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All Journal Al-Jami'ah: Journal of Islamic Studies Mozaik Humaniora NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Padaringan : Jurnal Pendidikan Sosiologi Antropologi Jurnal Ilmu Sosial dan Humaniora
Hariyadi Hariyadi
Universitas Jenderal Soedirman
Religion Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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 1 
Finding Islam in Cinema: Islamic Films and the Identity of Indonesian Muslim Youths Hariyadi, H.
Al-Jamiah: Journal of Islamic Studies Vol 51, No 2 (2013)
Publisher : Al-Jamiah Research Centre, Sunan Kalijaga State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajis.2013.512.443-473

Abstract

This paper discusses Islamic films in Indonesia that have been a phenomenon since a decade. It is reported that Islamic films have been consciously produced to propagate Islamic lessons to the Muslim youths. The paper challenges the notion that young adults are passive recipients as proposed by some popular culture theorists. They did not merely become object of ideologies injected by filmmakers, and their responses were not an unquestioning acceptance. The research found that some Muslim youths have been ambiguous toward the emergence of Islamic films. Watching movie for Indonesian youths is an important way to construct identity, and they feel that there is a sense of religious ritual involved in film viewing, especially with Islamic messages. I argue that Islamic films help Indonesian young people to develop their own distinctive identity, being new sources of authority apart from parents, formal education, and friends. [Tulisan ini membahas film islami di Indonesia yang menjadi fenomena sejak satu dekade terakhir. Film-film islami sengaja dibuat untuk menyebarkan ajaran Islam dengan sasaran kalangan muda. Makalah ini menolak gagasan bahwa remaja adalah penerima pasif seperti yang diajukan oleh teori budaya popular. Mereka tidak hanya menjadi objek desakan ideologi pembuat film dan mereka juga tidak bisa menerimanya secara bulat. Sebagian pemuda muslim merasa ambigu menghadapi munculnya film-film Islam. Di sisi lain, menonton film menjadi media untuk membangun identitas diri dan dapat dirasakan sebagai bagian dari ritual agama, khususnya ketika menonton film yang mengandung pesan-pesan Islam. Dengan demikian, film Islam membantu pemuda Indonesia untuk mengembangkan identitas mereka sendiri dan menjadi sumber otoritas baru di luar orang tua, pendidikan formal, dan lingkungan pergaulan.]
Young People, Religion, and the Everyday Practice of Popular Culture: The Case of Urban Muslim Young People Hariyadi Hariyadi
MOZAIK HUMANIORA Vol. 16 No. 1 (2016): MOZAIK HUMANIORA VOL. 16 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.334 KB) | DOI: 10.20473/mozaik.v16i1.10224

Abstract

This article aims to reveal popular culture and religious practices of urban Muslim youth in everyday life. By utilizing interviews, focus group discussions, and participant observation to informants who are students in Jakarta and Bandung, especially the State University of Jakarta and Bandung Institute of Technology, this research showed that they had mixed views on popular culture, religion, and the relationship between them. On the one hand, they assume that the majority of popular culture has a negative impact toward religious practices. Popular culture reduced the time for someone to get closer to God. On the other hand, they cannot detach themselves from popular culture and consume it. In addition, they put religion as something that is not completely dogmatic but can be adjusted with the condition of individual believers, including young people. They can be said to be in the stage of knowing themselves and their religion, thus having the tendency to be more  open in accepting forms of popular culture that are not considered fully in accordance with their religious beliefs. Their consumption of popular culture and declaration of religion suggests that urban young people in Indonesia are aiming to be modern and pious at the same time. In doing so, urban Indonesian Muslim young people demonstrate that they do not exclusively belong to either Westernisation or Islamism; they are creating their own distinctive identity.
Androgini pada Komunitas Cross-Dresser K-Pop Dance Cover Glacies Crew Fadhila Citra Permata; Hariyadi Hariyadi; Wiman Rizkidarajat; Arizal Mutahir
PADARINGAN (Jurnal Pendidikan Sosiologi Antropologi) Vol 6, No 3 (2024): PADARINGAN : Jurnal Pendidikan Sosiologi Antropologi
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/pn.v6i3.12382

