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All Journal Ars: Jurnal Seni Rupa dan Desain Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar ANDHARUPA JADECS (Journal of Art, Design, Art Education and Culture Studies) International Journal of Science and Applied Science: Conference Series Jurnal Bahasa Rupa IJIE (Indonesian Journal of Informatics Education) Naditira Widya International Journal of Pedagogy and Teacher Education Journal of Islamic Nursing Jurnal Penelitian dan Pengabdian Kepada Masyarakat UNSIQ Texture : Art and Culture Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Ilmu Komputer dan Desain Komunikasi Visual Kumawula: Jurnal Pengabdian Kepada Masyarakat PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Abdimasku : Jurnal Pengabdian Masyarakat MAVIB Journal : Jurnal Multimedia Audio Visual and Broadcasting Jurnal Citrakara Naditira Widya Jurnal bahasa, sastra, seni, dan pengajarannya EDUKASIA: Jurnal Penelitian Pendidikan Islam

Agus Setiawan

Universitas Dian Nuswantoro

Author-ID : 2470880

Arts Humanities Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Mathematics Nursing Physics Social Sciences Other

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Ketrampilan Desain Ornamen Menuju Siswa yang Unggul dan Terampil pada MA Miftahul Huda Bulungan Jepara Setiawan, Agus; Yanuarsari, Dzuha Hening; Haryadi, Toto
Jurnal Penelitian dan Pengabdian Kepada Masyarakat UNSIQ Vol 6 No 3 (2019): September
Publisher : Lembaga Penelitian, Penerbitan dan Pengabdian Masyarakat (LP3M) UNSIQ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32699/ppkm.v6i3.750

Sebagai salah satu sekolah menengah atas di Jepara, Madrasah Aliyah Miftahul Huda Bulungan membekali siswa kelas XII dengan seni rupa, seni tari, serta seni musik yang ada dalam mata pelajaran Seni Budaya. Namun, ketrampilan tersebut belum mengeksplorasi identitas khas Jepara sebagai kota ukir. Hal ini melatarbelakangi kegiatan pengabdian untuk memperkenalkan desain ornamen kepada para siswa yang dilaksanakan tanggal 20 â€“ 22 Juli 2019 di lab komputer MA Miftahul Huda. Siswa belajar tentang pembuatan desain ornamen secara manual, yang kemudian dikembangkan menjadi desain ornamen digital, desain label kemasan, serta poster kegiatan. Kegiatan ini diawali dengan presentasi materi, dilanjutkan dengan praktik menggambar ornamen secara manual dan digital menggunakan komputer dan perangkat lunak pengolah grafis. Hasil dari kegiatan ini yaitu gambar ornamen, label kemasan, serta poster kegiatan yang menggunakan elemen ornamen khas Jepara sebagai identitas visualnya. Para siswa menjadi mengerti tentang ornamen beserta potensi pemanfaatannya dalam karya desain.

PELATIHAN PEMANFAATAN SITUS WEB SEBAGAI MEDIA PROMOSI BAGI PENGRAJIN TEMBAGA DI DESA TUMANG, CEPOGO, BOYOLALI Annas Marzuki Sulaiman; Agus Setiawan
Kumawula: Jurnal Pengabdian Kepada Masyarakat Vol 4, No 2 (2021): Kumawula: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/kumawula.v4i2.32824

Tumang merupakan sentra kerajinan tembaga yang terletak di Boyolali, Jawa Tengah, yang sudah dikenal di Indonesia. Para pengrajin sudah banyak yang memiliki website sendiri sebagai sarana promosi dan pemasaran produknya. Sayangnya sampai saat ini masih banyak pengrajin yang belum begitu paham dalam penggunaan dan pengoperasian website yang sudah dimiliki sehingga sering kali website yang sudah ada menjadi mangkrak karena kurang terurus salahsatunya adalah website senitembaga.com. Untuk mengatasi permasalahan tersebut maka solusi yang ditawarkan yaitu dengan megadakan pelatihan pemanfaatan web senitembaga.com bagi pengrajin tembaga di desa tumang cepogo supaya dapat dimanfaatkan secara maksimal. Metode dan langkah-langkah yang dicapai adalah menentukan tema oleh tim, perancangan sesuai dengan kebutuhan mitra, dan memberikan pelatihan kepada mitra. Hasil kegiatan pengabdian masyarakat ini adalah peningkatan kemampuan dan pengetahuan pengrajin tembaga tumang dalam mengelola website senitembaga.com.

