Kurnia Rahmad Dhani
Institut Seni Indonesia Yogyakarta Https://isi.ac.id

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EMPTY BENCH IN INDONESIAN PERFORMING ARTS STUDIES: AUDIENCE Dhani, Kurnia Rahmad
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 18, No 2: September, 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v18i2.5886

Abstract

Many Indonesian performing art experts have stated that audience studies were conducted in minimal numbers. However, the exact number of research on performing art audiences in Indonesia remains unclear. The factors that influence it are still not known in detail. This paper used a literature review on seven nationally accredited performing arts journals from art institutes in Indonesia over the past ten years. The results showed that only 3 out of 1034 journal titles focusing on performing art audiences in the last ten years. From these findings, we can conclude that the study on the audiences is so scarce. This research theme is not interesting for performing art experts in Indonesia. Indonesian performing art experts and academicians have left the importance of audience studies. This paper also discusses the factors that influence the negligible of performing arts audience studies in Indonesia.
The Development of a Performance Anxiety Scale for Theatre Actor Dhani, Kurnia Rahmad
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.6852

Abstract

Anxiety is the main barrier for an actor to give a perfect performance that determines the show’s overall quality. However, there have been no studies examining performance anxiety in theatre actors, especially in Indonesia. This study aims to develop a psychological scale that measures the actor’s performance anxiety level. The following five steps are carried out: (a) preparing the items based on the performance-only type of social anxiety; (b) checking content validity using Aiken's V method; (c) conducting a trial scale; (d) testing reliability using Cronbach's alpha; and (e) selecting items. One hundred sixty-three (163) theatre actors were given the Performance Anxiety Scale for Theatre Actors, which consists of 44 items. The analysis showed that Cronbach's alpha coefficient was 0.953 out of 38 passed items (r ≥ 0.30). Thus, the developed Performance Anxiety Scale for Theatre Actors has a good validity and reliability score and can be used properly.
Workaholic sebagai Inspirasi Penciptaan Skenario Film Pendek Haru Biru Zuhri, Wan Luthfia Nur; Yuliadi, Koes; Dhani, Kurnia Rahmad
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 18, No 1 (2024)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v18i1.12533

Abstract

Haru Biru adalah karya naskah skenario yang diangkat dari fenomena orang-orang workaholic. Workaholisme sebagai sumber ide penciptaan karya diangkat berdasarkan semakin banyaknya orang yang gila kerja hingga mengabaikan kehidupan dan kesehatan pribadi maupun kehidupa sosialnya. Penulisan naskah skenario ini menggunakan pendekatan struktur tiga babak sebagai kerangka teoritik dalam pengembangan narasi. Naskah ini bercerita tentang tokoh bernama Biru yang gila kerja hingga jatuh sakit dan tidak dapat melanjutkan karirnya, hingga akhirnya memilih untuk bunuh diri karena depresi. Proses penulisan ini menghasilkan satu naskah film pendek lengkap yang kemudian diaplikasikan dalam bentuk film pendek yang terdiri dari total 15 scene dengan 8 halaman dengan durasi 15 menit. Workaholic as Inspiration for Creating the Scenario for the Short Film Haru BiruHaru Biru is a screenplay that explores the phenomenon of workaholism. The story is inspired by the increasing number of people obsessed with work that neglect their personal and social lives. The screenplay uses a three-act structure as a theoretical framework for narrative development. The script tells the story of a character named Biru, who is a workaholic and eventually falls ill and is unable to continue his career, leading him to choose suicide due to depression. The writing resulted in 15 scenes and an eight-page script, then adapted into a 15-minute short film.