun, Tjokorda Udiana Nindhia Putra, Anak Agung Ramanda Putra, I Gusti Made Dwi Suantara Putra, I Kadek Sangging Adi Apreliana Putri R., Lintang Diani Raphael Tan, Joseph Sari Apriliani, Sari Sihombing, Richard Rogate Silasana, I Putu Arya Suartana, I Made Supriyatini, Sri Tjokropramono, Gede Yosef Tjokropramono, I Gede Yosef Utami, Ni Made Purnami