Abstract

The phenomenon of androgyny in Korean pop culture (Hallyu) has garnered significant attention in Indonesia, particularly within the K-Pop Dance Cover community, which evidently incorporates the androgynous trend into cross-cover activities or imitations of K-Pop idols through cross-dressing actions. This research aims to explore how Glacies Crew, a K-Pop Dance Cover cross-dresser community based in Malang, East Java, understands and interprets gender fluidity through the androgynous trend in its performative concept, specifically in the medium of cross-dressing. This study employs a descriptive qualitative method with deep interview data collection techniques, participatory observation, and document analysis. The selection of the Glacies Crew community as the research target is determined through purposive sampling. The research findings reveal that Glacies Crew members actively engage in androgynous performativity and express gender fluidity in their daily lives. Through preparation, practice, and performance processes, community members simultaneously adopt and internalize feminine and masculine characteristics, creating diverse and dynamic gender identities. The research findings also highlight the challenges faced by community members in negotiating their gender identities within a broader society. However, the support and solidarity within the community empower members to confront these challenges. This research contributes to academic discourse on gender fluidity and non-normative gender identities in the context of Indonesian popular culture. The study underscores the importance of creating safe and inclusive spaces for individuals and developing effective interventions to reduce stigma and discrimination against individuals with non-normative gender identities.
PEMAKNAAN DAN TINDAKAN INFLUENCER DALAM MEMPROMOSIKAN KULINER DI PURWOKERTO: STUDI PADA AKUN INFLUENCER TIKTOK DI PURWOKERTO Azkia Zulfah Fauziah; Hariyadi Hariyadi; Sulyana Dadan; Niken Paramarti Dasuki
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 12, No 11 (2025): NUSANTARA : JURNAL ILMU PENGETAHUAN SOSIAL
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v12i11.2025.4452-4464

Abstract

Fenomena konten viral, terutama dalam bidang kuliner sudah sangat berkembang pesat. Perkembangan ini didorong oleh kemudahan akses, serta tingginya minat masyarakat dalam mencari rekomendasi kuliner melalui TikTok, terutama di Purwokerto. Penelitian ini bertujuan untuk mendeskripsikan pemaknaan influencer TikTok terhadap kuliner di Purwokerto dan menganalisis tindakan yang dilakukan oleh influencer dalam mempromosikan makanan. Metode penelitian yang digunakan yaitu metode kualitatif dengan pendekatan fenomenologis. Penelitian ini berlokasi di Purwokerto, Jawa Tengah. Subjek dalam penelitian ini adalah influencer kuliner di TikTok yang aktif mempromosikan kuliner. Informan ditentukan dengan menggunakan purposive sampling. Teknik pengumpulan data yang digunakan dalam penelitian ini yaitu wawancara, observasi, studi pustaka, dan dokumentasi. Hasil penelitian menunjukan bahwa pemaknaan dan tindakan influencer dalam mempromosikan kuliner di Purwokerto itu berbeda-beda antara satu dengan lainnya. Kuliner tidak hanya dimaknai sebagai produk konsumsi semata, melainkan sebagai representasi identitas lokal. Kesimpulannya, peran influencer kuliner di Purwokerto tidak hanya bersifat komersial, tetapi juga melibatkan proses sosial yang sangat kompleks sehingga mampu membentuk makna baru dalam masyarakat.
Poverty Porn dalam Filantropi Digital (Studi Literature pada Konten YouTube Willie Salim) Tania Selasi Amara Azizah; Hariyadi Hariyadi; Masrukin Masrukin
SOSMANIORA: Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 4 (2025): Desember 2025
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sosmaniora.v4i4.5881

Abstract

Poverty Porn is a phenomenon where a person exploits the suffering of others in an intimate way to attract sympathy and pity. This phenomenon is often utilized by philanthropists, including YouTuber Willie Salim. Willie Salim is the first Indonesian creator to be included in the lineup of “Top Creators” in 2024. Therefore, this research discusses how the concepts of Poverty Porn and commodification and monetization in digital philanthropy are related and relevant to Willie Salim's YouTube content. This research is a qualitative-descriptive research with a literature study method. The data analysis used in this research is conceptual analysis with a literature study approach. The validation in this research is done by prioritizing scientific sources from indexed journals, academic books, and credible news portals. The results show that there is a connection between the concept of Poverty Porn and commodification and monetization in digital philanthropy. Where philanthropic content utilizes Poverty Porn to be commodified with various dramatic narratives of suffering so as to attract public attention, then increase engagement and ultimately increase revenue through YouTube monetization. The linkage of these concepts is relevant to the content uploaded on Willie Salim's YouTube. He also utilized algorithms by using certain keywords such as "Willie Salim Borong,” "Berbagi Kasih," "Borong Makanan," “willie mari kita borong.”
Co-Authors Azkia Zulfah Fauziah Fadhila Citra Permata Masrukin Masrukin Mutahir, Arizal Niken Paramarti Dasuki Sulyana Dadan Tania Selasi Amara Azizah Wiman Rizkidarajat