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All Journal Berkala Arkeologi SANGKHAKALA
Eny Christyawaty
Balai Arkeologi Sumatera Utara
Arts Humanities

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Restoran Tertua Tip Top : Representasi Kuliner Masa Kolonial di Kota Medan Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 15 No 1 (2012)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4268.356 KB) | DOI: 10.24832/bas.v15i1.137

Abstract

AbstractTip-top is the oldest restaurant in Medan that has existed since the colonial era. This restaurant has uniquely occupied the same building and served the same food and beverages menu as they did in the past with exactly the old recipe and taste, as well as the use of uncahnging cooking utensils. The consistency of process and taste with the atmosphere of the colonial period is the added value this restaurant offers, which is hard to beat by its competitors. Tip-Top restaurant is a part of Medan culinary history. This paper describes the old building of the restaurant as well as the colonial culinary tracesin Medan.AbstrakTip Top merupakan restoran tertua di Kota Medan yang berdiri sejak masa Kolonial, selain masih menempati gedung yang sama, juga masih menyajikan menu makanan dan minuman seperti masa kolonial dengan resep dan cita rasa yang sama. Bahkan peralatan yang digunakan untuk membuat makanan dan minuman pun masih mempergunakan peralatan kuno yang dipakai sejak dulu kala ketika restoran ini berdiri. Konsistensi pengolahan dan cita rasa dengan nuansa masa kolonial merupakan nilai lebih dari restoran ini yang mungkin sulit ditemukan pada restoran lain. Restoran Tip Top merupakan bagian dari sejarah kuliner di Kota Medan. Tulisan ini menjelaskan tentang jejak kuliner di Kota Medan pada masa kolonial.
Makna Motif Hias Sirih Gadang Pada Ukiran Bangunan Tradisional Minangkabau Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 14 No 2 (2011)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5524.54 KB) | DOI: 10.24832/bas.v14i2.147

Abstract

AbstractThis essay is aimed at discovering the meaning of decoration motif of betel on minangkabau traditional bulding carving and the importance of piper betle in Minangkabu customs. The research result show that such motif was inspired by vegetations on the surrounding environments. Furthermore, the motif predated pre-historic era, which is proven by the similiarity of the shape of piper betle motif on menhir which is megalith heritage in Limapuluh regency. Not only does this motif have aesthetical values but also a representation of joy, friendship and unity. Furthermore, such motif also suggests that piper betle was a sacred and highly significant piece of cultural items. Present use of piper betle in every Minangkabau social traditional activity proves further of such significance.AbstrakTulisan ini bertujuan untuk mengetahui makna motif hias sirih gadang pada bangunan tradisional Minangkabau dan arti penting sirih (piper betle) dalam adat budaya Minangkabau. Hasil kajian menunjukkan bahwa motif sirih gadang pada ukiran bangunan tradisional diinspirasi dari tumbuhan yang ada di alam sekitar. Selain itu, motif ini sebenarnya berakar dari masa prasejarah. Hal ini dibuktikan dengan adanya kemiripan bentuk motif sirih pada ukiran dengan motif hias pada menhir yang merupakan tinggalan budaya megalitik di Kabupaten Limapuluh Kota. Motif ini bukan hanya mempunyai nilai estetis, tapi juga menyimbolkan kegembiraan, persahabatan, dan persatuan. Munculnya motif hias sirih gadang pada ukiran tradisional Minangkabau menunjukkan bahwa sirih merupakan benda budaya yang sangat penting dan bahkan sakral. Hal ini dikuatkan dengan adanya penggunaan sirih (piper betle) dalam setiap kegiatan adat masyarakat Minangkabau hingga masa sekarang.
Rumah Tinggal Tjong A Fie: Akulturasi dalam Arsitektur Bangunan pada Akhir Abad ke-19 di Kota Medan Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 14 No 27 (2011)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2886.467 KB) | DOI: 10.24832/bas.v14i27.158

Abstract

AbstractTjong A Fie’s residence is one of the monument of the Colonial buildings are situated on Jl. Ahmad Yani, no. 105, Kesawan, Medan, North Sumatera. The building was built in 1885 to 1900. This paper aims to examine architectural styles that affect Tjong A Fie’s house. Scope of the study include: the pattern layout, layout, construction, decorative ornaments used in. The approach used is qualitative descriptive research. Data collection using direct observation in the field, but it also carried an interview. To deepen the analysis is conducted literature study which related to the topic under study. Sources of data used in this study is artifact and textual. Architectural style Tjong A Fie's house is the result of acculturation of Chinese architecture, Colonial and Malay.
Jejak Budaya Musyawarah, Bentuk Demokrasi Masyarakat Minangkabau Eny Christyawaty; Nenggih Susilowati
Berkala Arkeologi Sangkhakala Vol 13 No 26 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1159.584 KB) | DOI: 10.24832/bas.v13i26.171

Abstract

AbstractMinangkabau society always strives for a peaceful and prosperous life. Since long time ago, the community is implementing democratic values. These values are reflected in the archaeological remains associated with the activities of deliberation and the tradition that lasted until now. In making decisions for common interests, people tend to give priority to said agreement despite differences of opinion are also valued.
Teknik Tatap – Landas di Sentang, Tanjung Tiram, Batubara, Sumatera Utara (Teknik Pembuatan Tembikar Tradisi Neolitik) Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 13 No 25 (2010)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2660.945 KB) | DOI: 10.24832/bas.v13i25.186

Abstract

AbstractPottery is one of the old cultural product when people lived in prehistoric times. Humans have known and to make pottery from clay material since humans feel the need for containers for storing and cooking food. Pottery has a very important role in society life. Making pottery with a paddle anvile technique is a technique known in neolithic culture. Until now, these techniques are still used in several places in Indonesia, such as in Sentang, Tanjung Tiram, North Sumatera
Pengaruh Motif Hias Tradisi Megalitik Pada Motif Songket Minangkabau Eny Christyawaty
Berkala Arkeologi Sangkhakala Vol 12 No 24 (2009)
Publisher : Balai Arkeologi Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2170.73 KB) | DOI: 10.24832/bas.v12i24.214

Abstract

AbstractDecorative menhir is one of archeological remains in West Sumatra that consists of various forms and sizes. Some decorative motifs are still exist till now, and used as traditional decorative motif of Minangkabau songket weaving.
Co-Authors Nenggih Susilowati