TATA KELOLA PAMERAN BERBASIS PROJECT LEARNING PROGRAM STUDI DESAIN KOMUNIKASI VISUAL UNIVERSITAS DIAN NUSWANTORO Khamadi Khamadi; Agus Setiawan
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 5, No 1 (2020)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v5i12020p30-37

Cultivating exhibitions for visual communication design students is to increase the drive to create and enhance the spirit of student appreciation for the work of students to achieve quality and character in the work. The research objective is to know and understand the governance of project learning-based exhibits to improve the quality of learning and build a climate of appreciation for artwork among Udinus visual communication design students. The research method uses qualitative methods which are more emphasized on observation, interviews, documentation. Through the implementation of project learning-based exhibition governance, learning outcomes in improving quality can be achieved.Key Words: Exhibition, Management, Project Learning

PENGEMBANGAN DESAIN WEB INTERAKTIF KULINER NUSANTARA BERBASIS KEARIFAN LOKAL KEDAERAHAN (STUDI KASUS KULINER KHAS KABUPATEN KUDUS) Agus Setiawan; Henry Bastian
JADECS (Journal of Art, Design, Art Education & Cultural Studies) Vol 4, No 2 (2019)
Publisher : Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um037v4i22019p111-119

Development of Interactive Archipelago Culinary Web Design Based on Local Wisdom of Regionalism (Case Study of Typical Culinary of Kudus Regency). This study seeks to inventory, describe and package local cultural values related to the typical Kudus culinary, as an ingredient to be further developed in a learning model and strengthening the creative economy of UMKM in Kudus Regency. How about interactive web media about Kudus special culinary to support the UMKM creative economy in Kudus Regency. So that they know and understand interactive web media about Kudus's unique culinary efforts to support the creative economy of UMKM in Kudus Regency.Contributions to making cultural values the main attraction in the creative culinary economy can be identified local cultural values in the culinary destination. With this study, the packaging of cultural values combined with a creative economy in the culinary field is expected to boost the tourism activities sector which has a positive impact on the social, economic and cultural fields. The research method uses more concrete qualitative methods looking at the aspects studied and expected outcomes. Outputs of the Study are Nusantara Culinary Interactive Web Media Based on Local Wisdom of the Region (Typical Culinary Case Study of Kudus Regency)

ORNAMEN MASJID MANTINGAN JEPARA JAWA TENGAH Agus Setiawan
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 2 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

The research focuses on a study of how the ornaments on the Mantingan Mosque came to exist, what is the characteristic Islamic of the ornaments on the Mantingan Mosque, why the ornaments presents Hindu, Chinese, and local genius elements, and what is the symbolic meaning of the ornamental motifs it. The aim of the research was to discover and explain the existence of the ornaments, the facts behind the characteristic Islamic, why the ornaments presents Hindu, Chinese, and local genius elements, and the symbolic meaning of the ornamental motifs. The method used for the study was a qualitative research method. The location of the research was the site of the mosque and grave of Pangeran Hadiri and Ratu Kalinyamat in the village of Mantingan in Jepara. The data was collected through observation, interviews, a bibliographical study, and from documents and archives. The data was analysed using an interaction and interpretation analysis which was structured to cover a historical study, Islamic forms, symbolic meanings, and a conclusion. The results of the research showed that the existence of the ornaments are originated as decorations and teachings related to the figure of Pangeran Hadiri, Ratu Kalinyamat, and Sungging Badarduwung. The role of these three figures influenced the combination of artistic styles found in the ornaments of the Mantingan Mosque, namely Hindu, Chinese, and Islamic influences, together with the influence of a local genius. The characteristic Islamic of the ornaments developed through a process of acculturation in which art and cultural forms from outside were combined with art with an Islamic nuance. The symbolic meaning of the ornamental motifs on the Mantingan Mosque is the connection between the microcosm and macrocosm, depicted through motifs of plants, animals, imaginary creatures, interwoven patterns, buildings, and other inanimate objects.Keywords: ornaments, Mantingan Mosque, the symbolic meaning

