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All Journal Ekspresi: Indonesian Art Journal Acintya Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Tonil, Jurnal Kajian Sastra, Teater dan Sinema IDEA: Jurnal Seni Pertunjukan MEDIAKOM : Jurnal Ilmu Komunikasi
Elara Karla Nugraeni
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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 1 
MITOS TEMBANG DURMA KUNTILANAK PADA FILM KUNTILANAK Elara Karla N.
Gelar : Jurnal Seni Budaya Vol 12, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2690.784 KB) | DOI: 10.33153/glr.v12i2.1527

Abstract

The article is the result of a research about mythos of a song Durma Kuntilanak in the film Kuntilanak byRizal Mantovani. Problem in the article is how film Kuntilanak describes about mythos of tembang DurmaKuntilanak. The research aims to learn the reality of film Kuntilanak that represents the song Durma Kuntilanakas a mythos created by the film maker. To analyze the sign and meaning in order to find understanding anddescription of the mythos in the story of film Kuntilanak, the research uses the semiotics approach ofChristian Metz. Metz said that the cinematographic indicator and sign have a “motivation” and “reasonable”relationship. It means that indicator and sign in cinematographic will always be diegesis with the referrednature (story). The paradigm will be applied in narrative structure of film Kuntilanak that has been divided intothree sessions and then classified to be sequences covering “cause-effect”. The result shows that themethod of storytelling in film Kuntilanak uses narrative conventional structure and “cause-effect” sceneswhen the song Durma Kuntilanak is presented by the repeated pattern. It makes the audience leaded to theunderstanding of story in accordance to “its path” and believed the mythos of song Durma Kuntilanak bystressing the “cause-effect” scene. Even though the “cause-effect” scene is presented by using symbolicpictures, the connotative signs in the symbolic pictures are no more arbitrary because of the narrativestructure used in the film. As if the audience is leaded to understand easily the meaning of story in accordanceto the presented pictures. The connotative sign can be no more given a meaning deliberately.Keywords: mythos of song Durma Kuntilanak, narrative conventional structure, semiotics of film Christian Metz
Design Short Movie “Nggabrul” as a Theraupeutic Medium for Children Post Covid-19 Pandemic Wibowo, Philipus Nugroho Hari; N, Elara Karla; S, Surya Farid
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4936

Abstract

This study discusses the design of a short film titled Nggabrul as one of the media used as therapy for primary school children. The COVID-19 pandemic has caused parents to worry about their children's education and eventually help them do their homework. The purpose of this design is to produce a film with a cinematic therapy approach by taking the theme of current life phenomena. Cinema therapy can be said to be the use of movies or watching activities to manage medical health, mental health, and life management. The design method used refers to the stages of creative design proposed by Graham Wallas, consisting of (a) preparation, (b) incubation, (c) illumination, and (d) verification. The result is a simple storytelling package. With the choice of angles of the online learning process in the era of COVID-19 as well as the proper cinematographic techniques, the Nggabrul film becomes one of the right therapeutic media for children to face the new normal era and provide moral teachings of honesty. The results of this design are expected to inspire the filmmaker to produce films that respond to the latest phenomena in society. Keywords: short movie, Nggabrul, cinema therapy, COVID-19 pandemic, Graham Wallas
CINEMATOGRAPHY ANALYSIS OF THE ROMANTIC SCENE OF THE KOREAN DRAMA SERIAL EXTRAORDINARY ATTORNEY WOO Nugraeni, Elara Karla; Sadewa, Ghalif Putra
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Korean serial drama Extraordinary Attorney Woo achieved high popularity following its release on Netflix mid-year 2022. This drama does not only present relevant social issues but also offers captivating visual arrangements depicting emotions for the main character, who has asperger syndrome or autism. This study focuses on cinematographic patterns in romanticizing scenes to project thoughts and emotional expressions of the main character. From the total sixteen episodes, several scenes were selected through purposive sampling to demonstrate repetitive cinematic structures. Analysis was conducted using David Bordwell and Kristin Thompson’s developed theory of cinematography, encompassing three primary aspects: The Photographic Images, Framing and Duration of the Image. The aim of this study is to identify the visual patterns used in romanticizing those scenes, and how these visual arrangements build emotional engagement and deep understanding between viewers and Woo Young Woo as an individual with autism. This study is expected to enrich insights about visual construction within serials and films, particularly in potraying autistic characters through cinematography.
ANALISIS SCRIPT MOMENTUM PADA FILM ANIMASI MULAN Nugraeni, Elara Karla; Sadewa, Ghalif Putra; Widhi, Dwi Putri Nugrahaning
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 20, No 1: Maret 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v20i1.9622

