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All Journal Arty: Jurnal Seni Rupa Eduarts: Journal of Arts Education JURNAL TATA KELOLA SENI Room of Civil Society Development Room of Civil Social Development Eduarts: Jurnal Pendidikan Seni
Athian, Muhammad Rahman
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DESIGN OF WEB-BASED GALLERY B9 BOOKING SYSTEM AS A MEDIA SERVICE IN DEPARTMENT OF FINE ARTS FACULTY OF LANGUAGE AND ARTS STATE UNIVERSITY OF SEMARANG Athian, Muhammad Rahman; Murtiyoso, Onang
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

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Abstract

Gallery B9 is one of the facilities in the Department of Fine Arts in supporting the improvement of learning activities at the Department of Fine Arts, FBS, UNNES which is expected to have a Web-based gallery space lending system as a service that is open to anyone who wants to take advantage of the B9 gallery. Aim of this study is 1) to create a web-based booking system as a service media at Studio and Gallery B9 Department of Fine Arts, Semarang State University. 2) to implementing a trial-based studio and gallery lending system as a supporting facility for students of the Department of Fine Arts, Semarang State University. Methodology that used is SDLC, which is used as an appraiser on the website . After using a questionnaire for 22 students. The results obtained that the website -based lending system has good communication effectiveness, this is evident from the results of the questionnaire showing 86% communication efficiency. The problem of the model and visual appearance is vital as a representation of the Department and University, it is considered to have an aesthetic level that is 89% efficient and easy to use. The features on the website are also interesting so they can show 89% results. After testing the loan, 82% said they were satisfied using this feature. The average input provided is giving a checklist about the facilities that are owned in each studio
DESIGN OF WEB-BASED GALLERY B9 BOOKING SYSTEM AS A MEDIA SERVICE IN DEPARTMENT OF FINE ARTS FACULTY OF LANGUAGE AND ARTS STATE UNIVERSITY OF SEMARANG Athian, Muhammad Rahman; Murtiyoso, Onang
Arty: Jurnal Seni Rupa Vol 10 No 1 (2021): Arty
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Gallery B9 is one of the facilities in the Department of Fine Arts in supporting the improvement of learning activities at the Department of Fine Arts, FBS, UNNES which is expected to have a Web-based gallery space lending system as a service that is open to anyone who wants to take advantage of the B9 gallery. Aim of this study is 1) to create a web-based booking system as a service media at Studio and Gallery B9 Department of Fine Arts, Semarang State University. 2) to implementing a trial-based studio and gallery lending system as a supporting facility for students of the Department of Fine Arts, Semarang State University. Methodology that used is SDLC, which is used as an appraiser on the website . After using a questionnaire for 22 students. The results obtained that the website -based lending system has good communication effectiveness, this is evident from the results of the questionnaire showing 86% communication efficiency. The problem of the model and visual appearance is vital as a representation of the Department and University, it is considered to have an aesthetic level that is 89% efficient and easy to use. The features on the website are also interesting so they can show 89% results. After testing the loan, 82% said they were satisfied using this feature. The average input provided is giving a checklist about the facilities that are owned in each studio
The Philosophy of the Life Cycle in Tembang Macapat as an Inspiration for Painting Wibowo, Reza Mukti; Athian, Muhammad Rahman
Eduarts: Jurnal Pendidikan Seni Vol. 14 No. 1 (2025): Eduarts: Jurnal Pendidikan Seni
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/eduarts.v14i1.22213

Abstract

This research is a visualization of the human life cycle in each mentrum of tembang macapat, with romanticism as its main concept. The paintings are created using the glaze/glazing technique with a tenebrism lighting approach. The purpose of this study is to visualize the philosophy of the human life cycle in tembang macapat through painting, making it a means of appreciation, education, and local cultural preservation. Additionally, this research aims to present a more communicative artistic approach for younger generations, encouraging them to better understand and appreciate their cultural heritage. The novelty of this study lies in its cultural acculturation approach in visual arts, combining the philosophy of tembang macapat a Javanese cultural heritage with Western romanticism style in painting. Furthermore, it introduces the tenebrism lighting technique to enhance dramatic and emotional depth, a technique rarely used in previous visual representations of tembang macapat. This research has resulted in eleven paintings, each depicting the human life cycle based on the mentrum of tembang macapat. Each artwork is visualized in a romantic style, employing the glaze/glazing technique and tenebrism lighting, emphasizing dramatic elements and visual depth. The findings show that the philosophical values of tembang macapat can be interpreted visually to provide a broader understanding to the public and serve as a learning medium through art. The choice of a romantic style with human figure representations as a visualization of the human life cycle serves to present clear and accessible information. This approach ensures that the artworks are easily understood by a wider audience while inviting viewers to see, feel, and comprehend the meaning behind each phase of life.
Penguatan Desain Pola Motif Batik sebagai Strategi Inovasi Produk Fungsional di UMKM Batik Linggo Fakhrihun Na'am, Muh; Prasetyaningtyas, Wulansari; Syarif, Muh Ibnan; Athian, Muhammad Rahman; Aulia Pambajeng Miftahunnajah, Nimas
Room of Civil Society Development Vol. 4 No. 4 (2025): Room of Civil Society Development
Publisher : Lembaga Riset dan Inovasi Masyarakat Madani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59110/rcsd.692