HANACARAKA: AKSARA JAWA DALAM KARAKTER FONT DAN APLIKASINYA SEBAGAI BRAND IMAGE Agus Setiawan
Ornamen Vol 12, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Aksara menjadi salah satu bentuk komunikasi yang pada akhirnya memperkuat jadi diri dan identitas suatubangsa. Hanacaraka juga digunakan untuk menulis bahasa-bahasa lainnya, selain bahasa Jawa, misalnyabahasa Sanskerta, bahasa Arab, bahasa Bali, bahasa Sunda, bahasa Madura, bahasa Sasak dan jugabahasa Melayu. Hanacaraka dalam karakter font dan aplikasinya dianggap sebagai tema yang menarik.Jejak rupa Hanacaraka dapat ditemukan dalam prasasti, kesusastraan, teknologi, dan aplikasinya dalambrand image. Hanacaraka dalam aplikasi ini masih dalam pengembangan. Karakter huruf Jawa jika lengkapdikembangkan dapat mencapai 400 karakter. Dengan digitalisasi aksara Jawa saat ini telah membukapeluang yang sangat besar untuk memajukan dan mengembangkan aksara Jawa secara fungsional disegala bidang.Kata Kunci: Hanacaraka, Font, Brand Image

PERANCANGAN TYPEFACE “MANTINGAN FONT” DAN SIGN SYSTEM BERBASIS ORNAMEN MASJID MANTINGAN DI KABUPATEN JEPARA Agus Setiawan; Dzuha Hening Yanuarsari
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.1071

The Mantingan Mosque is one of the cultural heritages of ancient Islam and is one of the tourism assets in Jepara Regency. The Mantingan Mosque in Jepara has several ornamental designs that are applied to several sides of the mosque walls. The Mantingan Mosque also has a characteristic ornament design that still has acculturation elements of Chinese, Hindu, Buddhist and Javanese cultures. These ornaments were then inspired to be developed into a typeface design concept which in it has an anatomical element of an ornament character where the construction is based on typeface design rules. The visual concept of this typeface design is obtained from the results of research conducted on respondents who are engaged in the design field. Then the typeface is designed on a digital basis which is packaged into a font pack with the name “Mantingan Font.otf” format which can be installed and used on a PC (Personal Computer). The designed typeface is then socialized to partners (Mantingan mosque administrators) to be further developed in the form of an application on the media sign system. The purpose of this design is to develop and support the context of the information system (sign system) at the Mantingan mosque in Jepara Regency as religious tourism. The research method used is descriptive-quantitative supported by factual field data and research that has been carried out supported by ATUMICS approach.

LITERASI VISUAL DALAM PROSES BERKARYA MAHASISWA DESAIN Khamadi Khamadi; Agus Setiawan
Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) Vol 5 No 2 (2020): demandia - Jurnal Desain Komunikasi Visual, Manajemen Desain dan Periklanan
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/demandia.v5i2.1999

