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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Communicatus: Jurnal Ilmu Komunikasi Yustisia Merdeka : Jurnal Ilmiah Hukum
Christian Budiman
Department of Media and Cultural Studies, Graduate School of Gadjah Mada University, Yogyakarta
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Out of Crisis: Maintaining Hegemony through Rambu Solo Ritual in Toraja Handayani, Rivi; Ahimsa-Putra, Heddy Shri; Budiman, Christian
KOMUNITAS: International Journal of Indonesian Society and Culture Vol 12, No 2 (2020): September
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v12i2.23014

Abstract

Rambu Solo ritual has been an inseparable part of the Toraja people for hundreds of years. Nevertheless, this luxurious funeral ritual had experienced various organic crises as new social forces emerged. Using ethnographic methods, this paper attempts to explore how traditional leaders of Toraja maintain the existence of this ritual. Using Gramsci’s theory of hegemony, this article argues that their efforts were carried out in three phases. Firstly, political awareness phase, namely as aristocrat elites, they legitimized the feudal and religious authority of Aluk Todolo belief system that supported the Rambu Solo ritual through modern political strategies; secondly, the phase of solidarity of interests which carried out by negotiating and building commitment with social forces opposing the Rambu Solo ritual; and third, the phase of reaching consensus from the subaltern group is done by involving them in the Pasilaga Tedong betting, one of a series of Rambu Solo rituals where they see it as a medium to show empathy for grieving families rather than betting.
Strukturasi Media Daerah dalam Regulasi di Era Konvergensi dan Disrupsi Hariyani, Nunik; Wahyuni, Hermin Indah; Budiman, Christian
YUSTISIA MERDEKA : Jurnal Ilmiah Hukum Vol 4, No 2 (2018): JURNAL YUSTISIA MERDEKA
Publisher : Universitas Merdeka Madiun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33319/yume.v4i2.14

Abstract

This research moves from the reality of media life of area in Madiun of East Java which experiencing changes in line with social politics situation of Indonesia. Media is a commodity that can be exchanged, it is exploit all the potential and various social forces that exist. This study aims to know and analyze the stuctutation of regional mass media, the weekly magazine of Kridha Rakyat in Madiun, East Java. The theory used is the political economy approach that is the structuration according to Vincent Mosco. The method used is descriptive qualitative with data collection technique through interview, observation, ethnography and content analysis. The results show that the media perform the process of production and reproduction of power structures by media rulers (owner) by utilizing media agents and social relationship with other structure outside media. The media produces a series of power-reinforcing powers that ultimately reinforce the media's position.
Out of Crisis: Maintaining Hegemony through Rambu Solo Ritual in Toraja Handayani, Rivi; Ahimsa-Putra, Heddy Shri; Budiman, Christian
Komunitas Vol 12, No 2 (2020): September 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v12i2.23014

Abstract

Rambu Solo ritual has been an inseparable part of the Toraja people for hundreds of years. Nevertheless, this luxurious funeral ritual had experienced various organic crises as new social forces emerged. Using ethnographic methods, this paper attempts to explore how traditional leaders of Toraja maintain the existence of this ritual. Using Gramsci’s theory of hegemony, this article argues that their efforts were carried out in three phases. Firstly, political awareness phase, namely as aristocrat elites, they legitimized the feudal and religious authority of Aluk Todolo belief system that supported the Rambu Solo ritual through modern political strategies; secondly, the phase of solidarity of interests which carried out by negotiating and building commitment with social forces opposing the Rambu Solo ritual; and third, the phase of reaching consensus from the subaltern group is done by involving them in the Pasilaga Tedong betting, one of a series of Rambu Solo rituals where they see it as a medium to show empathy for grieving families rather than betting.
Retorik dan Makna Ideologis Karya Instalasi dalam Film Opera Jawa Garin Nugroho Budiman, Christian
Resital: Jurnal Seni Pertunjukan Vol 14, No 1 (2013): Juni 2013
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v14i1.390

