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MODEL KOMUNIKASI CAMPUR KODE PARA PEDAGANG ARAB TERHADAP JEMAAH UMRAH INDONESIA DI KOTA MADINAH Khairawati Khairawati; Nursukma Suri; Suwarto Suwarto
Arabi : Journal of Arabic Studies Arabi : Journal of Arabic Studies | Vol. 6 No. 2 December 2021
Publisher : IMLA (Arabic Teacher and Lecturer Association of Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24865/ajas.v6i2.403

Abstract

The friendship and brotherhood of Arabs and Indonesians in terms of politics, social, religion, art, economy and culture is part of the undoubted cooperation both in bilateral agreements and in political recognition of these Arab countries. Arabic to Indonesian people through language communication, causing code mixing in the language. So, the influence of Arabic is very strong in Indonesian. Code mixing is a form of Social Exchange, which is a communication model that has an attitude of interconnectedness between individuals. In communication there is an element of reward in the form of profit (profit) and sacrifice (cost). From this model what traders do in offering or promoting goods sold by traders in the city of Medina to Umrah pilgrims. Mixed communication codes that are used to give meaning and can be understood in the process of buying and selling. Mix the codes used in the form of inserting words, phrases, repetition of words, idioms and clauses such as assalamualaikum, look around, look for clothes, which one, ana loss, anta turid, marhaba-marhaba, la yumkin, and how much is the equivalent. This qualitative research uses the method of proficient free-talk, note-taking and recording techniques, namely recording on data cards using writing instruments, then recording techniques.
Representasi Budaya Arab dalam Konten Dakwah Indonesia yang Menggunakan Simbol dan Bahasa Arab: Kajian Antropolinguistik Arab Nur Fadillah; Khairun Nazwa; Nursukma Suri
Jurnal Pendidikan Tambusai Vol. 9 No. 3 (2025): Desember
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini membahas representasi budaya Arab dalam konten dakwah digital Indonesia, khususnya pada platform TikTok, melalui perspektif antropolinguistik. Bahasa Arab dan simbol-simbol budaya Arab seperti kaligrafi, pakaian khas Timur Tengah, serta atribut visual lainnya semakin sering digunakan oleh pendakwah sebagai strategi semiotik dan performatif untuk membangun otoritas religius serta identitas Arab-Islam. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik simak, catat, dan dokumentasi pada konten dakwah tahun 2024–2025. Hasil penelitian menunjukkan bahwa bahasa Arab berfungsi sebagai penanda otoritas spiritual, sementara simbol budaya Arab direproduksi untuk membangun citra dakwah yang religius dan kredibel. Praktik multimodal melalui gestur, ekspresi, dan integrasi bahasa Indonesia–Arab memperkuat identitas keislaman dalam ruang digital. Penelitian ini menegaskan bahwa representasi Arab dalam dakwah digital bukan hanya fenomena estetis, tetapi juga praktik budaya yang menegosiasikan identitas, otoritas, dan solidaritas keagamaan di kalangan audiens Muslim Indonesia.
An Analysis of the Structure and Pragmatic Functions of Imperative Sentences in the Arabic Dialogue of the Animated Series Mansour (Episode خندق مريانا) Nursukma Suri; Rima Mella; Khusnul Fatimah; Aisyah Natama Siregar
EL-IBTIKAR: Jurnal Pendidikan Bahasa Arab Vol. 15 No. 1 (2026): EL-IBTIKAR
Publisher : Universitas Islam Negeri Siber Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/09fwdy13

Abstract

This study aims to analyze the structure and function of imperative sentences in the dialogue of the animated series Mansour, episode خندق مريانا, from the perspective of Arabic linguistics. The research employs a descriptive qualitative method using documentation and discourse analysis techniques to examine Arabic utterances in the selected episode. The analysis focuses on the morphological form of fi’il amr, other imperative constructions that convey directive meaning, and their pragmatic functions in character interactions. The findings reveal that the dominant imperative form is fi’il amr, which morphologically conforms to standard Arabic grammatical rules in both singular and plural forms. In addition, the dialogue presents variations of imperative strategies, including hortative constructions and the use of colloquial particles that reinforce urgency and encouragement. Pragmatically, imperative sentences in the dialogue function not only as direct commands but also as warnings, technical instructions, invitations, and motivational encouragements. These functions are strongly influenced by situational context, interpersonal relationships among characters, and the level of urgency within the narrative structure. This study emphasizes that the analysis of imperative sentences in dialogic discourse must integrate grammatical structure and pragmatic function in order to achieve a comprehensive understanding of communicative strategies in Arabic.
Analisis Metafora Konseptual dalam Sholawat Burdah Karya Imam Al-Busiri: Kajian Semantik Kognitif: Conceptual Metaphor Analysis in the Burdah Shalawat by Imam al-Busiri: A Cognitive Semantic Study Fadli Dermawan; Khairul Muttakin Berutu; Haikal Fathur Rahman Subhan Panggabean; Nursukma Suri
CARAKA Vol 12 No 2 (2026): JUNE
Publisher : Universitas Sarjanawiyata Tamansiswa