Abstrak: Kemampuan literasi visual mahasiswa desain yang kurang menjadikan karya yang dihasilkan kurang komunikatif. Mahasiswa cenderung mengejar sisi teknis dan estetis dalam proses kreasi visualnya dan cenderung kurang menguasai konsep komunikasi pesan yang ingin disampaikan. Hal ini terjadi akibat karena kurangnya pemahaman terhadap proses literasi visual. Melalui model literasi visual oleh Hattwigg, dkk yang membagi literasi visual dalam tujuh komponen kemampuan literasi, fenomena literasi visual mahasiswa desain saat ini akan dianalisis untuk mendapatkan gambaran dan strategi penguatan kemampuan literasi visual selanjutnya. Sebagai hasilnya, mahasiswa desain masih kesulitan dalam menelusuri informasi visual dan menggunakan image visual yang ada dalam menghasilkan karya visual yang bermakna. Kata Kunci: Desain, Kreasi Visual, Literasi Visual Abstract: The lack of visual literacy skills of design students makes the resulting work less communicative. Students tend to pursue the technical and aesthetic side in the process of visual creation and tend to lack the mastery of the concept of communication of the message to be conveyed. This happens due to a lack of understanding of the visual literacy process. Through the visual literacy model by Hattwigg, et al., Who shares visual literacy in seven components of literacy ability, the phenomenon of visual literacy of current design students will be analyzed to obtain an overview and strategy for strengthening visual literacy skills further. As a result, design students still have difficulties in tracing visual information and using existing visual images in producing meaningful visual works. Keywords: Design, Visual Creation, Visual Literacy

PESAN GENDER PADA RELIEF-RELIEF CANDI SUKUH: FEMINISME MELALUI PENDEKATAN TUBUH DAN SEKS [GENDER MESSAGES IN THE RELIEFS OF CANDI SUKUH: FEMINISM BY APPROACHES OF BODY AND SEX] Karisma Putri Miranti; Agus Setiawan
Naditira Widya Vol 14 No 1 (2020): NADITIRA WIDYA VOLUME 14 NOMOR 1 APRIL 2020
Publisher : Balai Arkeologi Kalimantan Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/nw.v14i1.409

Penelitian ini difokuskan untuk menguraikan pesan-pesan yang terkandung dalam relief-relief Candi Sukuh yang dianggap tabu. Studi ini dilakukan karena Candi Sukuh dapat menjadi bukti bahwa jauh sebelum adanya gerakan feminisme, masyarakat berlatar agama Hindu-Buddha pada masa lampau telah mengakui perbedaan antara laki-laki dan perempuan. Perbedaan tersebut merupakan suatu konstruksi sosial yang dimengerti dalam hubungan kompromi laki-laki dan perempuan. Metode yang digunakan pada penelitian ini adalah deskriptif-interpretatif, dan data dianalisis dengan pendekatan multidesain. Teori Ikonografi digunakan untuk menganalisis pesan dari relief-relief Candi Sukuh, sedangkan teori feminisme diterapkan dengan pendekatan tubuh, seks, dan gender. Hasil penelitian menunjukkan adanya pesan feminisme pada relief kidung Sudhāmālā, relief linggā dan yoni, dan relief kālāmĕrgā. Kesimpulannya pesan gender yang disajikan di relief-relief Candi Sukuh berupa penolakan perempuan terhadap pengobjekan tubuhnya oleh laki-laki, yang dianggap memiliki otoritas terhadap tubuh perempuan. This research is focused to describe the messages contained in the reliefs of Candi Sukuh, which are considered taboo. This study was conducted because Candi Sukuh may well be an evidence that long before the existence of the feminism movement, the Hindu-Buddhist communities in the past have recognized differences between men and women. Such difference is a social construct which was understood in terms of compromising relations between men and women. The method used in this research was descriptive-interpretive, and data were analyzed using a multi-design approach. Theories of iconography were used to analyze messages of the reliefs of Candi Sukuh, whereas the theory of feminism was applied using approaches of body, sex and gender. Research results showed messages of feminism are contained in the Sudhāmālā hymn, reliefs of linggā and yoni, and the kālāmĕrgā relief. Conclusively, gender messages presented by the reliefs of Candi Sukuh informs the rejection of objectification of women’s body by men, who are considered to have authority over women's bodies.

