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All Journal The Indonesian Journal of Communication Studies Kanal : Jurnal Ilmu Komunikasi Jurnal ASPIKOM ASPIRATION Journal Jurnal Komunikasi Indonesia
Feni Fasta
Universitas Mercu Buana
Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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 1 
WESTERN HEROISM AS CULTURE IDEOLOGY IN THE AVANGERS Feni Fasta; Christina Arsi; Lestari Lestari
The Indonesian Journal of Communication Studies Vol 8, No 1 (2015): The Indonesian Journal of Communication Studies
Publisher : Department of Communication Studies, Faculty of Social and Political Sciences Universitas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/ijcs.v8i1.2972

Abstract

This paper is about the heroism of the probe in a pop culture product is The Avenger movie depicting the ideology of western culture. The use of theory in a study of communication in the process of production of meaning, through the film as a product of pop culture that will depict heroism as an ideology of Western culture. The method used in this paper is a critical discourse analysis of Teun A. VanDijk. It refers to the three levels of discourse structure, namely the macro-structure, super structure, and micro structure. The results shown in this paper is the analysis by describing the mask of the hero who displayed is actually just a cover for attracting all mankind to enter the world of "American version"  which is constructed to a western cultural hegemony as the American position as god or king of the world.
MODERN MUSLIMAH IN MEDIA: A STUDY OF RECEPTION ANALYSIS IN “SALIHA” PROGRAM ON NET TV Eka Perwitasari Fauzi; Feni Fasta; Robert Jeyakumar Nathan; So Won Jeong
ASPIRATION Journal Vol. 1 No. 2 (2020): November Edition of ASPIRATION Journal
Publisher : ASPIKOM Jabodetabek Region

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2052.275 KB)

Abstract

Indonesia, as a country with the largest Muslim population in the world, holds a significant market share of the Islamic industry, especially for Muslim women. This study discusses how media constructs meaning for modern Muslim women's identity, in "Saliha" a program aired on Indonesia national television, NET TV. This qualitative research is conducted based on social construction of reality theory and using Stuart Hall's reception analysis method. The data was obtained via in-depth interviews and Focus Group Discussion. Findings indicate shifting views of Muslim women portrayed in television; these findings add to the continuous mediatization of modern Muslims, especially women. Thus, the existence of Muslim women continued to negotiate and be redefined through images, narratives, and knowledge constructed in media for market consumption.
Exploring Self Identity: An Analysis of Audience Reception of Vlogs Rizki Briandana; Feni Fasta; Eli Jamilah Mihardja; Amer Qasem
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 6, No 2 (2021)
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v6i2.921

Abstract

This study analyzed the interpretation of the self-identity projected by Tasya Farasha through her YouTube content. The development of youth identity today cannot be separated from the role of social media. In this context, Tasya Farasha’s content was examined from the viewpoint of the audience who watched it. This study uses a reception analysis methodology with focus group discussion as data collection technique. The informants in this study were selected based on criteria and classified based on three different universities in Jakarta. The result showed that the informants perceived the content of Tasya Farasya’s broadcast as a reference for youth in forming self-identity both culturally and persuasively in speech and action. The self-identity that Tasya Farasya projects led to a cosmopolitan identity. An identity that sees human’s equality in a community. This self-identity also shows its resistance to various dogmas that discriminate against differences.
Government Domination on Television Digital Migration Regulation in Indonesia Fasta, Feni; Armando, Ade; Triputra, Pinckey
JURNAL KOMUNIKASI INDONESIA Vol. 12, No. 2
Publisher : UI Scholars Hub

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Abstract

This study aims to analyze the migration from analog television to digital television in Indonesia, which has been going on for more than a decade. One of them is the issue of multiplexing management rules. This multiplexing should be used for the benefit of the public because it uses public frequency. Researchers assume that there is government domination in determining policies that accommodate the interests of investors with significant capital and ignore the public interest, including the interests of small investors in the broadcasting industry. This study analyzes various regulations related to digital migration using critical policy analysis methods. The research results show that the Government continues to maintain its dominance in digital migration in Indonesia. Even though it has been sued several times and declared lost in lawsuits, through the new production rules, the Government continues to carry out the digital migration agenda and strengthen its dominance.
Social Critique in the Lyrics of Parung Panjang Pride by Istantos: A Critical Discourse Analysis Based on Van Dijk’s Model: Kritik Sosial dalam Lirik Lagu Parung Panjang Pride Karya Istantos (Analisis Wacana Kritis Van Dijk) Miftasari, Gigih; Budianto, Heri; Fasta, Feni
Kanal: Jurnal Ilmu Komunikasi Vol. 14 No. 1 (2025): September 2025
Publisher : Universitas Muhammadiyah Sidoarjo

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Abstract

This study examines the song Parung Panjang Pride by Istantos through the lens of critical discourse analysis, aiming to uncover how discourse in music can serve as a form of social critique. The song reflects the concerns of a member of the Parung Panjang community, voicing resistance against both local and national policymakers. It functions as a cultural response to marginalization caused by extractive industries and state negligence. Using Van Dijk’s model of critical discourse analysis, this research is grounded in a critical paradigm as well as concepts of music as discourse. The analysis focuses on three dimensions: text structure, social cognition, and social context. At the textual level, the lyrics juxtapose local pride with suffering caused by destructive mining operations. Istantos employs grounded, accessible language to portray environmental damage, social tensions, and community despair, while also affirming collective resistance through symbolic expression. In the social cognition dimension, the songwriter identifies as part of an oppressed yet resilient community, with an ideological belief in hip-hop as a vehicle for protest. At the level of social context, the song critiques power imbalances between residents, the government, and corporations. It highlights delayed infrastructure projects, weak law enforcement, and the socio-political neglect of Parung Panjang.
Co-Authors Ade Armando Amer Qasem Christina Arsi Eka Perwitasari Fauzi Eli Jamilah Mihardja Heri Budianto Lestari Lestari Miftasari, Gigih Rizki Briandana Robert Jeyakumar Nathan So Won Jeong Triputra, Pinckey