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All Journal Melayu Arts and Performance Journal Kalijaga Journal of Communication Jurnal Grafis Asian Journal of Media and Culture
Muhammad Ritzky Saibi
Universitas Multi Data Palembang
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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DISAIN PENCIPTAAN FILM PAKASIAH BABIOLA Muhammad Ritzky Saibi
Melayu Arts and Performance Journal Vol 4, No 2 (2021): Melayu Art and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v4i2.2209

Abstract

Minang Creating the fictional film "Pakasiah Biola" departs from several parts of the film's elements, where the film, when viewed from a genre perspective, is divided into three parts, namely fiction films, documentary films, and experimental films. The choice of the fiction genre that the author makes here is because films with that genre have a very wide space in transforming ideas and space to realize the imaginative thoughts that the author gets when analyzing the script "Pakasiah Biola" either visually/cinematically or narratively. In the concept of the work of Pakasiah Biola that will be made, the artist creates a film based on Bazin's thinking, and there are 7 things that become elements of the realist film structure, which include: relatively simple stories, reallocation, real setting unprofessional actors, deep-focus, long-take and minimize editingKeywords: Pakasiah Violin; Fiction Movies; Fiction Genre.AbstrakMenciptakan film fiksi “Pakasiah Biola”, berangkat dari beberapa bagian unsur film, dimana film apabila ditinjau dari segi genre dibagi menjadi tiga bagian yaitu film fiksi, film dokumenter dan film experimental. Pilihan terhadap genre fiksi yang pengkarya lakukan disini karena dalam film dengan genre tersebut memiliki ruang yang sangat luas dalam mentransformasikan ide-ide dan ruang untuk merealisasikan pemikiran-pemikiran imajinatif yang pengkarya peroleh ketika menganalisa naskah “Pakasiah Biola” baik secara visual/cinematic ataupun secara naratif.Pada konsep garapan karya film Pakasiah Biola yang akan dibuat, pengkarya menciptakan film berdasarkan pemikiran Bazin terdapat 7 hal yang menjadi elemen struktur film realis, yang meliputi: relative simple strories, real location, real setting unprofessional actors, deep-fosus, longtake, dan minimize editingKata Kunci: Pakasiah Biola; Film Fiksi; Genre Fiksi. 
Mosques in the Digital Era: Contesting Sacred Space, Culture, and the Identity of Generation Z Muslims Siti Fadilla; Deddy Desmal; Muhammad Ritzky Saibi; Muhammad Deni Putra
Kalijaga Journal of Communication Vol. 8 No. 1 (2026)
Publisher : Communication and Islamic Broadcasting Study Program, Faculty of Da'wah and Communication, Universitas Islam Negeri Sunan Kalijaga Yogyakarta, Yogyakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/kjc.81.07.2026

Abstract

The digital era has transformed mosques from purely sacred spaces into hybrid spaces that integrate both physical and digital dimensions. This study aims to analyze the dynamics of contestation over values, culture, and the identities of Generation Z Muslims during this transformation. Using a critical qualitative literature review, the study explores how negotiations over the meaning of sacredness emerge as worship practices, preaching, and community life in mosques become infused with digital technologies. The findings reveal that digitalization does not necessarily erode sacredness; rather, it becomes a medium for its redefinition, shaped by tensions between traditional authority, local cultural values, and the logic of digital efficiency. Generation Z emerges as a key actor shaping a hybrid Islamic identity by blending ritual piety with digital participation, such as through social media da’wah content and sharia-based financial applications. However, this transformation faces concrete challenges, including gaps in digital infrastructure and literacy among mosque administrators and congregants. The significance of this study lies in its contribution to enriching the discourse in the sociology of religion by positioning technology not merely as a tool, but as part of broader processes of cultural adaptation and identity formation. The study underscores the need for a holistic mosque management approach that balances technological integration with the preservation of the community’s spiritual and cultural values.
KOMPOSISI SEGITIGA DALAM MISE EN SCENE - REPRESENTASI KEADILAN PADA FILM FIKSI LAKAN Muhammad Ritzky Saibi; Astri Puspasari; Fia Izzah Maylinda; Nadina Salim; Anugerah Widi
Jurnal Grafis Vol 4, No 2 (2026): Jurnal Grafis Volume 4, Nomor 2
Publisher : Universitas Catur Insan Cendekia