PENGEMBANGAN DESAIN “DIGI-MOTIF” UNTUK AKTUALISASI IDENTITAS JEPARA SEBAGAI KOTA UKIR Agus Setyawan; Annas Marzuki Sulaiman
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

World Carving Centre is an expression that most appropriate for Jepara. Jepara hava a big potential in Handcraft can be seen in a leadership Queen Kalinyamat and R.A Kartini. A crafting design motive this moment have changed, there can take off from the role community. Who Design development motive carving who stay until now by the artist.Motive carving Jepara capable of being viewed as social construction into the room in conjunction with its cultural identity and tradition. Motive carving in made the identity of through a creation digi-motive to strenghthent the role of trhough the to strength image Jepara as world carving center. Strategy research with the qualitative approach historical and aesthetic, the data used originates from speakers, action, archives, and written source.As for technique data collection by interviews, observation, documentation and literature study and analyzed in cycle to expalain digi-motive design development and identity Jepara as City Carving. The existence of motive carving into the breath for community Jepara, so that development digi-motive sthrengthen design imagery through some form of creation digi-motive logo Jepara of them, KPU logo Jepara election , flags and mascot.Technological development created privacy. So the art of technology and people can synergi

Co-Authors Abas, Ibnu Abdullah Fitria Arif Abi Senoprabowo Adindha, Audhra Wahyu Agustina, Lisia Ahmad Akrom Aini, Fristi Nur Akrom, Ahmad ALI MUQODDAS Andriyaningsih, Ayu Angga Pramudya Anggara, Harry Annas Marzuki Sulaiman Annas Marzuki Sulaiman Annas Marzuki Sulaiman, Annas Marzuki Arief Darmawan Aslan Aslan, Aslan Asrul Asrul Auria Farantika Yogananti, Auria Farantika Badia Roy Ricardo Nababan Bainah Sari Dewi Banjarnahor, Astri Rumondang Banjarnahor, Kristian Gomos Cahaya Jatmoko Choirudin, Choirudin Chr Argo Widiharto Darius Kenopi Sunjaya Deviana Oktaviani, Almira Dwi Puji Prabowo Dzuha Hening Yanuarsari, Dzuha Hening Edo Firnanda, Edo Efry Adviansyah Eka Sulpin Ariyanti, Eka Elisa Vandalina Elly Lestari Rustiati Erisa Adyati Rahmasari Fahreza, Nindy Eka Feronika, Feronika Frederik Prasidya Prakasita Gaffar A, Ade Gilang Mahardhika Gunawan, Angeline Ivana Hamsir Hamsir Haryanto, Sugeng Prayitno Henry Bastian Henry Bastian Henry Bastian Henry Bastian, Henry Hersanasti, Wulan Hidayat Faiz Alfan Ida Hamidah Ikhsan, Randi Nur IRFAN NURARIFIN, IRFAN Irsyadullah, Muhammad Muadz Isma Widiaty Ismoko, Anung Jani Master, Jani Johar Maknun, Johar Karisma Putri Miranti Karsinah - Khairul Mustaqin, Khairul Khalil, Abdul Rouf Amarulloh Khamadi Khamadi Khamadi Khojir Komang Sutawan Laksana, Deddy Award Widya Melya Riniarti Muhammad Nur Anis Ridwan Mustika Wati, Mustika Nasrun, Moh Novy Helena Chatarina Daulima Nuning Nurcahyani Nur Rokhman Pranata Sembiring, Rio Pratama, Arya Sura Pratama, Naufal Gatya Puri Sulistiyawati Purnowo, Dwi Puspita, Heni Raden Siti Maryam, Raden Siti Rahmasari, Erisa Adyati Rahmat Safe'i Rini Kasrah Rosidah, Ana Saiyidah Mahtari Sania Febriani Santiago, Paulo Vitor da Silva Sapi'i, Sapi'i Sartika Sartika Susanto Susanto Syahril Syahril Syarif, Syisnawati Syihabuddin Syihabuddin Toto Haryadi, Toto TRIHARJONO, AGUS Utami, Nisaudzakiah Violita, Cindy Yoeland Widyantara, Ansyari Widyatuti Wiwik Kusdaryani Wulandari, Ike Yuni Yanuarsari , Dzuha Hening Yanuarsari, M.Ds, Dzuha Hening Yukallifa Ridwinawati Yusmaniar Yusmaniar Zoker, Exton Mohamed

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