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All Journal Grenek: Jurnal Seni Musik Acintya Jurnal Pendidikan dan Penciptaan Seni
Sholikhah, Rahmatika Luthfiana
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Arts Humanities Computer Science & IT Education Social Sciences Other

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Eksistensi Doding Pada Kalangan Muda Simalungun Sitopu, Sapna; Sholikhah, Rahmatika Luthfiana; Hutajulu, Rithaony
Grenek: Jurnal Seni Musik Vol. 14 No. 2 (2025): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v14i2.71708

Abstract

This research aims to describe the existence of Simalungun doding performed with inggou among the younger generation of Simalungun and analyze the factors that influence the continuity of this tradition. Using a qualitative approach, this research examines how Wallace & Srb's adaptation theory can explain the phenomenon. The results show that doding with inggou, as an integral part of Simalungun culture, has an important role in maintaining the identity and social values of the community. However, the existence of this tradition among the younger generation is increasingly diminishing due to the influence of modernization and globalization. The lack of understanding of the values contained in doding and the lack of conservation efforts are the main factors that cause this. This research concludes that strategic efforts are needed to revive the doding tradition with inggou among the younger generation, such as through education, socialization, and innovations that are relevant to the times.
Ambivalence of Hospitality Symbols: Representation and Gender Stereotypes in Tari Sekapur Sirih Jambi Sholikhah, Rahmatika Luthfiana; Kaeksi, Maharani Hares; Affandi, Kiki Maulana
Acintya Vol. 17 No. 2 (2025)
Publisher : Institut Seni Indoensia Surakarta

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Abstract

This article examines women’s representation in Tari Sekapur Sirih Jambi as a symbolic practice that contains an ambivalence between gender glorification and restriction. As a welcoming dance, Tari Sekapur Sirih positions women as bearers of betel leaves and as the central figures of the performance, representing values of hospitality, politeness, and honor within the Malay culture of Jambi. This study employs a qualitative approach with a semiotic reading of symbols, movements, and performance structures. The analysis shows that the symbol of betel leaves and the gentle quality of women’s movements construct a myth of ideal femininity that normalizes women’s roles as hosts and guardians of social harmony. This representation is ambivalent because, on the one hand, it elevates women as symbols of cultural honor, while on the other hand it reproduces gender stereotypes that limit women’s expression and agency within the performance structure. This article argues that Tari Sekapur Sirih can be understood as a cultural text that reflects the relationship between tradition, symbolism, and gender construction in Malay Jambi society.
Kajian Organologi dan Teknik Permainan Slompret Jawa Oleh Abah Tetimo di Kota Binjai Surbakti, Indra Yosia; Ginting, Yoe Anto; Sholikhah, Rahmatika Luthfiana
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1145

Abstract

This study aims to describe the organology of the slompret used by Abah Tetimo and to analyze the playing techniques he employs in Binjai City. This study employs a qualitative method with a descriptive-analytical and ethnomusicological approach. Data were collected through participatory observation, in-depth interviews, and audio-visual documentation. The findings reveal that: (1) the slompret is classified as an aerophone under the Hornbostel-Sachs system (423.121, end-blown flute), constructed from bamboo, wood, stainless steel, and coconut shell or lontar palm, measuring 60–80 cm with five tone holes producing a loud and penetrative sound; (2) Abah Tetimo's playing technique encompasses five integrated dimensions: body posture with 30–60 degree elevation; diaphragmatic breath control including circular breathing; embouchure with 2–5 mm lip aperture; five-hole fingering with overblowing; and articulation comprising single tonguing, double tonguing, and legato.
Co-Authors Affandi, Kiki Maulana Ginting, Yoe Anto Hutajulu, Rithaony Kaeksi, Maharani Hares Sitopu, Sapna Surbakti, Indra Yosia