Abstract

Program pengabdian ini dilatarbelakangi oleh rendahnya kemampuan perajin Batik Linggo di Kendal dalam merancang desain pola motif batik yang aplikatif pada produk fungsional seperti busana dan pelengkapnya. Tujuan kegiatan ini adalah meningkatkan kapasitas perajin dalam mengembangkan desain motif batik serta keterampilan produksi dan pemasaran berbasis digital. Metode pelaksanaan dilakukan melalui pendekatan partisipatif yang mencakup penyuluhan, demonstrasi, praktik langsung, dan pendampingan intensif. Kegiatan ini menghasilkan 19 produk fungsional, satu di antaranya berhasil didaftarkan hak cipta, serta peningkatan signifikan dalam keterampilan desain, pemanfaatan limbah kain perca, dan penguasaan pemasaran digital. Temuan menunjukkan bahwa pelatihan desain pola berbasis motif lokal mampu memperkuat inovasi produk, mendukung prinsip keberlanjutan, serta mendorong kemandirian ekonomi perajin. Kegiatan ini sekaligus memperkuat pelestarian batik sebagai warisan budaya melalui pendekatan kreatif dan kolaboratif berbasis potensi lokal.
Penguatan Desain Pola Motif Batik sebagai Strategi Inovasi Produk Fungsional di UMKM Batik Linggo Fakhrihun Na'am, Muh; Prasetyaningtyas, Wulansari; Syarif, Muh Ibnan; Athian, Muhammad Rahman; Aulia Pambajeng Miftahunnajah, Nimas
Room of Civil Society Development Vol. 4 No. 4 (2025): Room of Civil Society Development
Publisher : Lembaga Riset dan Inovasi Masyarakat Madani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59110/rcsd.692

Abstract

Program pengabdian ini dilatarbelakangi oleh rendahnya kemampuan perajin Batik Linggo di Kendal dalam merancang desain pola motif batik yang aplikatif pada produk fungsional seperti busana dan pelengkapnya. Tujuan kegiatan ini adalah meningkatkan kapasitas perajin dalam mengembangkan desain motif batik serta keterampilan produksi dan pemasaran berbasis digital. Metode pelaksanaan dilakukan melalui pendekatan partisipatif yang mencakup penyuluhan, demonstrasi, praktik langsung, dan pendampingan intensif. Kegiatan ini menghasilkan 19 produk fungsional, satu di antaranya berhasil didaftarkan hak cipta, serta peningkatan signifikan dalam keterampilan desain, pemanfaatan limbah kain perca, dan penguasaan pemasaran digital. Temuan menunjukkan bahwa pelatihan desain pola berbasis motif lokal mampu memperkuat inovasi produk, mendukung prinsip keberlanjutan, serta mendorong kemandirian ekonomi perajin. Kegiatan ini sekaligus memperkuat pelestarian batik sebagai warisan budaya melalui pendekatan kreatif dan kolaboratif berbasis potensi lokal.
THE HUMAN WITH A SHEEP’S HEAD AS A SOURCE OF INSPIRATION IN PAINTING FOR THE DEVELOPMENT OF LOCAL CULTURE IN GARUT REGENCY Hapana, Reni; Athian, Muhammad Rahman
Eduarts: Jurnal Pendidikan Seni Vol. 14 No. 3 (2025): Eduarts: Jurnal Pendidikan Seni
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/eduarts.v14i3.11248

