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All Journal Lekesan: Interdisciplinary Journal of Asia Pacific Arts Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi
I Kadek Edi Palguna
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KEARIFAN LOKAL WAYANG KULIT BALI SEBAGAI MEDIA TUNTUNAN DAN TONTONAN PADA ERA DIGITAL I Gede Sutana; I Kadek Edi Palguna
Maha Widya Duta : Jurnal Penerangan Agama, Pariwisata Budaya, dan Ilmu Komunikasi Vol 4, No 1 (2020)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/duta.v4i1.784

Abstract

The world of puppets, known as noble arts, is a characteristic of the cultural identity of the Indonesian people that spreads in every region. Particularly in Bali, the existence of shadow puppet art has become the identity of local wisdom as well as in its role as offering to God, which is implemented in religious ritual practices of the Balinese people, on the another side, has a function as a dish in the form of spectacle and guidance. The Balinese shadow puppet show has always been in high demand, until now in the onslaught of the current modernization of the dynamics of the Balinese shadow puppets are able to keep abreast of the times. This is reflected in the YouTube as a modern media product that is used by the public both to get entertainment or something else, including a life guidance. Recently on YouTube, a new innovation idea emerged in the packaging of the Balinese shadow puppet show made by a puppeteer who is already familiar in the Balinese shadow puppet show, namely "Cenk Blonk". and the role of shadow puppets as a media for guidance and spectacle as from the first appearance of shadow puppet shows.Keywords: Balinese Shadow Puppets, Media Guidance and Watch, Digital Era
GRINGSING ETHNOSCIENCE: STRUCTURAL HOMOLOGY AND BALI AGA IDENTITY IN TENGANAN PEGRINGSINGAN I Nengah Juliawan; I Kadek Edi Palguna; I Kadek Abdhi Yasa; Kadek Anggie Noviari Dewi
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v8i2.3565

Abstract

This study analyzes the integrated ethnoscience system of the Wayang patterned Gringsing cloth, examining its role as an active agent in rituals, and understanding its function as a marker of cultural identity for the Bali Aga Tenganan Pegringsingan community. Qualitative-ethnographic research in Tenganan Pegringsingan, Bali. Data collection techniques: in-depth interviews, participant observation in the Usaba Sambah ritual, and analysis of awig-awig documents. Data analysis techniques: Miles and Huberman's model, Spradley's ethnographic analysis. Theoretical framing: ethnoscience, cultural semiotics, and structuralism. Gringsing is a woven codex that integrates ethno-chemistry (overdyeing as Rwa Bhineda) and ethno-technology. This cloth functions as spiritual armor during liminal rites of passage and a portable constitution that replicates the Tri Mandala. Structural homologies are found that connect the logic of purity in the domains of cloth, body (endogamy), and law (awig-awig). This study introduces productive inefficiency (slowdown as resistance) and structural homology as theoretical frameworks. Practically, this study identifies a controlled commodification model in which Geographical Indications (GI) are used as a defensive shield, leveraging market value to address the artisan regeneration crisis.
Co-Authors I Gede Sutana I Kadek Abdhi Yasa I Nengah Juliawan Kadek Anggie Noviari Dewi