Abstract

Penelitian ini bertujuan untuk mengkaji struktur naratif pada babak kedua film animasi Mulan (1998), sebuah film fiksi dengan genre animasi yang menggunakan struktur tiga babak. Fokus penelitian ini terletak pada pengembangan konstruksi cerita di babak dua melalui karakter utama. Pengembangan alur cerita pada film ini ditandai menguatnya beberapa komponen momentum yang krusial pada babak konflik hingga puncak konflik atau klimaks. Penelitian ini akan melihat bagaimana komponen-komponen script momentum diterapkan dalam film animasi Mulan, dengan fokus pada permasalahan utama yang dihadapi oleh protagonis yaitu Mulan. Oleh karena itu, penelitian ini akan menggunakan teori Linda Seger, yang meliputi Action Points, the Implied Scene, The Obstacle, The Complication, dan The Reversal. Tujuan dari penelitian ini adalah untuk memahami secara lebih mendalam bagaimana struktur naratif dalam film animasi ini dibangun melalui babak dua, serta untuk mengidentifikasi peran dan pengaruh karakter utama dalam menggerakkan alur cerita. Diharapkan hasil penelitian ini dapat memberikan wawasan baru tentang penggunaan elemen-elemen naratif dalam film animasi dan memberikan kontribusi pada pengembangan studi film dan animasi di masa depan. Kata kunci: Film Mulan 1998, struktur naratif, script momentum
CINEMATOGRAPHY ANALYSIS OF THE ROMANTIC SCENE OF THE KOREAN DRAMA SERIAL EXTRAORDINARY ATTORNEY WOO Nugraeni, Elara Karla; Sadewa, Ghalif Putra
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6598

Abstract

Korean serial drama Extraordinary Attorney Woo achieved high popularity following its release on Netflix mid-year 2022. This drama does not only present relevant social issues but also offers captivating visual arrangements depicting emotions for the main character, who has asperger syndrome or autism. This study focuses on cinematographic patterns in romanticizing scenes to project thoughts and emotional expressions of the main character. From the total sixteen episodes, several scenes were selected through purposive sampling to demonstrate repetitive cinematic structures. Analysis was conducted using David Bordwell and Kristin Thompson’s developed theory of cinematography, encompassing three primary aspects: The Photographic Images, Framing and Duration of the Image. The aim of this study is to identify the visual patterns used in romanticizing those scenes, and how these visual arrangements build emotional engagement and deep understanding between viewers and Woo Young Woo as an individual with autism. This study is expected to enrich insights about visual construction within serials and films, particularly in potraying autistic characters through cinematography.
Design Short Movie “Nggabrul” as a Theraupeutic Medium for Children Post Covid-19 Pandemic Wibowo, Philipus Nugroho Hari; N, Elara Karla; S, Surya Farid
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4936

Abstract

This study discusses the design of a short film titled Nggabrul as one of the media used as therapy for primary school children. The COVID-19 pandemic has caused parents to worry about their children's education and eventually help them do their homework. The purpose of this design is to produce a film with a cinematic therapy approach by taking the theme of current life phenomena. Cinema therapy can be said to be the use of movies or watching activities to manage medical health, mental health, and life management. The design method used refers to the stages of creative design proposed by Graham Wallas, consisting of (a) preparation, (b) incubation, (c) illumination, and (d) verification. The result is a simple storytelling package. With the choice of angles of the online learning process in the era of COVID-19 as well as the proper cinematographic techniques, the Nggabrul film becomes one of the right therapeutic media for children to face the new normal era and provide moral teachings of honesty. The results of this design are expected to inspire the filmmaker to produce films that respond to the latest phenomena in society. Keywords: short movie, Nggabrul, cinema therapy, COVID-19 pandemic, Graham Wallas
Konflik Batin Lansia Pascakematian Pasangan Hidup sebagai Inspirasi Penciptaan Skenario Kar Sayyidah, Nur; Nugraeni, Elara Karla; Dhani, Kurnia Rahmad
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 19, No 1 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v19i1.17613

