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All Journal Grenek: Jurnal Seni Musik Gondang: Jurnal Seni dan Budaya Abdimas Talenta : Jurnal Pengabdian Kepada Masyarakat
Tarigan, Kumalo
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Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Education Law, Crime, Criminology & Criminal Justice Social Sciences

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Analisis Makna Lagu Salam Horas pada Album Batak Muslim Bershalawat Sigalingging, Helsiana; Suroso , Panji; Tarigan, Kumalo
Grenek: Jurnal Seni Musik Vol. 14 No. 1 (2025): Grenek: Jurnal Seni Musik (June)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i1.65621

Abstract

Artikel ini berjudul “Analisis Makna Lagu Salam Horas Pada Album Batak Muslim Bershalawat”. Penelitian ini mengkaji tentang makna lagu Salam Horas yang ada pada album Batak Muslim Bersholawat. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pengumpulan data melalui observasi, wawancara, dan dokumentasi. Teori yang penulis gunakan dalam mengungkap permasalahan pada penelitian ini adalah teori semiotika Rolland Barthes. Adapun yang menjadi sampel dari penelitian ini adalah lagu Salam Horas dari album Batak Muslim Bersholawat dan yang menjadi populasi dalam penelitian ini adalah komunitas PERPERIS (persatuan perkumpulan Islam Samosir) dikota Medan. Hasil dari penelitian ini mengungkapkan lagu Salam Horas merupakan lagu rohani tradisi Batak Toba yang berisikan nilai-nilai keislaman diciptakan oleh Dr. H. Marhaban Sigalingging. Lagu salam horas memiliki makna yang berupa nilai nilai agama Islam yang cenderung mengajak pendengar dalam menjalankan perintah agama. Makna konotasi dari lagu ini yaitu keinginan penulis lagu dalam memperbaiki kehidupan masyarakat Batak Toba yang beragama Islam dalam menjalani kehidupan bersosial.
Improving Musical Instrument Workshop to Improve Product Quality of Craftsman in Siponjot Village Tarigan, Kumalo; Jafar, Fadlin; Gulo, Hubari; Purba, Mauly
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 5 No. 2 (2020): ABDIMAS TALENTA : Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1663.015 KB) | DOI: 10.32734/abdimastalenta.v5i2.5422

Abstract

Workshop is a production house for many craftsmen. Siponjot village has a Silaban Margu studio which produces traditional musical instruments despite the lack of inadequate workshop. The main problem with this workshop is that the production equipment facilities are still inadequate to provide optimal work results. Even by the given limitation, this studio has produced several types of gondang as its work. The excess residual material is generally wasted so that the potential economic value of using the material is immaterialized. The main target of this community service is to empower the people of Siponjot Village. The development of this craft workshop is the provision of creative economic access through the use of material left over from the production of musical instruments into fine arts in the form of handicrafts with economic, artistic and cultural values. This service has provided science and technology transfer while providing increased artistic skills through direct training to the community. It is hoped that in the future the community and craftsmen can take advantage of this potential to form an art-based creative economy in Siponjot Village.
Damma Silalahi and the Representation of Simalungun Culture in Contemporary Pop Music Sihombing, Nova Indriana; Tarigan, Kumalo
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.68010

Abstract

This study examines Simalungun pop songs by Damma Silalahi, which have significantly influenced the development of popular music in Simalungun society. The main objectives of this study are to analyze the musical structure, uncover the textual meaning, and evaluate the social function of ten purposively selected songs. The study uses a qualitative approach with a descriptive-analytical method. The analysis of musical structure is conducted using William P. Malm's theory of scale, melodic contour, and melodic formula, while the analysis of the meaning of the lyrics is based on semiotic theory and the theory of meaning in semantics and pragmatics. The main findings show that Damma Silalahi's songs combine modern style with traditional Simalungun musical roots. The lyrics express themes of love, social criticism, religiosity, and respect for parents. The social functions of these songs include expressive, educational, and recreational functions. Damma's works not only represent the dynamics of Simalungun culture but also reconstruct cultural identity within a contemporary framework. This study contributes new understanding of the transformation of regional music in a society experiencing modernization and globalization.
Co-Authors Gulo, Hubari Jafar, Fadlin Mauly Purba, Mauly Sigalingging, Helsiana Sihombing, Nova Indriana Suroso , Panji