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JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU Nalurita, Baiq Annisa Yulfana; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.4893

Abstract

The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated
Etika Sastra dan Kontroversi Puisi Ibu Indonesia Karya Sukmawati Soekarnoputri Nalurita, Baiq Annisa Yulfana
Prosiding Seminar Nasional Humaniora Vol. 4 (2025): Prosiding Seminar Nasional Humaniora
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Literature essentially provides authors with the opportunity to explore freely without restrictive conventional rules. Freedom in writing literature provides a broader space for authors to express their thoughts and critique phenomena within society. Literary freedom ultimately allows literature to intersect with various social sectors, which often creates problems between authors and the public (readers). The use of symbols in literary works, which are rife with ambiguity, often creates a dualism of meaning for readers. The multi-interpretive nature of literature elicits varying responses from each reader, not always positive. Polemics, debates, and even clashes resulting from differing perspectives are commonplace in the literary world. Avoiding debates stemming from differing reader perspectives is difficult, but it can be achieved by observing ethics and maintaining societal norms. Literary freedom, in essence, does not free authors from their attachment to prevailing societal norms. Literary ethics exist, where social, cultural, religious, and other norms must be maintained throughout the creative process. Abstrak Hakikatnya sastra membuka peluang bagi pengarang untuk dapat bereksplorasi dengan bebas tanpa ada aturan konvensional yang membatasi. Kebebasan dalam bersastra membuka ruang yang lebih luas bagi pengarang untuk dapat berekspresi menyampaikan pikiran dan mengkritik suatu fenomena yang berada ditengah masyarakat. Kebebasan bersastra pada akhirnya membuka memungkinkan sastra untuk dapat bersinggungan dengan berbagai sektor sosial yang tidak jarang menimbulkan permasalahan antara pengarang dan masyarakat (pembaca). Penggunaan simbol-simbol pada karya sastra yang sarat dengan ambiguitas tidak jarang menimbulkan dualisme makna terhadap pembaca. Sifat sastra yang multitafsir menimbulkan respon berbeda-beda dari setiap pembaca yang tidak selalu positif. Polemik, perdebatan, hingga bentrok akibat perbedaan sudut pandang menjadi sesuatu yang lumrah dalam dunia kesastraan. Menghindari perdebatan dari perbedaan sudut pandang pembaca menjadi suatu yang sulit akan tetapi bisa diusahakan dengan memperhatika etika dan tetap mempertimbangkan norma yang berlaku di tengah masyarakat.  Kebebasan bersastra pada hakikatnya tidak kemudian membebaskan pengarang dari keterikatannya terhadap norma-norma yang berlaku di tengah masyarakat. Terdapat etika bersastra di mana norma sosial, budaya, agama dan norma-norma lainnya harus terus tetap dijaga selama proses kreatif bersastra.