Abstract

This study project is a visualization of the various local cultures found in Garut Regency through surrealist-style painting. The artworks were created using the Scumbling technique. Surrealist painting is a style that emphasizes imagination and imagery drawn from the subconscious mind. In the process of creating this study project, the author produced ten artworks, each representing a different subject as a visual expression aimed at developing the local culture of Garut Regency. These works serve to provide clear and accessible cultural information. As such, the artworks are intended to be easily understood by the wider public, while also inviting appreciators and the broader community to see, feel, and comprehend the meaning and essence of each local cultural element of Garut. Through these paintings, the author hopes to inspire and motivate future generations to develop the potential of their local culture so that it may be accepted and recognized more broadly. The local cultural values visualized in these artworks can serve as valuable sources for character and moral education. Through painting, art can become a powerful learning tool that enhances creativity and imagination, and acts as a tangible example within both educational and life contexts.
ILUSTRASI DENGAN TEKNIK DIGITAL TENTANG PERMAINAN TRADISIONAL SEBAGAI MEDIA INFORMASI DAN NOSTALGIA ANTAR GENERASI Suseno, Mas Anjal Bimo; Athian, Muhammad Rahman
Eduarts: Jurnal Pendidikan Seni Vol 13 No 1 (2024): Eduarts: Jurnal Pendidikan Seni
Publisher : Universitas Negeri Semarang

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Abstract

Kemajuan teknologi saat ini berkembang dengan pesat sehingga dapat mempengaruhi aktivitas bermain anak. Aktivitas bermain di lapangan (seperti bertemu secara langsung) mulai tergantikan dengan virtual atau game online. Untuk itu melalui permainan tradisional, anak-anak dapat meningkatkan kesehatan jasmani karena saat bermain mereka melakukan aktivitas fisik dengan berolahraga sekaligus juga dapat berjemur. Penulis membuat karya dengan pendekatan kartunis agar mempermudah penyampaian isi karya kepada apresiator yang merupakan anak muda dan dekat dengan dunia kartunal. Karya ini dibuat dengan free hand tools melalui proses digitalisasi untuk mempermudah proses pembuatan, pemilihan warna, pencetusan ide kedalam visual. Karya yang dibuat berjumlah 15 karya permainan tradisional yang ada di indinosia. Analisis karya permainan tradisional berdasarkan pada spesifikasi karya, deskripsi karya, analisis formal, dan interpretasi karya dari aspek teknik, estetis, dan ilustratif.
SIGNIFIKANSI KURATORIAL DALAM PROSES EDUKASI APRESIASIPUBLIK PADA PAMERAN SAPUAN KUAS DAN KELALIMAN BENTUK Athian, Muhammad Rahman
Eduarts: Jurnal Pendidikan Seni Vol. 13 No. 2 (2024): Eduarts: Jurnal Pendidikan Seni
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/eduarts.v13i2.3705

Abstract

This paper discusses the concept, purpose and function of art education in the context of national education, with an emphasis on art appreciation. From a cultural perspective, art education is believed to contribute to the formation of creative capacity and cultural awareness of society. The aim of this research is to analyze the curatorial significance of the temporary exhibition "Sapuan Kuas dan Kelaliman Bentuk" as an explanation of public appreciation . This research uses a qualitative approach to explore in-depth understanding of art education governance, with a focus on curatorial-based art appreciation education patterns in temporary art exhibitions. From the results of the research, it is concluded that curatorial plays an important role in bridging appreciation between artists and appreciators. Curators are responsible for presenting visual explanations of artworks, facilitating dialog between the observer and the art object. Art exhibitions, such as "Sapuan Kuas dan Kelaliman Bentuk," become laboratories for creating aesthetic experiences and informal education for the public. Managerial approaches in the governance of art education are also discussed, focusing on planning, organizing, supervising, and evaluating. Galeri Semarang uses various strategies to promote and invite appreciators from different backgrounds, creating an experience of heterogeneity that enriches art appreciation. This study provides insights into the importance of art education in enriching people's cultural lives and offers a model of effective art education governance in the context of fine art exhibitions. Further research can explore the practical implications of these findings in improving art education and art appreciation in various formal and non-formal education contexts.
Kajian Pemasaran Karya Seni Rupa di Ruang Alternatif: Studi Kasus Pameran Pasar Seni di Rest Area Heritage KM 260 B Banjaratma Brebes Athian, Muhammad Rahman; Suhartono, Suhartono -; Djatiprambudi, Djuli
JURNAL TATA KELOLA SENI Vol 10, No 1 (2024): Juni 2024
Publisher : Graduate School of Indonesia Institute of the Arts Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jtks.v10i1.11215

