Alfirafindra, Raja
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ENIGMA: KARYA TARI VIDEO YANG TERINSPIRASI DARI TENGGELAMNYA KAPAL VAN DER WIJKs Rahmat, Faet Oktadea; Alfirafindra, Raja; Heryadi, Dindin
Joged Vol 23, No 2 (2024): OKTOBER 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/joged.v23i2.14162

Abstract

RINGKASAN“Enigma” adalah koreografi yang terinspirasi dari rangsang ideasional dari film Tenggelamnya Kapal Van Der Wijk, yang mengangkat tentang pergulatan hati Hayati sebagai gadis Minangkabau dalam menentukan pilihan cintanya. Dilema dari seorang Hayati adalah menentukan pilihan kepada Zainuddin yang tidak memiliki suku dari adat Minangkabau –ykni keturunan Bugis--atau mengikuti adat yang berlaku dan aturan dari keluarga Hayati yang harus menikah dengan lelaki yang bersuku, beradat, berlembaga, dan berketurunan yang jelas asal usulnya. Karya tari “Enigma” disajikan oleh 3 penari, dengan format tari video dengan pengambilan long take, tracking one shoot yang merupakan salah satu teknik sinematografi di dalam tari video yang menggunakan tipe tari dramatik yang diadaptasi dari visual film Tenggelamnya Kapal Van Der Wijk. Motif silat Minangkabau yang dimunculkan ialah beberapa silat Minangkabau yaitu motif dari Silek Tuo Langkah Nan Ampek, dan juga beberapa motif tari Minangkabau, seperti tari Pasambahan, dan tari Piring ABSTRACTThis “enigma” was created and shaped into a complete choreography based on the idea or idea. This stimulus can be seen from several scenes from the movie Sinking of the Van Der Wijk Ship which concerns the dilemma. From the film Tenggelamnya Kapal Van Der Wijk, it is taken from the outline of the interpretation of the dilemma of a Hayati between her choice of love for Zainuddin who does not have a tribe from Minangkabau customs and also the dilemma of the prevailing customs and the rules of the Hayati family who must marry a tribal, customary man, institutionalized, and hereditary with a clear origin. The dance work "Enigma" is presented by 3 dancers, in a video dance format by taking long take, tracking one shot, which is one of the cinematographic techniques in video dance that uses a dramatic dance type adapted from the visual film Tenggelamnya Kapal Van Der Wijk. The Minangkabau silat motifs that appear are several Minangkabau silat motifs from Silek Tuo Step Nan Ampek, and also several Minangkabau dance motifs, such as the Pasambahan dance, and the Piring dance.
CEMBENGAN KOREOGRAFI YANG TERINSPIRASI DARI TRADISI UPACARA TEBU MANTEN Nugratama, Anas Faizal; Alfirafindra, Raja; Sulistijaningtijas, Erlina Pantja
Joged Vol 24, No 1 (2025): APRIL 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/joged.v24i1.15206

Abstract

RINGKASANKarya “Cembengan” adalah koreografi yang terinspirasi dari makna nilai-nilai tradisi budaya pada upacara tradisi Cembengan. Upacara tradisi Cembengan merupakan ritual yang dilakukan oleh para pekerja di dalam pabrik gula Madukismo untuk meminta keselamatan dan hasil produksi yang baik. Upacara tradisi Cembengan dilaksanakan pada saat panen tebu sebelum dimulainya produksi penggilingan tebu. Keseluruhan prosesi dan simbol-simbol yang memiliki makna filosofis pada upacara tradisi Cembengan, terdapat 3 bagian prosesi upacara tradisi Cembengan yang menarik perhatian penata untuk diulas kedalam bentuk konsep koreografi kelompok, yaitu prosesi Petik Tebu Manten, prosesi Pingit Tebu Manten, prosesi Arak-arakan Cembengan. Karya tari berjudul “Cembengan” ini digarap dalam bentuk koreografi kelompok, ditarikan oleh lima penari putri dan empat penari putra.ABSTRACTThe work "Cembengan" is a choreography inspired by the meaning of cultural tradition values in the Cembengan traditional ceremony. The Cembengan tradition ceremony is a ritual performed by workers at the Madukismo sugar factory to ask for safety and good production results. The Cembengan tradition ceremony is carried out during the sugarcane harvest before the start of sugarcane milling production. The entire procession and symbols that have a philosophical meaning in the Cembengan traditional ceremony, there are 3 parts of the Cembengan traditional ceremony procession that attract the attention of the stylist to be reviewed in the form of a group choreography concept, namely the Manten Sugar Cane Picking Procession, the Manten Pingit Cane Procession, the Cembengan Procession. The dance work entitled "Cembengan" is worked on in the form of group choreography, danced by five female dancers and four male dancers.
The philosophical values of Rejang Dayung as an ancient dance inherited from Pura Luhur Batukau, Tabanan, Bali Dana, I Wayan; Alfirafindra, Raja; Anggraeni, Agustin
Gelar: Jurnal Seni Budaya Vol. 21 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i2.5355

Abstract

Rejang Dayung is an ancient dance inherited from the ancestors, serving a ritualistic function at Pura Luhur Batukau. It is exclusively performed in Jaba Tengah or the media mandala (living room) during the Sinineban (closing) ceremony at Pura Luhur Batukau. Noteworthy for its straightforward expressions in movements, floor patterns, costumes, and accompaniment, this dance merits scholarly investigation. The objectives of this study are to elucidate the philosophical value of Rejang Dayung performance as an ancient dance inherited from Pura Luhur Batukau, examine the correlation between the philosophical value of Rejang Dayung and the societal beliefs of Pura Luhur Batukau, and expound upon the significance of Rejang Dayung's philosophical value based on the concepts of Satyam (truth), Shivam (holiness), and Sundaram (beauty). The authors employed a qualitative method, incorporating field observation and interview techniques to gather data and ascertain the initial presentation of Rejang Dayung. The study's findings unequivocally reveal the philosophical values of Rejang Dayung and the embodiment of the Tri Hita Karana teachings (Balinese concepts for creating harmony), which encompass harmonious relationships between humans and God, humans and fellow humans, and humans and the universe. The philosophical value of Rejang Dayung signifies a profound surrender to the magnificence of Ida Sanghyang Widhi Wasa, God the Greatest, manifested through the collective choreography in pairs, symbolizing the convergence of Shiva-Parwati energy. This convergence, perceived by the people of Pura Luhur Batukau as the guardian of harmony in the universe and its constituents, underscores the dance's cultural and spiritual significance.