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All Journal Besaung : Jurnal Seni Desain dan Budaya
Putra, M. Edo Pratama
Universitas Indo Global Mandiri
Arts Social Sciences

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Perancangan Infografik sebagai Media Pendukung Sosialisasi KPU ke Daerah Terpencil Putra, M. Edo Pratama
Besaung : Jurnal Seni Desain dan Budaya Vol 4, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v4i1.1400

Abstract

The General Election was held in 2019 with the KPU as the organizer on April 17, 2019. Among the tasks of the KPU was the dissemination of General Elections to remote areas throughout Indonesia. Remote areas are the main concern of the KPU in an effort to increase election participation in 2019, because remote areas are one of the biggest contributors to the Golput number in the 2014 elections. One of the remote areas with very low participation rates is Tegal Rejo Village, Gedang Sari District, Gunung Kidul Regency. This village is located in a hilly area which is one of the disaster prone areas. Tegal Rejo village has not received socialization from the Gunung Kidul Regency KPU and many villagers are still not informed about the 2019 Presidential Election. From the problems that occur, the author finds a solution to the problem by making an "Infographic Design as a Media Supporting the Socialization of KPU to Remote Areas". As for this design contains information on Election 2019, such as the introduction of candidates in the form of profiles of each prospective president and vice president, procedures for voting, time and place of execution until the conditions become a Permanent Voters List (DPT). And the media created will be given to the KPU to be the material for dissemination to remote areas in Indonesia.
PENDEKATAN KRITIK SENI TERHADAP DESAIN POSTER KARYA NAUFAN NOORDIYANTO Putra, M. Edo Pratama; Pangestu, Risvi; Yulius, Yosef
Besaung : Jurnal Seni Desain dan Budaya Vol 6, No 1
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v6i1.1342

Abstract

Poster is a general term for a letter attached / placard. Posters are placards that are placed in public places, in the form of announcements or advertisements (Big Indonesian Dictionary, 1986: 679). Posters can be interpreted as a form of visual communication work for a wide audience in the format of writing and images, which are generally in the form of stickers on the wall with a communication range for the masses. This study analyzes the works of Naufan Noordiyanto's posters which include studies of the form of the work, design elements, messages and values contained in his poster works with an art criticism approach. Naufan Noordiyanto's poster works mostly on social and political themes, regarding identity, tolerance, equality, philosophy and things that are contemporary in nature. These works were created as a reflection of his experiences, thoughts, and current conflicts. Artist Naufan Noordiyanto has created many forms with changing forms. Many of the body parts that were deformed from the human figures he created appeared to be abnormal human forms. Of course, there is a message that designer Naufan Noordiyanto wants to convey through his works. As in his work, Marlina, which presents Naufan's self-disclosure of the consequences of a lack of equality for a person, and being isolated is sometimes preferable to being recognized through a set of norms in a system that can injure and negate. In this research, the writer uses mimesis theory, expressive theory, and objective / pragmatic theory.
Co-Authors Pangestu, Risvi Yulius, Yosef