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All Journal Jurnal Komunikasi AJMC (Asian Journal of Media and Communication) AMALIAH: JURNAL PENGABDIAN KEPADA MASYARAKAT Communications in Humanities and Social Sciences Unisia Afshaha: Jurnal Bahasa dan Sastra Arab AJMC (Asian Journal of Media and Communication)
Herman Felani
Program Studi Ilmu Komunikasi, Fakultas Psikologi Dan Ilmu Sosial Budaya, Universitas Islam Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Journal : Jurnal Komunikasi

 1 
Citra Indonesia dalam Film dan Serial Televisi Hollywood Herman Felani
Jurnal Komunikasi Vol. 11 No. 2 (2017): VOLUME 11, NOMOR 2, APRIL 2017
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol11.iss2.art1

Abstract

Penelitian ini bertujuan untuk membahas citra Indonesia dalam film dan serial televisi Hollywood. Penelitian ini adalah penelitian kualitatif dengan menggunakan pendekatan poskolonialisme yang berdasarkan pada teori orientalisme dari Edward Said. Berdasarkan temuan penelitian ini, Indonesia digambarkan sebagai negara yang aneh, kacau, dan tertinggal, sarang penjahat, tempat yang eksotis, terpencil, mistis dan misterius, dan pusat teroris. Munculnya citra tersebut disebabkan oleh kurangnya pengetahuan orang Amerika tentang Indonesia yang disebabkan oleh distorsi media massa
Nasionalisme Religius dalam Film-Film Amerika dan Indonesia Herman Felani; Ida Rochani Adi
Jurnal Komunikasi Vol. 17 No. 1 (2022): VOLUME 17 NO 1 OKTOBER 2022
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol17.iss1.art7

Abstract

This study aimed to examine religion-based nationalism in popular American and Indonesian films. The subjects of this research were American and Indonesian films from 1915-2020. This research used a mixed qualitative and quantitative research with content analysis approach. The findings of this study indicated that the discourse of religious nationalism was constructed in popular American and Indonesian films to carry out the practice of inclusion and exclusion of certain groups. The results of the analysis showed that religious nationalism in American films was dominated by Christian nationalism, while religious nationalism in Indonesian films was dominated by discourses of Islamic nationalism. Both American and Indonesian films were against the ideology of communism, but American films were dominated by exclusive nationalism, while Indonesian films were mostly inclusive. American films also tended to show Islamophobia while Indonesian films positioned Islam more as a spirit of religious nationalism. This research has theoretical implications for increasing studies on nationalism which always appears and strengthens in films as a form of mass communication.
Co-Authors Dhea Helyana Putri Ida Rochani Adi Lutfi Chabib, Lutfi Muzakir, Mellisa Puji Rianto Ratno Lukito Wahyu, Imron