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Abstract

Penelitian ini bertujuan mengungkap pola metafora konseptual dalam Qasidah Burdah karya Imam al-Busiri melalui pendekatan semantik kognitif. Penelitian menggunakan metode deskriptif kualitatif dengan teknik analisis isi untuk mengidentifikasi ranah sumber (source domain), ranah sasaran (target domain), serta pola pemetaan konseptual yang membentuk representasi figur Nabi Muhammad saw. Data penelitian berupa sepuluh bait pada bagian al-madh yang mengandung ungkapan metaforis. Hasil penelitian menunjukkan bahwa metafora dalam Qasidah Burdah tidak sekadar berfungsi sebagai unsur retoris, melainkan sebagai mekanisme kognitif yang memetakan pengalaman emosional dan spiritual ke dalam citra-citra konkret, seperti api, luka, gerak, saksi, tulisan, dan kekuatan fisik. Analisis menemukan empat kelompok metafora utama, yaitu metafora cinta, emosi, kenangan dan persepsi, serta usia dan kehidupan. Pola-pola metaforis tersebut memperlihatkan bahwa pengalaman cinta dan kerinduan spiritual kepada Nabi dipahami melalui pengalaman tubuh (embodied experience) yang bersifat universal sekaligus dipengaruhi oleh konteks budaya dan tradisi sufistik. Penelitian ini menegaskan bahwa Qasidah Burdah merupakan teks religius yang kaya akan struktur metafora konseptual dan menunjukkan bahwa teks shalawat dapat menjadi ruang penting bagi konstruksi makna kognitif, simbolik, dan spiritual dalam tradisi Islam.
Phonological Interference of the Indonesian Language on the Pronunciation of Arabic Hijaiyah Phonemes in the Early Stages of Quran Learning: Psycho-Phonological Analysis in Kindergarten Students Muhammad Nashi Huddin Ubaidillah; Rafli Maulana Nst; Khayyarah Alimah; Nabila Ramadhan; Nursukma Suri
JURNAL AT-TURAS Vol 13, No 2 (2026)
Publisher : Universitas Nurul Jadid

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33650/at-turas.v13i2.14970

Abstract

This study examines the phonological interference of Indonesian language on the pronunciation of Arabic hijaiyah phonemes in kindergarten children in Iqra learning. The purpose of the study is to identify forms of phonological interference and explain the psycho-phonological factors behind them. The approach used is descriptive qualitative with a psycho-phonological framework that operationalizes Chomsky's theory of mental representation, Weinreich's interference theory, and Lado's contrastive analysis as analytical instruments. Eight students from Ibnu Al-Akbar Lubuk Pakam Kindergarten who are taking Iqra volume 1 were selected through purposive sampling based on the criteria of native Indonesian speakers who have not received formal tajweed training. Data were collected through pronunciation tests, voice recordings, classroom observations, and phonological discrimination tests. The results showed that the Indonesian sound system significantly affected the production of Arabic phonemes in children, especially in emfatic consonants (tafkhim), throat sounds (pharynx and laryngeal), and uvular consonants that are not found in the Indonesian phonological system. Although the average score of the production test of 17.25 out of 20 indicates a fairly good basic ability, analysis of the sound discrimination test reveals that a number of pronunciation errors stem from the limitations of phonological perception, rather than mere articulation weaknesses. The error pattern was dominated by sound substitution (26 cases), followed by changes in sound properties (10 cases) and sound elimination (4 cases). These findings contribute to the understanding of the mechanisms of second language phonological adaptation in early childhood, which in the framework of the Perceptual Assimilation Model (Best and Tyler, 2007) can be described as a perceptual assimilation process in which unfamiliar second language sounds are assimilated into the most similar categories of first language phonemes and form the basis of recommendations for Iqra learning strategies based on multisensory approaches and auditory discrimination training.
Oral Tradition in The Closing Of Prayer Delivery at The Al-Yahdi Klambir V Foundation in The Medan Helvetia Subdistrict (Anthropological Linguistics Study) Tria Wardani; Nurul Ramadhan; Mutiara Ramadhan; Nursukma Suri
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Vol. 7 No. 2 (2025): Jurnal Salaka: Jurnal Bahasa, Sastra, dan Budaya Indonesia
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jsalaka.v7i2.23

