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All Journal Poetika: Jurnal Ilmu Sastra Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Lingua Susastra Tulisan Ilmiah Pariwisata (TULIP) Arif: Jurnal Sastra dan Kearifan Lokal Journal of English Language Teaching, Linguistics, and Literature Studies
Saputra, Buyung Ade
Universitas Sam Ratulangi
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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IDEOLOGICAL INTERPELLATION AND SUBJECTS’ RESPONSES IN ANDI NOOR’S SHORT STORY, “KOPI DAN CINTA YANG TAK PERNAH MATI” Buyung Ade Saputra
POETIKA Vol 9, No 2 (2021): Issue 2
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v9i2.60654

Abstract

State is a machine of power for the ruling class to maintain its authority. The effort is practiced by interpellating individuals as its subjects. The state can be defined as repressive and ideological apparatus. This study aims to identify the interpellation’s category and the subjects’ responses that are portrayed in Andi Noor’s short story titled “Kopi dan Cinta yang Tak Pernah Mati” from Althusser’s perspective. The study is carried out by first identifying the ideologies that empower the interpellation. There are two categories of ideology that interpellate individuals as the subjects of ideology: (1) Totalitarianism and (2) Socialism. Next, the researcher identifies the category of apparatus that is used by the ideologies. The short story portrays the empowerment of the repressive state apparatus of armed or police forces by the ruling ideology and the empowerment of the ideological cultural apparatus by the opposition. Subjects’ responses that are found in this research vary, and not all subjects recognize the interpellation by the ideology. The responses are influenced by the empowerment of the apparatuses of each ideology. The subjects tend to resist the empowerment of the repressive state apparatus, but they recognize the interpellation by the empowerment of the ideological cultural apparatus. Negara merupakan mesin kekuasaan yang menjadi alat bagi kelas penguasa untuk melanggengkan kekuasaanya. Usaha ini dilakukan melalui penaklukan atau interpelasi terhadap individu agar menjadi subjek ideologi. Keberadaan Negara dapat dipahami sebagai aparatus represif dan aparatus ideologis. Penelitian ini bertujuan untuk mengungkap kategori interpelasi dan respon subjek yang digambarkan oleh cerpen “Kopi dan Cinta yang Tak Pernah Mati” karya Andi Noor berdasarkan pandangan Althusser. Penelitian ini diawali dengan mengungkap ideologi-ideologi yang melakukan interpelasi. Terdapat dua ideologi yang saling melakukan interpelasi terhadap subjek-subjek, yaitu (1) Totalitarian dan (2) Sosialisme. Selanjutnya, peneliti melakukan pemetaan terhadap kategori aparatus yang digunakan oleh ideologi-ideologi baik itu aparatus represif atau ideologis. Cerita pendek ini menggambarkan aparatus negara yang represif yang diwakili oleh tentara yang digunakan oleh ideologi penguasa, sedangkan pihak lawan melakukan pemberdayaan aparatus kultural ideologis. Respon subjek yang ditemukan cukup beragam. Tidak semua subjek merekognisi interpelasi ideologi. Terdapat subjek yang pada awalnya melakukan misrekognisi namun pada akhirnya melakukan rekognisi terhadap interpelasi ideologi. Respon yang ditunjukkan oleh subjek dipengaruhi oleh pemberdayaan aparatus oleh masing-masing ideologi. Subjek cenderung melakukan misrekognisi terhadap aparatus represif, dan cenderung merekognisi pemberdayaan aparatus ideologis kultural.
Interseksionalitas Perempuan dan Laki-Laki Bangsawan dalam “Tula-Tula Mia Wakatobi” Buyung Ade Saputra; Aryana Nurul Qarimah
Arif: Jurnal Sastra dan Kearifan Lokal Vol 1 No 2 (2022): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (488.631 KB) | DOI: 10.21009/Arif.012.04

