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All Journal Corak : Jurnal Seni Kriya Gelar : Jurnal Seni Budaya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya

R.M. Soedarsono

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Author-ID : 2471524

Arts Humanities

Published : 4 Documents Claim Missing Document

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UNSUR KOMBINASI PADA VISUALISASI RAGAM HIAS BATIK KLASIK SEMÈN GAYA YOGYAKARTA Suryo Tri Widodo; G.R. Lono Lastoro Simatupang; R.M. Soedarsono; SP. Gustami
Corak : Jurnal Seni Kriya Vol 5, No 2 (2016): NOVEMBER 2016
Publisher : Institut Seni Indonesia Yogyakarta

Semèn motifs on classical batik of Yogyakarta style, is a motif which visualize floral form withvarious elements motifs on it. Semèn motifs influenced Hindu-Java and Islamic culture. Influencefrom Islamic culture delivere a few motifs in stylization. From visual aspect, some of elementsmotifs on it visualize combine motifs. It become visual concept characteristic in Islam art includein semèn motifs on classical batik of Yogyakarta style. Visualization of motifs can be hide withcombined elements motifs. Keywords: semèn motifs, Yogyakarta classical batik, combine motifs

KAJIAN BENTUK DAN FUNGSI WANDA WAYANG KULIT PURWA GAYA SURAKARTA, KAITANNYA DENGAN PERTUNJUKAN Bambang Suwarno; Timbul Haryono; R.M. Soedarsono; S Soetarno
Gelar : Jurnal Seni Budaya Vol 12, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

ABSTRACTThe writing is part of the writerâ€™s discussion about the dissertation research as part of his doctoral programfinal examination. Focus of the study is wanda of wayang kulit purwa of Surakarta style, its function in the fifthpakeliran (wayang performance), and its relationship with sanggit lakon (story treatment). In solving theproblem, the writer uses the approach of pedalangan (puppetry) aesthetics completed by phenomenology,psychology, and creativity approaches in holistic thinking as the instrument of data analysis.Keywords: form, function, wanda, wayang kulit purwa, performance

KARAKTER DALAM TARI GAYA SURAKARTA Silvester Pamardi; Timbul Haryono; R.M. Soedarsono; AM. Hermien Kusmayati
Gelar : Jurnal Seni Budaya Vol 12, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

This writing is aimed at explaining characters in Surakarta style dance rooted at the palace. In Indonesiandance knowledge it is known as classic dance. Surakarta style dance has developed so long that has builtsystematized patterns of move and been fully fledged based on pakem beksa containing with many rules andtechniques of movements of palace dance. Javanese society believes that palace dance is a cultural heritagecontaining both values of guidance and entertainment as well. The concept of beauty of palace dance hasthree norms. Those are Hastakawaca, Kawaca, and Hastakawaca Gendhing. The norms show that the dancehas soul and movement such as container and content unified in inner and outer life. The masters (empu) ofJavanese dance believe that dance movement expressed through the body of dancer will produce innerattitude. Some people are able to find its philosophy at the time of dance appreciation. This paradigm can bedefined as an implementation of functional values of palace dance giving characters guidance and good soul.Identified through dance forms perspective, palace dance is a collective soul expression. In relation tomovement, palace dance expresses the soul of Javanese personality. In the sense of being a collectiveÂ expression related to customary structures, the movement of palace dances covering the whole body meansbuilding up good soul. The character of palace dances is constructed with typology, temperament, and dispositionderived from or transformation of the forms of shadow play. The forms of shadow play have physical size(typology), motion puppet play (temperament), and wanda (character) in different visual appearance for eachcharacter or role. The characters structured in the forms of dance movement serves as the values of guidancethrough appreciation towards the values of nature and the roles of motion expressing bad and good teaching.Keywords: dance, character, philosophy, aesthetic, Surakarta style

Mainan Tradisional Di Daerah lstimewa Yogyakarta Dalam Konteks Perkembangan Kreativitas Anak Bagus lndrayana; R.M. Soedarsono; Djoko Suryo; Timbul Haryono
Ornamen Vol 7, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Every art and culture development in Indonesia always relatedwith social, politics, ecomonic and cultural, including in religious andbelieved life of the entire society. That conditions push the change anddevelopment so that was evident there is pra-Hinduism, Islam, andWestern culture. Culture product that being produced in various forms,making techniques, and philosophy that influence behavior in a holistic,including the child's play activities life. Play activities help child to createexperience, acknowledge, and skill, so that in next developmentsteps child can be brave, spontaneous, creative, imaginative, and responsive.Those activities used as a relaxation media to release stressand a/so intrinsic complex value transformation field and examinationin light have a meaningful to the formation of the child's personal. Thecomplexity of that value gives a chance to the different creativities ofchild, so that end of a toy that being made in beach environment differentwith a toy that developed in the rural place. This fact also can beseen in a toy in countryside that different from the downtown.Key Words : Toys, Transformation, Creativity

Co-Authors AM. Hermien Kusmayati Bagus lndrayana Bambang Suwarno Djoko Suryo G.R. Lono Lastoro Simatupang S Soetarno Silvester Pamardi SP. Gustami Suryo Tri Widodo Timbul Haryono

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