Abstract

This study aims to describe the form of oral tradition in the closing of prayer activities at the Al-Yahdi Klambir V Foundation in Medan through an anthropological-linguistic perspective. The focus of the study is on the use of Shalawat Pembuka Pintu Rezeki (Prayer for Opening the Door to Sustenance) as the closing of the yasinan ritual, which is a unique linguistic and cultural phenomenon. The research uses a qualitative approach with an anthropological ethnographic design through participatory observation, in-depth interviews, and documentation. The analysis was conducted by looking at the relationship between language form, cultural context, social function, and symbolic meaning in the practice of oral tradition. The results of the study show that the recitation of Shalawat not only functions as a religious expression but also as a medium for conveying cultural values that strengthen group identity, solidarity, and continuity of tradition. Linguistically, the repetition, intonation, language formulas, and performativity in Shalawat are markers of local wisdom and living cultural expressions. This study confirms that oral traditions in religious rituals are a form of cultural practice that is passed down through language and performance. Keywords: Oral Tradition, Prayer Delivery, Anthropolinguistics
Analisis Muhassinatul Ma’mawiyah pada Syair Abbas Bin Ahnaf: Hati Perempuan Adalah Batu - Batu Nursukma Suri; Arif Rahman Harefa; Fitriah Pujaan; Rijalul Faizul Ichsan
SOSMANIORA: Jurnal Ilmu Sosial dan Humaniora Vol. 5 No. 2 (2026): Juni 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sosmaniora.v5i2.7889

Abstract

This study aims to analyze the elements of al-muhassinat al-ma‘nawiyyah in the poem Qulubu al-Nisa’ Sukhur by Abbas Ibn al-Ahnaf and to examine how these rhetorical devices strengthen emotional expression and enrich meaning. The research addresses how semantic embellishments are employed in classical Arabic love poetry to convey complex emotional messages. This study uses a qualitative library research approach, collecting and reviewing relevant books, journal articles, and scholarly works. The data were analyzed using descriptive content analysis focusing on the poetic text. The findings reveal that the poem contains various elements of al-muhassinat al-ma‘nawiyyah, including tauriyah, thibaq, muqābalah, husnu ta‘līl, ta’kīd al-madh bimā yusyabbihu al-dzamm, and ta’kīd al-dzamm bimā yusyabbihu al-madh. These rhetorical features function not merely as ornamental devices but as meaningful strategies that intensify emotional depth related to love, longing, and suffering. The study concludes that the poem reflects the richness of classical Arabic rhetoric in constructing layered, symbolic, and communicative meanings.
PENGGUNAAN AYAT SUCI ALQURAN SEBAGAI PENGOBATAN ANAK KETEGURAN DI DESA SUKA JAYA, BATU BARA Fhadila Syafutri Simamora; Rafiza Azhar; Nursukma Suri
Jurnal Budaya Etnika Vol. 10 No. 1 (2026): NEGOSIASI BUDAYA DALAM KONTESTASI ZAMAN MODERN
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jbe.v10i1.3664