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Abstract

Penelitian ini mengeksplorasi penerapan komposisi segitiga dalam mise-en-scène dan penataan angle pada film fiksi Lakan sebagai strategi visual untuk membangun dan menyampaikan tema keadilan. Lakan adalah adaptasi cerita rakyat Sitalang Barajo Sipado Surang yang menuturkan upaya Lakan mencari keadilan atas pembunuhan ayahnya; naskah terdiri dari 54 scene dengan durasi 30 menit. Pendekatan penelitian menggunakan analisis kualitatif formal visual (close reading frames  shot analysis) pada adegan-adegan kunci yang dipilih berdasarkan penanda komposisi segitiga yang teridentifikasi dalam proposal produksi (scene 7, 16, 32). Data berupa dokumentasi frame, deskripsi blocking, properti, wardrobe, dan laporan teknis produksi (kamera, lensa, lighting) yang relevan. Hasil menunjukkan komposisi segitiga diaplikasikan melalui tiga mekanisme: (1) interaksi dua objek dan satu properti (mis. pemain–pemain–foto), (2) blocking pemain dalam ruang sidang yang membentuk tiga titik fokus, dan (3) penggunaan wardrobe dan setting untuk menegaskan relasi kekuasaan. Komposisi segitiga bertindak sebagai penanda visual yang menegaskan pusat perhatian, memperkuat dimensi naratif (keadilan, konflik kekuasaan), dan menciptakan kedalaman ruang pada layar datar. Temuan memberikan kontribusi praktis bagi sinematografi pendidikan dan kajian estetika visual film, serta merekomendasikan agar penerapan komposisi semacam ini didokumentasikan secara sistematis dalam proses produksi.Kata kunci: Analisis Film, Mise-en-Scène, Sinematografi, Segitiga, Representasi Keadilan
Algorithmic Genre: Platform Logic, Cultural Hybridity, and the Fluidity of Contemporary Film Giovani Giovani; Muhammad Ritzky Saibi
Asian Journal of Media and Culture Vol. 2 No. 1 (2026): Asian Journal of Media and Culture
Publisher : MD Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63919/ajmc.v2i1.74

Abstract

The rise of digital media and globalization has fundamentally reshaped film genre theory, shifting it from a rigid classification system to a dynamic, negotiable space of meaning. This study addresses the theoretical gap left by traditional structuralist approaches, which fail to explain the pervasive hybridity and fluidity of genres in contemporary global cinema. Its objective is to analyze how these concepts redefine genre boundaries, examine the influence of streaming platform algorithms on genre formation, and explore how non-Western cinemas employ genre as a tool for cultural expression and resistance. Employing a qualitative literature review methodology with thematic analysis, the research synthesizes key scholarly texts. The findings demonstrate that genre hybridity is not merely an aesthetic choice but is structurally linked to the industrial logics of digital platforms and serves as a vital cultural strategy for identity articulation, particularly in Asian and Latin American films. The study concludes that genre must be reconceptualized as a fluid, hybrid, and discursive practice embedded within broader socio-economic power relations. This reconceptualization provides a crucial framework for understanding film in the digital era, where genre functions simultaneously as an industrial mechanism, a narrative framework, and a site for cultural negotiation.
Streaming Hallyu, Negotiating Values: Digital Platforms, Social Inequality, and Cultural Reception in Southeast Asia Darynaufal Mulyaman; Muhammad Ritzky Saibi
Asian Journal of Media and Culture Vol. 2 No. 2 (2026): Asian Journal of Media and Culture
Publisher : MD Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63919/ajmc.v2i2.120

Abstract

The rapid growth of digital streaming platforms has accelerated the circulation of the Korean Wave (Hallyu) across Southeast Asia, yet its reception cannot be understood as a linear process of cultural diffusion. This study aims to examine how cross-border cultural flows are mediated by digital platforms and interpreted within diverse socio-cultural contexts across the region. Employing a qualitative literature review with thematic analysis, the research synthesizes scholarly works on media globalization, streaming platforms, and cultural reception in Southeast Asia. The findings reveal that Hallyu reception is shaped by three interrelated factors: digital infrastructure and platform algorithms that expand access and shape preferences; social inequalities that differentiate consumption patterns across class, education, and geography; and local cultural values, particularly religious norms and identities, that drive processes of adaptation, resistance, and hybridization. Audiences selectively adopt, adapt, or resist cultural elements, producing diverse forms of cultural hybridity that indicate globalization fosters differentiation rather than uniformity. The study concludes that cultural globalization in the digital era is multidimensional, requiring integrated analysis across technological, social, and cultural domains. These findings highlight the importance of strengthening local cultural resilience and offer valuable lessons for developing creative industries capable of competing globally while preserving unique cultural identities in Southeast Asia.
Co-Authors Anugerah Widi Astri Puspasari Darynaufal Mulyaman Deddy Desmal Fia Izzah Maylinda Giovani Giovani Muhammad Deni Putra Nadina Salim Siti Fadilla