Abstract

Perempuan dan laki-laki yang bergelar bangsawan sebagai kelas sosial tertinggi pada masyarakat pramodern tidak membuat mereka secara pasti memperoleh privilese dan prestise. Setiap individu menduduki posisi yang kemudian menunjukkan jenis perbedaan kekuasaan berdasarkan kategori sosiokultural, khususnya seperti gender. Penelitian ini bertujuan menelaah praktik yang ditemui perempuan dan laki-laki bangsawan pada cerita rakyat Wakatobi atau “Tula-tula Mia Wakatobi”. Metode interseksi digunakan untuk membongkar ruang-ruang diskriminasi berdasarkan lapisan identitas yang saling berinteraksi. Hasil penelitian menunjukkan bahwa perempuan bangsawan adalah pihak yang dirugikan dibanding laki-laki bangsawan. Perempuan bangsawan beridentitas ganda, yaitu sebagai bangsawan serta putri dari ayah dan raja. Dengan demikian formasi identitas menjadi penyebab utama adanya privilese atau “peliyanan“ melalui tindakan diskriminatif yang dialami oleh para tokoh bangsawan.
What Has Man Made of Man? An Examination of the Epic Self Saputra, Buyung Ade; Sari, Hanifah Yulia; Indriyani, Vivi
Lingua Susastra Vol 6, No 1 (2025)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v6i1.424

Abstract

This research examines the concept of the Epic Self in William Wordsworth's poem "Lines Written in Early Spring." The Epic concept predates the Romantic Era, but its meaning has evolved. While epic literature focuses on famous figures, the Romantic Era centres the author as the hero. This study utilizes the dialectical method, involving thorough readings of the poem and related sources. The analysis examines each stanza and line, linking them to illustrate the Epic Self. The dialectical method is suitable as it reveals the Epic Self by connecting the poem's content to the author's history. The research finds that the Epic Self emerges as a rejection of Reason's dogmas, prioritizing human emotions and freedom in daily life. An example is the line, "And 'tis my faith that every flower / Enjoys the air it breathes," suggesting that happiness can arise from any moment. This research aims to provide a foundation for understanding the Epic Self, offering an alternative perspective on non-popular works like "Lines Written in Early Spring."
Collective Memory: Moral and Cultural Values on The Songs of Makalelon-Makaaruyen: Oral Tradition of Tontemboan Minahasa Senduk, Arter Jodi; Claudia, Tatiana Stary; Saputra, Buyung Ade
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 9, No 2 (2025): Culturalistics: Journal of Cultural, Literary, and Linguistics Studies (December
Publisher : English Literature Study Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ca.v9i2.30048

Abstract

This article examines the oral tradition of Makalelon-Makaaruyen songs among the Tontemboan Minahasa people, a traditional sub-ethnic song form originating from the Minahasan community in Indonesia. Performed in Tontemboan, Manado Malay, and Indonesian, these songs serve as repositories of collective memory, preserving moral teachings and cultural values across generations. This study underscores the enduring role of these songs in upholding moral and cultural principles, collective memory, and cultural continuity, emphasizing the importance of oral tradition in sustaining identity and values among the Tontemboan Minahasa. Functioning as a medium of cultural transmission, the songs embody prayers, petitions, social virtues, and expressions of love for the homeland. Rooted in the Tontemboan sub-ethnic heritage, Makalelon-Makaaruyen songs encapsulate the community’s shared identity and historical consciousness, passed down orally through generations. The collective memory they preserve strengthens social bonds and mirrors the Minahasa people’s cultural worldview through Moral and Cultural Values conveyed, Sociocultural Context and Usage, and Social and Cultural Functions. This article demonstrates how these oral traditions serve as a living heritage that reinforces Minahasa cultural resilience as one among other collective memory of cultural expressions that heartedfully symbolizes and expresses, “Pakutuan Wo Pakalowiren/Pakalowiden”.  
Individuals Greed and Capitalism in Film Killers of the Flower Moon (2023) Inelsa, Violeta; Wantasen, Isnawati Lydia; Saputra, Buyung Ade; Cowell, Dustin
Journal of English Language Teaching, Linguistics, and Literature Studies Vol 5, No 2 (2025)
Publisher : Institut Agama Islam Negeri (IAIN) Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/jeltis.v5i2.3808