Abstract

Abstrak: Penelitian ini mengeksplorasi penggunaan ayat suci Al-Qur'an sebagai media pengobatan anak di Desa Suka Jaya, Kabupaten Batu Bara. Praktik ini menggabungkan aspek keagamaan dan interaksi sosial yang menciptakan dinamika unik dalam komunitas. Masyarakat percaya bahwa bacaan ayat-ayat Al-Qur'an memiliki kekuatan spiritual untuk mengatasi gangguan supranatural. Penelitian ini bertujuan mendalami makna simbolik, sosial, dan linguistik dari praktik pengobatan ini dengan pendekatan antropolinguistik. Melalui observasi, wawancara, dan analisis isi, peneliti menemukan beberapa ayat yang sering digunakan dalam pengobatan anak yang mengalami keteguran. Hasil penelitian menunjukkan bahwa penggunaan ayat Al-Qur'an bukan hanya ritual keagamaan, melainkan juga sarana memperkuat identitas dan solidaritas masyarakat. Penelitian ini diharapkan memberikan wawasan baru dalam antropolinguistik serta mendorong integrasi praktik pengobatan tradisional dengan pendekatan medis modern untuk meningkatkan kesehatan masyarakat secara holistik. Kata kunci: Antropolinguistik, Peyembuhan Al-Qur’an, Praktik Budaya, Keteguran Abstract: This research explores the use of holy verses of the Al-Qur'an as a medium for treating children in Suka Jaya Village, Batu Bara Regency. This practice combines religious aspects and social interactions, creating unique dynamics within the community. The local community believes that reciting verses from the Al-Qur'an holds spiritual power to overcome supernatural disturbances. This study aims to examine the symbolic, social, and linguistic meanings of this traditional healing practice using an anthropolinguistic approach. Through observation, interviews, and content analysis, the study identifies several verses frequently used to treat children suffering from keteguran (a local spirit-induced illness). The results indicate that utilizing Al-Qur'an verses is not merely a religious ritual, but also a mechanism to strengthen community identity and solidarity. This research is expected to provide new insights into anthropolinguistics and encourage the integration of traditional healing practices with modern medical approaches to improve public health holistically. Keywords: Anthropolinguistics, Qur'an Healing, Cultural Practices, Keteguran
Ihya Al-Arabiyah; Jurnal Pendidikan Bahasa dan Sastra Arab Nursukma Suri; Dwi Novita Sari; Muthia Fatin; Annisa Nabila
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 8, No 2 (2022)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v8i2.28892

Abstract

Penelitian ini bertujuan untuk menganalisis representasi makna cinta dalam lagu Enta Eih yang dipopulerkan oleh Nancy Ajram dan lagu Rahent ‘Alayk yang dipopulerkan oleh Amr Diab. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis semiotika Roland Barthes yang menitikberatkan pada tiga tahap pemaknaan, yaitu denotasi, konotasi, dan mitos. Data penelitian berupa lirik lagu yang dianalisis sebagai sistem tanda untuk mengungkap makna yang tersembunyi di balik teks.Hasil penelitian menunjukkan bahwa kedua lagu merepresentasikan cinta sebagai pengalaman emosional yang kompleks dan paradoksal. Pada lagu Rahent ‘Alayk, cinta dimaknai sebagai bentuk pertaruhan dan kepercayaan yang berujung pada kekecewaan akibat pengkhianatan. Sementara itu, lagu Enta Eih merepresentasikan cinta sebagai keterikatan emosional yang tetap dipertahankan meskipun menghadirkan luka dan penderitaan. Secara mitologis, kedua lagu memperkuat konstruksi budaya bahwa cinta identik dengan pengorbanan, risiko, dan kesiapan menghadapi rasa sakit. 
Symbolic Meaning Analysis in the Arabic Lyrics of the Song Dreamers: A Riffaterre Semiotics Study Nursukma Suri; Sintya Maharani; Nadia Fadila; Masito Hasibuan
Lisanan Arabiya: Jurnal Pendidikan Bahasa Arab Vol. 10 No. 1 (2026): June 2026
Publisher : Pusat Studi Kependidikan (PSKp) Fakultas Ilmu Tarbiyah dan Keguruan, Universitas Sains Al-Qur'an

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32699/ew76cj12

Abstract

This study aims to uncover the symbolic meanings and hidden messages in the Arabic lyrics of the song “Dreamers,” performed by Jungkook and Fahad Al-Kubaisi. Using a qualitative descriptive method and Riffaterre’s semiotic approach, the analysis focuses on the discontinuity of expression, heuristic-hermeneutic readings, as well as matrices, models, and hypograms. This study concludes that the meaning of the lyrics is not merely entertainment, but a medium of symbolic expression regarding hope, solidarity, and a universal spirit. The results of this study indicate that: (1) a heuristic reading of the “Dreamers” lyrics depicts a story of individuals who dream and strive to realize those dreams; (2) a hermeneutic reading reveals deeper meanings regarding spirit, optimism, and the conviction to achieve future hopes; (3) the matrix of this song centers on the ideas of dreams and hope; (4) the emerging model is the figure of “dreamers” who dare to dream and continue to strive to achieve their goals; and (5) the hypogram of this song relates to the discourse of motivation, hard work, and the spirit of unity that frequently appears in modern inspirational texts.