Abstract

Pameran seni rupa di pintu keluar tol Brebes ini menjadi wadah bagi para seniman lokal untuk memasarkan karya-karyanya secara langsung kepada masyarakat. Meskipun pameran ini tidak memiliki tema khusus, keragaman karya para seniman diakui sebagai strategi untuk menarik pembeli dari berbagai kalangan. Pameran ini memiliki kekurangan, seperti keterbatasan tempat dan manajemen, namun juga memiliki kelebihan, seperti lokasi yang strategis dan manajemen keuangan yang bersifat kekeluargaan. Para seniman menjual karya-karyanya secara langsung di lokasi, meskipun mereka juga memasarkannya melalui akun Instagram. Meskipun pengiriman dilakukan secara online, tidak ada keluhan tentang penipuan. Kepercayaan pembeli sangat ditekankan, meskipun tidak ada perjanjian tertulis yang mengikat. Pameran ini memiliki pendekatan dan tata kelola penjualan yang mengedepankan aspek kekeluargaan dan saling mendukung di antara para seniman. Study of Fine Art Sales in Alternative Spaces: Case Study of Art Market Exhibition in Heritage Rest Area at KM 260 B Banjaratma Brebes ABSTRACT The art exhibition at the Brebes Toll Exit is a place where local artists can market their works directly to the public. Despite the exhibition not having a specific theme, the diversity of the artists' works is recognized as a strategy to attract buyers from various circles. This exhibition has shortcomings, such as limited space and management, but also has advantages, such as a strategic location and familial financial management. The artists sell their works directly on location, although they also market through their Instagram accounts. Despite deliveries being made online, there have been no complaints about fraud. Buyer trust is emphasized, even though there is no binding written agreement. This exhibition has a sales approach and governance that prioritizes familial aspects and mutual support among artists.
DEVELOPMENT OF POTERRY PRODUCTS BASED ON LOCAL CULTURE: APPLICATION OF WOOD CARVING TECHNIQUES AND MOTIVES TO POTTERY CRAFTS IN MAYONG LOR VILLAGE, JEPARA. Athian, Muhammad Rahman
Arty: Jurnal Seni Rupa Vol 11 No 3 (2022): Regular
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v11i3.63355

Abstract

The research entitled Development of Pottery Products Based on Local Culture: Application of Wood Carving Techniques and Motifs in Pottery Crafts in Mayong Lor Village, Jepara, aims to identify traditional pottery/ceramic forms containing local culture and provide a model of wood carving motifs as a development which contains the conservation values ​​of pottery/ceramic craft designs as a solution to preserve and improve the quality of pottery/ceramic crafts in the village of Mayong Jepara. To achieve the objectives of this research, a Research and Development Research and Development or R&D design will be used. The research problems are: identifying the design of the traditional Mayong Lor pottery/ceramic form and developing it without leaving the local cultural characteristics. Especially in Mayong Lor ceramics, the craftsmen use a mixture of various materials, such as Nalumsari soil mixed with Mayong soil and additional husks. After the soil is processed, the next step is to process it to make ceramics. There are several techniques for making ceramics, such as; (1) Massage Technique (pinching, squeezing, hand-modelled), (2) Spiral Technique (coiling, coil-building), (3) Ring Technique (ring-building), (4) Plate technique (slab-forming), (5) Printing Techniques (moulding, slip-casting), (6) Wheel Techniques (wheel), (7) Combined Techniques, and (7) Paddle-anvil technique (paddle-anvil technique, beater-anvil technique, paddling) . As we know, the development of relief works in the Hindu-Buddhist and Mataram eras in the archipelago was very rapid. People at that time immortalized their expressions in offerings to the power through aesthetics to be merged into an interesting and complex work. In the Hindu-Buddhist era, many of the reliefs were depictions of Rama Shinta, or the journey of the Buddha himself. Then later, these carvings can be modified using pottery that is applied with a specific carving shape so that it functions to decorate and reduce wood cutting. The forms made are; saton, tendrils, tumpal, Mughal, tracapan, patran, waluhan, pineapple an, makutha. In all of these works there are shapes that are inspired by nature. Among them are leaves that harmonize with the shape of leaves and traditional carvings as well as the shape of animals that are full of philosophical values. The finishing process is made by sanding the uneven parts and painting the parts with a shiny color.
Co-Authors Aulia Pambajeng Miftahunnajah, Nimas Djuli Djatiprambudi Fakhrihun Na'am, Muh Hapana, Reni Muh. Ibnan Syarif, Muh. Ibnan Murtiyoso, Onang Suhartono, Suhartono - Suseno, Mas Anjal Bimo Wibowo, Reza Mukti Wulansari Prasetyaningtyas, Wulansari