Article Per Year (5 Year)
p-Index From 2020 - 2025
0.817
P-Index
This Author published in this journals
All Journal Humantech : Jurnal Ilmiah Multidisiplin Indonesia Journal of Scientific Research, Education, and Technology
Muchtar, Asril
Unknown Affiliation
Religion Computer Science & IT Economics, Econometrics & Finance Education Engineering Law, Crime, Criminology & Criminal Justice Public Health Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
PENCIPTAAN KARYA BATIK LUKIS BERDASARKAN REPRESENTASI TARI ALANG SUNTIANG PANGULU Rasel, Panny; Muchtar, Asril; Rasmida, Rasmida
Humantech : Jurnal Ilmiah Multidisiplin Indonesia Vol. 2 No. 5 (2023): Humantech : Jurnal Ilmiah Multidisiplin Indonesia
Publisher : Program Studi Akuntansi IKOPIN

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penciptaan lukisan batik dengan objek Tari Alang Suntiang Pangulu bersumber dari tarian adat yang ditampilkan dalam rumah gadang, di kenagarian Padang Laweh Kabupaten Agam Sumatera Barat. Tarian Alang Suntiang Pangulu tidak boleh disebar luaskan seperti foto gerakan, karena adanya ketakutan tarian ini akan diolah dan dijadikan hak milik oleh yang mengambil dokumen tersebut tanpa se izin niniak mamak dalam Nagari oleh karena itu anak muda di Padang Laweh yang tidak tertarik untuk mempelajari tarian ini. Tujuan penelitian ini adalah menciptakan karya dengan merepresentasikan gerak-gerak Tari Alang Suntiang Pangulu dalam bentuk seni rupa dengan teknik batik lukis dekoratif. Pendekatan yang digunakan adalah pendekatan representasi dengan tiga tahap metode penciptaan yaitu eksplorasi, perancangan dan perwujudan. Hasil penciptaan karya batik Lukis dengan representasi objek Tari Alang Suntiang Pangulu yaitu gambar yang dilukis menggunakan malam dengan alat canting yang digoreskan pada kain primisima yang terdiri dari tujuh karya manari di ateh awan, penari malam, manari di ateh adok, manari di awang-awang, saayun salangkah, bapijak di awan lalu, dan manari di ateh saluang.
Anusaba Composition: Reconstructing Bagarak Environmental Sounds into a Hybrid Soundscape Nazir, Ahmad; Muchtar, Asril
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 1 (2025): Vol. 4 No. 1 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i1.709

Abstract

This research aims to reconstruct the environmental sound of bagarak as a cultural identity of Guguak Tinggi in a hybrid soundscape music composition. Bagarak is a profession that processes gold and silver raw materials into various jewelry with high aesthetic value. The artistic value of bagarak not only enriches art, but also flows the logic of art into people's thoughts, feelings, bodies and behavior in living life. Musically, bagarak plays an important role in the soundscape of Guguak Tinggi. Various sound elements from the community's social activities are present as a chain that continues to fill the flow of Guguak Tinggi's time and evolve with the times. This research uses ethnographic and historical methods. Data were obtained by diving into the lives of indigenous people sensitively and naturally, as well as through documentation. Data analysis was carried out qualitatively to understand the point of view of the culture owner, focusing on the identification of sound material and its meaning. The results show that the environmental sound of bagarak characterizes Guguak Tinggi, which has aesthetic value and reconstruction value.
Musical Composition “Manggaro Yuk” Representation of "Manggaro" Cultural Activities in Minangkabau Andika, Yuhari; Muchtar, Asril
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 4 No. 1 (2025): Vol. 4 No. 1 2025
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v4i1.684

Abstract

The musical composition "Manggaro Yuk" is inspired by the "manggaro" cultural activities of the farming community of Padang Panjang city. The musical composition uses traditional Minangkabau music idioms such as talempong pacik, gandang tambua, typical Minangkabau dendang (vocals), and bamboo and cans filled with gravel, then adapted to the dialect and culture of the people of Tanah Datar Regency and Padang Panjang City. This work was displayed at the final lesson of the Central Ministry of Education, Culture and Research and Technology's Movement for Artists Entering Schools (GSMS) program together with the Padang Panjang City Education and Culture Office in 2023 by 20 (twenty) students of Hikmah Middle School in Padang Panjang City. Qualitative methods are used for data collection, reflection, observation, and interviews. The workart is carried out in four stages, namely: preparation, incubation (contemplation or incubation), lighting, and verification. The work "Manggaro Yuk" is divided into three parts which are the author's representation of the problems and phenomena experienced by farmers in Minangkabau expressed through Minangkabau instruments and non-conventional instruments.
Co-Authors Andika, Yuhari Ikhsan, Vujji El Nazir, Ahmad Rasel, Panny Rasmida, Rasmida Wilma Sriwulan