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Setyoasih, Sri
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BENTUK SAJIAN BEDHAYA SAPTONGKARA KARYA I NYOMAN CAHYA BERSAMA SULISTYO HARYANTI Renansia, Erika Meilanawati; Setyoasih, Sri
Greget : Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4693

Abstract

This article explores a unique form of group dance known as Bedhaya, which conveys symbolic expression through movement. The dance utilizes the symbol of Sapta Ongkara, representing the energy within humans and the universe. The Bedhaya Saptongkara dance was created by two choreographers, I Nyoman Chaya and Sulistyo Haryanti, in 2019. To delve deeper into the form and structure of this Bedhaya dance, the study employs Y. Sumandiyo Hadi's theory, which is instrumental in detailing the dance's elements. The study successfully produces a comprehensive description of the movement composition in the Bedhaya Saptongkara dance, meticulously crafted by I Nyoman Chaya and Sulistyo Haryanti. This description encompasses various crucial aspects of Bedhaya dance, including the dance movements, themes presented, type of dance, mode of presentation, the number and gender of the dancers, the dance space and stage, accompanying music, makeup and costumes of the dancers, props used, and the lighting that enhances the entire performance. Thus, this article provides an in-depth and structured overview of the Bedhaya Saptongkara dance, illustrating how the Sapta Ongkara symbol is embodied within the richly meaningful and philosophical artistic elements of the dance.  
TARI JARANSARI DALAM UPACARA RITUAL BERSIH DESA LENCOH KECAMATAN SELA BOYOLALI Setyoasih, Sri; Setiyastuti, Budi; Nuryanto, Nuryanto; Samsuri, Samsuri; Daryono, Daryono
Acintya Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i2.4603

Abstract

ABSTRACT Jaransari dance to cleanse the village of Lencoh, Sela, Boyolali is an art with a ritual function. There is a relationship between dance and local cultural customs. The research objective is to explore the art of dance with local cultural traditions.This research uses an anthropological approach to dance that is qualitative and descriptive. The methods used include observation, interviews, documentation, and literature.The result that the Jaransari dance desired to achieve is a folk dance performed in village cleansing ritual activities. Dance activities are closely related to the lifestyle of the community to deal with critical situations from the influence of the power of the village guardian spirits. Through the activities of the Jaransari dance, the community is considered to have fulfilled the wishes of the village's spirit, so that it will not interfere with community activities. After the cleansing ritual ceremony of the village, the community calmed down, worked hard and the harvest was bountiful.Key Words: jaransari, folk dance, ritual, village cleansing  ABSTRAKTari Jaransari dalam rangka  bersih desa Lencoh, Sela, Boyolali merupakan seni yang berfungsi ritual. Terdapat hubungan antara seni tari dengan adat budaya setempat. Tujuan penelitian adalah untuk menggali seni tari dengan adat budaya setempat.Penelitian menggunakan pendekatan antropologi tari yang bersifat desktiptif kualitatif.  Metode yang digunakan meliputi observasi, wawancara, dokumentasi dan kepustakaan. Hasil yang ingin dicapai tari Jaransari merupakan tari rakyat yang dipertunjukan pada kegiatan ritual bersih desa.  Kegiatan  tari  berkaitan erat dengan pola hidup masyarakat untuk menghadapi situasi gawat dari pengaruh kekuatan goib penunggu rokh desa.  Melalui kegiatan tari Jaransari masyarakat dianggap telah memenuhi keingginan penunggu rokh desa sehingga tidak mengganggu aktivitas masyarakat. Setelah upacara ritual bersih desa masyarakat menjadi tenang, giat bekerja dan panen melimpah.Kata Kunci: jaransari, tari rakyat, ritual,  bersih desa.
TARI JARANSARI DALAM UPACARA RITUAL BERSIH DESA LENCOH KECAMATAN SELA BOYOLALI Setyoasih, Sri; Setiyastuti, Budi; Nuryanto, Nuryanto; Samsuri, Samsuri; Daryono, Daryono
Acintya Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v14i2.4603

Abstract

ABSTRACT Jaransari dance to cleanse the village of Lencoh, Sela, Boyolali is an art with a ritual function. There is a relationship between dance and local cultural customs. The research objective is to explore the art of dance with local cultural traditions.This research uses an anthropological approach to dance that is qualitative and descriptive. The methods used include observation, interviews, documentation, and literature.The result that the Jaransari dance desired to achieve is a folk dance performed in village cleansing ritual activities. Dance activities are closely related to the lifestyle of the community to deal with critical situations from the influence of the power of the village guardian spirits. Through the activities of the Jaransari dance, the community is considered to have fulfilled the wishes of the village's spirit, so that it will not interfere with community activities. After the cleansing ritual ceremony of the village, the community calmed down, worked hard and the harvest was bountiful.Key Words: jaransari, folk dance, ritual, village cleansing  ABSTRAKTari Jaransari dalam rangka  bersih desa Lencoh, Sela, Boyolali merupakan seni yang berfungsi ritual. Terdapat hubungan antara seni tari dengan adat budaya setempat. Tujuan penelitian adalah untuk menggali seni tari dengan adat budaya setempat.Penelitian menggunakan pendekatan antropologi tari yang bersifat desktiptif kualitatif.  Metode yang digunakan meliputi observasi, wawancara, dokumentasi dan kepustakaan. Hasil yang ingin dicapai tari Jaransari merupakan tari rakyat yang dipertunjukan pada kegiatan ritual bersih desa.  Kegiatan  tari  berkaitan erat dengan pola hidup masyarakat untuk menghadapi situasi gawat dari pengaruh kekuatan goib penunggu rokh desa.  Melalui kegiatan tari Jaransari masyarakat dianggap telah memenuhi keingginan penunggu rokh desa sehingga tidak mengganggu aktivitas masyarakat. Setelah upacara ritual bersih desa masyarakat menjadi tenang, giat bekerja dan panen melimpah.Kata Kunci: jaransari, tari rakyat, ritual,  bersih desa.
BENTUK SAJIAN BEDHAYA SAPTONGKARA KARYA I NYOMAN CAHYA BERSAMA SULISTYO HARYANTI Renansia, Erika Meilanawati; Setyoasih, Sri
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i2.4693

Abstract

This article explores a unique form of group dance known as Bedhaya, which conveys symbolic expression through movement. The dance utilizes the symbol of Sapta Ongkara, representing the energy within humans and the universe. The Bedhaya Saptongkara dance was created by two choreographers, I Nyoman Chaya and Sulistyo Haryanti, in 2019. To delve deeper into the form and structure of this Bedhaya dance, the study employs Y. Sumandiyo Hadi's theory, which is instrumental in detailing the dance's elements. The study successfully produces a comprehensive description of the movement composition in the Bedhaya Saptongkara dance, meticulously crafted by I Nyoman Chaya and Sulistyo Haryanti. This description encompasses various crucial aspects of Bedhaya dance, including the dance movements, themes presented, type of dance, mode of presentation, the number and gender of the dancers, the dance space and stage, accompanying music, makeup and costumes of the dancers, props used, and the lighting that enhances the entire performance. Thus, this article provides an in-depth and structured overview of the Bedhaya Saptongkara dance, illustrating how the Sapta Ongkara symbol is embodied within the richly meaningful and philosophical artistic elements of the dance.  
Co-Authors Budi Setiyastuti Daryono Daryono, Daryono Nuryanto Nuryanto Renansia, Erika Meilanawati Samsuri Samsuri