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Panopticism of Normal Body Discourse in Advertisement Sari Monik Agustin
Communicare : Journal of Communication Studies Vol. 5 No. 1 (2018): Communicare : Journal of Communication Studies
Publisher : Lembaga Penelitian, Publikasi dan Pengabdian kepada Masyarakat (LP3M) Institut Bisnis dan Komunikasi LSPR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37535/101005120185

Abstract

This writing aimed to identify panopticism of normal body discourse to advertisement audiences. In addition, this study also aimed to identify the truth game of the normal body discourse in the media. There are some key concepts used as frameworks, particularly Michel Foucault’s panopticism, discipline of bodies, power relations and discourse relations. It also used a framework of advertisement in critical perspectives and the philosophy of bodies to enrich the analysis. The paradigm of this writing was critical constructionism. This was a descriptive qualitative research and the data collection techniques were depth interviews with obese women based on BMI standards. This study identified Patriarchy Panopticism, a game of truth of normal body discourse, and the discourse of normal healthy body in media, especially in advertisement as the results. Patriarchy panopticism occurs when discourse and discipline resides invisibly, without coercion and productively maintain the discourse through self-surveillance. At the end, media is only a way to enlarge of Patriarchy Panopticism and used to perpetuate the ideology of patriarchy in the society.
Sentimen Media melalui Social Network Analysis pada Pemberitaan Pembatasan Barang Impor di Kanal YouTube "Harian Kompas" Annissa Widya Davita; Sari Monik Agustin; Astagini, Nuria
Jurnal Riset Jurnalistik dan Media Digital Volume 4, No. 1, Juli 2024 Jurnal Riset Jurnalistik dan Media Digital (JRJMD)
Publisher : UPT Publikasi Ilmiah Unisba

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/jrjmd.v4i1.3944

Abstract

Abstrak. Sejak awal tahun 2024, peraturan Bea Cukai mengalami perubahan signifikan. Oleh karena itu, penegakan hukum yang kuat dan efektif perlu dilakukan untuk memastikan kepatuhan terhadap peraturan Bea Cukai dan melindungi kepentingan ekonomi nasional Fenomena jasa titip vs Bea Cukai menimbulkan kontoversi masyarakat. Dilihat dari pemberitaan di kanal YouTube milik Harian Kompas dengan judul berita “Pemusnahan Milk Bun Thailand, Jastip, dan pembatasan Barang Bawaan Luar Negeri”, studi ini ingin memahami pendapat warganet terkait dengan pandangan terhadap ke bijakan baru yang diterapkan Bea Cukai terkait pembatasan barang bawaan impor. Fenomena ini sangat berkaitan erat dengan analisis sentimen, sehingga peneliti akan menggunakan lima tahapan analisis sentimen, diantaranya crawling, pre-processing, pembobotan kata, pembentukan model dan klasifikasi sentimen pada kolom komentar kanal Youtube Harian Kompas dengan judul “Pemusnahan Milk Bun Thailand, Jastip, dan pembatasan Barang Bawaan Luar Negeri”. Selain itu, studi ini akan menggunakan konsep sentimen media untuk melihat bagaimana sentimen emosi dapat membangun opini publik terhadap suatu berita. Hasil dari studi ini adalah, adanya sentimen emosi yang terbangun dan didominasi oleh sentiment netral sebesar 40%. Dilihat lebih dalam dari kacamata sentimen media, mencerminkan adanya perasaan ketidakpuasan atau protes terhadap tindakan Bea Cukai, yang dapat memicu reaksi emosional dari para pembaca atau penonton. Dari sentimen media yang diperoleh, dapat dikatakan masyarakat cukup netral dalam menanggapi fenomena ini. Abstract. Since the beginning of 2024, significant changes have been made to customs regulations. Therefore, strong and effective law enforcement is necessary to ensure compliance with customs regulations and protect the national economic interests. The phenomenon of delivery services versus customs regulations has sparked public controversy. Based on the news coverage on Harian Kompas's YouTube channel titled "Destruction of Thailand Milk Buns, Delivery Services, and Restrictions on Overseas Goods," this study aims to understand netizens' opinions regarding the new customs policies related to restrictions on imported goods. This phenomenon is closely related to sentiment analysis, so the researcher will use five stages of sentiment analysis, including crawling, pre-processing, word weighting, model formation, and sentiment classification on the comment section of the Harian Kompas YouTube channel. Additionally, this study will use the concept of media sentiment. The results of this study show that emotional sentiment is present and dominated by neutral sentiment at 40%. Reflects a sense of dissatisfaction or protest against the actions of customs, which can trigger emotional reactions from readers or viewers. Based on the obtained media sentiment, it can be said that the public is quite neutral in responding to this phenomenon.
DIGITAL DRAMATURGY: PERFORMANCE ON SIMULTANEOUS VIDEO CONFERENCES IN CLASSROOM CONTEXT DURING THE COVID-19 PANDEMIC Sepang, Nurul Robbi; Sari Monik Agustin; Rizki Fillaili
ASPIRATION Journal Vol. 3 No. 1 (2022): July Edition of ASPIRATION Journal
Publisher : ASPIKOM Jabodetabek Region

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56353/aspiration.v3i1.41

Abstract

The new norm era forces people to do all activities from home, including working and studying. Data shows a significant increase in internet use during the pandemic. Longer working time, more online meetings, and sometimes they can be done at the same time (simultaneous meeting). Then, how does the Self perform if it has to be "fragmented" in one meeting or between meetings? This paper aims to identify the Self in digital dramaturgy through the performance of video conference application users in simultaneous meetings in the new normal era. This writing uses Goffman's Dramaturgy and Mead's Self as a framework with the constructionism paradigm. It uses observation and in-depth interview techniques as data collection methods. The results show that digital dramaturgy consists of preparation made at the backstage and self-performance on the front stage in a digital and non-digital setting. An interesting finding is that in live online meetings, Self appears on the front stage in the on cam (video camera is on) and mic unmutes position, but Self can be on the backstage when the cam is off (the video camera is turned off), and the mic is muted. However, when Self is in one of those situations, a third stage emerges, namely the In-between Region, where the performance is performed partly on the front stage and partly on the backstage.