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All Journal UMBARA Indonesian Journal of Anthropology Bakti Budaya: Jurnal Pengabdian kepada Masyarakat
Fauzanafi, Muhammad Zamzam
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Religion Humanities Languange, Linguistic, Communication & Media Social Sciences

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Journal : UMBARA Indonesian Journal of Anthropology

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Taktik Bunyi Melawan Sepi : Studi Sonic Ethnography Mengenai Perubahan Iklim Di Timbulsloko, Sayung, Demak Fauzanafi, Muhammad Zamzam; Smith, Breezy S Putri Samudra
Umbara Vol 9, No 1 (2024)
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/umbara.v9i1.56034

Abstract

This research aims to listen and understand the sonic experience of Timbulsloko people as they live in a village that is sinking caused by climate crisis and human dominated development. Using sonic ethnography as its method, this research finds that Timbulsloko people experience sepi (silent) or suwung (void) which is a constant reminder of their condition. To navigate their life against the suwung, people of Timbulsloko is actively creating a condition of rame (noisy, festive, abundance) and seneng (happy) by listening loud dangdut music and Qur’an recitation through big sound systems.
Dari Ngak-Ngik-Ngok, ke Cengeng, lalu Ambyar: Politik Afektif Musik Indonesia Fauzanafi, Muhammad Zamzam
Umbara Vol 9, No 2 (2024)
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/umbara.v9i2.59875

Abstract

This article examines the relationship between music and politics through the lens of affective resonance, spanning the Soekarno era (ngak-ngik-ngok), the New Order (cengeng), and the Reformation (ambyar) era. Using music analysis and remote ethnography as its methods, the article argues that music, particularly its sonic qualities, plays a crucial role in shaping affective politics—a form of politics distinct from ideological politics. The banning of ngak-ngik-ngok music during the Soekarno era was not merely an anti-imperialism or anti-colonialism ideological stance but also an exercise in affective politics, where Soekarno sought to regulate citizens' "mental health" through sound. Similarly, the prohibition of cengeng songs during the New Order (Orba) era reflected concerns about the interplay between their melancholic sound and lyrical content, which were perceived as weakening the ideology of national development. In contrast, the melancholia of ambyar music in the Reformation era introduces a form of "pleasant sadness," reinforcing apolitical tendencies as a response to the exhaustion caused by global neoliberalism. This affect-ive engagement offers an alternative political expression, shaping sensibilities and moods outside traditional political frameworks. Affects and sensibilities mediated through listening practices and sonorous environments are as influential in shaping political dynamics as institutions, markets, and the information networks of civil society organizations.
Co-Authors Atik Triratnawati Bambang Hudayana Fakhrani, Ferdy Azmal Pande Made Kutanegara Purbawisesa, Angie Rakryan W D Ulhaq Smith, Breezy S Putri Samudra Yuniati, Eka