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All Journal Batoboh : Jurnal Pengabdian Pada Masyarakat eScience Humanity Journal Journal of Da'wah KOLONI Ethnography
Satria, Edi
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Journal : eScience Humanity Journal

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Dekonstruksi Dimensi Estetika Seni Tari Persembahan Dalam Masyarakat Riau: Kritik Postruk Tari Kontemporer Febrianty, Syielvi Dwi; Satria, Edi; Hamzaini, Hamzaini; Aryadi, Mirda
eScience Humanity Journal Vol 4 No 2 (2024): eScience Humanity Journal Volume 4 Number 2 May 2024
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v4i2.98

Abstract

This research aims to apply the application of Deconstruction to the Aesthetic Dimensions of Dance as presented to the people of Riau with a focus on criticism of contemporary dance postures. Based on the theory of Deconstruction introduced by Jacques Derrida, this research aims to deconstruct the meaning and structure of traditional dance in a contemporary context. Qualitative research methods were used through indirect observation and content analysis of dance performances in Riau. It is hoped that this research will provide a deeper understanding of how the concept of Deconstruction can be applied in studying and strengthening the aesthetic aspects of traditional Riau dance art in a modern contemporary context. The results of this research show that various symbolic meanings are revealed in gender, ecological perspectives, respect for nature, ethics and manners, through dance movements, props used, decoration and clothing, up to the design of the seven floors. All components in the Malay worship dance have a deep meaning and certain complexity. This article contributes to enriching the cultural treasures behind dance which presents contemporary Riau and the deep meaning behind it.
Relasi Manusia dan Alam dalam Kesenian Talempong Kayu Masyarakat Nagari Rangking Luluih Kabupaten Solok Septriani, Septriani; Satria, Edi
eScience Humanity Journal Vol 5 No 1 (2024): eScience Humanity Journal Volume 5 Number 1 November 2024
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v5i1.180

Abstract

This study examines the relationship between humans and nature in the art of wooden talempong in Nagari Rangking Luluih, Solok Regency. Humans and nature are two inseparable entities. The natural environment determines human culture. Likewise, humans can change the natural environment in their efforts to adapt and utilize resources. Art is one of the universal elements of culture whose creation can also come from nature. One example is the wooden talempong. Therefore, the problem raised in this study is how the background of the creation and repertoire in wooden talempong represent the relationship between humans and nature. The data collection methods used are direct observation, in-depth interviews, documentation and literature studies. This data is then analyzed using the cultural ecology approach by Julian Steward who explains that there is an interaction between culture and the environment that takes place through the adaptation process. The results show that wooden talempong was born from a ritual tradition of gratitude for the people of Nagari Rangking Luluih for the harvest and a good life. Furthermore, the repertoire in the wooden talempong beat tones often describes the harmony of humans and nature. From here it is clearly seen that wooden talempong is not only an art that represents beauty alone. Moreover, in Minangkabau society there is a philosophy of "alam takambang jadi guru" which shows how important the role of nature is in various aspects of life.
Co-Authors Aryadi, Mirda Dilla, Survio Endrizal Endrizal, Endrizal FEBRIANTY, SYIELVI DWI Girsang, Nitasri Murawaty Hamzaini, Hamzaini Hendra, Tomi Khairunnisa Khairunnisa Prakarti DB, Vicia Dwi Putri, Icha Gina Ramadhan, Jodi Selvi Kasman Septriani, Septriani