Abstract

ABSTRAK Film Opera Jawa karya Garin Nugroho mencoba memadukan berbagai bidang dan genre seni di dalamnya. Melalui kolaborasi dengan sejumlah maestro seni, mulai dari seni vokal dan musik Jawa, seni kostum, seni tari, sampai dengan seni instalasi yang digarap oleh para perupa seperti Entang Wiharso, Nindityo Adipurnomo, dan kawan-kawan, boleh dikatakan bahwa Opera Jawa merupakan sebuah fi lm yang sangat peduli akan visualitas. Berdasarkan pada pembacaan semiotis atas karya-karya instalasi ini di dalam konteks adegan-adegan yang terkait, dapat diketahui bahwa signifi kasi karya-karya instalasi ini pada tataran pesan simbolik telah mengedepankan konotator-konotator utama yang berupa fi gur-fi gur retorik seperti metafora, metonimi, simbol, dan personifi kasi; sementara pada dimensi ideologisnya pun tersingkap beberapa petanda konotatif utama yang sangat signifikan perannya bagi proses pemahaman atas film ini.   Kata kunci: seni instalasi, signifi kasi, retorik, ideologi. ABSTRACT The rhetorical and ideological meaning of the installation works in Opera Jawa Film by Garin Nugroho. Opera Jawa fi lm by Garin Nugroho tries to combine many kinds of art fi eld and its genre. The collaborative project carried out by some arts maestros - from the singing art and Javanese music, fashion, and the dancing art, to the installation art which was carried out by some artists, such as Entang Wiharso, Nindito Adipurnomo, and friends – could give the most signifi cant effect to Opera Jawa which pays more attention to visualization. Based on the semiotic reading to the installation works in the contexts of interrelated scenes, it can be known that the signifi cance of the installation works on the symbolic of the message level has emphasized the main connotations which consist of the rhetorical fi gures such as: metaphor, metonymy, symbol, and personifi cation. On the other hand, based on the ideological dimension, the main connotative signs which are regarded very signifi cant for the understanding process on this fi lm can be clearly exposed. Keywords: Installation art, rhetoric, Javanese opera.
Digitalisasi Ideologi: Mediatisasi Hegemoni Ritual Rambu Solo di Media Sosial Handayani, Rivi; Ahimsa-Putra, Heddy Shri; Budiman, Christian
Communicatus: Jurnal Ilmu komunikasi Vol. 4 No. 1. June (2020): Communicatus: Jurnal Ilmu Komunikasi
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/cjik.v4i1.8493

Abstract

This article argues that the emergence of contents related to the Rambu Solo ritual on social media is a manifestation of the hegemonic ideology that was digitalized by the new generation of Toraja. Using the theoretical framework of mediatization, this article aims to explore how the hegemony of Rambu solo ritual operates in social media context. By using virtual ethnography method, it can be explained that the mediatization of the hegemony of Rambu Solo rituals on social media are basically implying three things; firstly, the narrative about the Rambu Solo ritual on social media has given birth to a new form of interaction and communication in a broader scope; secondly, the narrative of Rambu Solo ritual on social media has made the media as a new domain to find meanings about the Rambu Solo ritual; and third, the narrative of Rambu Solo ritual indicates the accommodation efforts of the Torajanese new generation towards the rules that apply in the context of social media with the general characteristics of user-generated content. The Torajanes new generation has voluntarily "continued" this ritual hegemony.Artikel ini berargumen bahwa kehadiran konten-konten ritual Rambu Solo di media sosial merupakan manifestasi dari ideologi hegemonik yang mengalami digitalisasi oleh generasi baru Toraja. Menggunakan kerangka teori mediatisasi, artikel ini bertujuan untuk mengeksplorasi tentang bagaimana hegemoni ritual Rambu Solo ini beroperasi dalam konteks media sosial. Dengan menggunakan metode etnografi virtual, dapat diuraikan bahwa mediatisasi hegemoni ritual Rambu Solo di media sosial ini telah mengimplikasikan tiga hal; Pertama, narasi tentang ritual Rambu Solo di media sosial telah melahirkan bentuk baru dari interaksi dan komunikasi dengan cakupan yang lebih luas; kedua, narasi ritual Rambu Solo di media sosial telah menjadikan media sebagai ranah baru untuk menemukan makna-makna tentang ritual Rambu Solo; dan ketiga, narasi ritual Rambu Solo mengindikasikan adanya upaya akomodasi yang dilakukan oleh para generasi muda Toraja terhadap aturan-aturan yang berlaku dalam konteks media sosial dengan ciri umum user-generated content. Generasi baru Toraja secara sukarela telah “melanjutkan” hegemoni ritual ini.
Co-Authors Hariyani, Nunik Heddy Shri Ahimsa-Putra Hermin Indah Wahyuni Rivi Handayani