Abstract

This research investigates the themes of individual greed and capitalism as portrayed in Martin Scorsese’s film Killers of the Flower Moon (2023). The film chronicles the exploitation of the Osage people in the 1920s, following the discovery of oil on their land. The study aims to explore how greed reflects and perpetuates the capitalist system. Specifically, it analyzes the representation of capitalism in the film through both narrative and cinematic devices. To achieve this objective, a qualitative descriptive method was employed. The analysis included repeated viewings of the film, documentation through screenshots, and an extensive review of relevant literature. This approach was grounded in Marxist theory and the literary framework established by Wellek and Warren. The findings highlight illustration of the interconnection between individual greed and capitalist structures. These findings suggest that the film portrays capitalism not merely as an economic system but also as a mechanism of social exploitation. Within this context, the accumulation of wealth is depicted as being achieved through manipulation, violence, and systemic injustice against marginalized communities. The significance of this study lies in its contributions to the fields of literary and film studies. It illustrates how cinema can reflect and critique the workings of capitalism while offering valuable insights into issues of social inequality. This research serves as a critical reference point for future inquiries in Marxist literary criticism and cultural analysis, informing subsequent critical readings of films that tackle similar themes.Keywords:     Capitalism, Greed, Exploitation, Killers of the Flower Moon
Jejak yang Bisu: Potensi Artefak Budaya Likupang Timur dalam Kajian Storynomic Wisata Buyung Ade Saputra; Muhmmad Hasan Basri; Arter Jodi Senduk
Tulisan Ilmiah Pariwisata (TULIP) Vol 8, No 2 (2025): Desember
Publisher : Program Studi S1 Pariwisata, Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/tulip.8.2.128-138.2025

Abstract

Penelitian ini bertujuan melakukan konstruksi narasi terhadap objek wisata di desa Marinsow, Pulisan, dan Kinunang. Ketiga desa tersebut merupakan bagian dari wilayah Destinasi Wisata Prioritas yang ditetapkan pada tahun 2019 oleh Pemerintah Indonesia. Metode penelitian ini adalah kualitatif ekploratif-deskriptif sebab penelitian ini mengeksplorasi daya tarik wisata dan mendeskripsikan pemaknaan objek wisata bisu atau yang tidak memiliki cerita rakyat sebagai identitasnya. Sumber data berasal dari wawancara dengan enam orang informan terpercaya. Analisis yang dilakukan adalah analisis interpertatif berupa pemaknaan terhadap objek wisata mendasarkan pada nilai-nilai budaya, naratif, dan storynomic. Hasil penelitian ini menunjukkan kekosongan representasi budaya di tingkat lokal ditandai dengan hilangnya cerita rakyat yang menjadi identitas daya tarik wisata di ketiga Desa. Kenyataan ini ditenggarai oleh fakta bahwa masyarakat ketiga desa didominasi oleh Suku Sangihe yang berimigirasi dari Pulau Sangihe ke wilayah Likupang Timur yang dahulu adalah wilayah adat Tonsea sub-etnik suku Minahasa. Lalu, konstruksi narasi penelitian berdasarkan nilai budaya memerlihatkan cerita dan daya tarik wisata dapat menjadi kesatuan identitas masyarakat di ketiga desa. Nilai naratif memberikan daya tarik estetik agar cerita terdengar menarik. Serta nilai storynomic menawarkan kemungkinan aktivitas yang akan menjadi daya tarik wisatawan di lokasi wisata.   
Co-Authors Arter Jodi Senduk Aryana Nurul Qarimah CLAUDIA, TATIANA STARY Cowell, Dustin Hanifah Yulia Sari Inelsa, Violeta Muhmmad Hasan Basri Senduk, Arter Jodi Vivi Indriyani WANTASEN, ISNAWATI