Abstract

Studi penciptaan karya ini berangkat dari pengalaman empiris penulis mengenai pergulatan batin neneknya setelah kehilangan suami, yang terkait dengan fenomena late-life crisis dan grief dream. Penciptaan skenario film menggunakan pendekatan empiris (observasi dan wawancara) yang diolah dengan struktur naratif miniplot Robert McKee. Teori eksistensialisme Sartre (konsep l'autre) dan pendekatan estetika realisme magis diintegrasikan untuk membangun konflik dan kedalaman karakter. Hasil penelitian penciptaan ini menunjukkan bahwa pengalaman empiris lansia yang berduka dapat diolah dengan apik menjadi narasi sinematik yang kaya makna, merepresentasikan kompleksitas emosi, pencarian makna, dan proses penyembuhan psikologis lansia. Skenario Kar tidak hanya menjadi refleksi personal, tetapi juga menawarkan perspektif baru mengenai pentingnya dukungan sosial dan pemaknaan ulang identitas bagi lansia pasca kehilangan pasangan. The Inner Conflict of the Elderly in the Aftermath of Spousal Death: A Creative Foundation for the Screenplay KarThis creation study originates from the author's empirical experience of witnessing his grandmother's inner turmoil following the sudden loss of her husband, which is related to the phenomena of late-life crisis and grief dream. The film scenario was developed using an empirical approach (through observation and interviews), which was then processed using Robert McKee's miniplot narrative structure. Sartre's existentialist theory (the concept of the Other) and the aesthetic approach of magical realism are integrated to build character conflict and depth. The results of this creative research demonstrate that the empirical experiences of grieving elderly individuals can be effectively crafted into a meaningful cinematic narrative, representing emotional complexity, the search for meaning, and the process of psychological healing in the elderly. The screenplay Kar not only serves as a personal reflection but also offers a new perspective on the importance of social support and the redefinition of self-identity for the elderly after the loss of a life partner.
Wacana Feminisme Interseksional dalam Film Before, Now & Then (Nana) Karya Kamila Andini Nugraeni, Elara Karla; Ghalif Putra, Sadewa
MEDIAKOM Vol. 9 No. 01 (2025): Mediakom, Desember 2025
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/mediakom.v9i01.4396

Abstract

Film Before, Now & Then (Nana) karya Kamila Andini menampilkan representasi kompleks tentang pengalaman perempuan dalam konteks sosial. Wacana feminisme interseksional menjadi relevan untuk mengkaji bagaimana film ini memvisualkan berbagai bentuk penindasan yang dialami perempuan dari latar sosial yang berbeda. Teori feminisme interseksional digunakan sebagai kerangka konseptual untuk memahami hubungan antara gender, kelas sosial, dan struktur kekuasaan yang memengaruhi karakter perempuan dalam film. Metode kualitatif melalui pendekatan studi kasus diterapkan dengan memfokuskan pada dialog, teknik sinematografi, dan elemen mise-en-scène yang dianggap mewakili ekspresi wacana feminisme interseksional dalam film tersebut. Hasil penelitian menunjukkan bahwa film Before, Now & Then (Nana) menampilkan lapisan penindasan yang saling terkait, baik secara sosial maupun psikologis, yang dialami oleh tokoh-tokoh perempuan. Representasi tersebut memperlihatkan bahwa diskriminasi terhadap perempuan tidak bersifat tunggal, melainkan dapat terjadi dalam relasi intra-gender dan dipengaruhi oleh konteks sosial serta budaya.
Eksploitasi Tambang Pasir di Kabupaten Garut sebagai Inspirasi Penciptaan Naskah Drama Uga Wangsit Siliwangi Firmansyah, Nova Rizky; Nugraeni, Elara Karla; Dhani, Kurnia Rahmad
Ekspresi Vol 14, No 2 (2025)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ekspresi.v14i2.19312

Abstract

AbstrakPenelitian penciptaan ini bertujuan untuk menghasilkan naskah drama Uga Wangsit Siliwangi berdasarkan kritik terhadap kerusakan lingkungan serta konflik sosial akibat eksploitasi tambang pasir di Kabupaten Garut, Jawa Barat. Penulisan naskah ini juga hendak menghidupkan kembali legenda Prabu Siliwangi sebagai simbol pelestarian alam. Metode penciptaan menggunakan pendekatan berbasis praktik seni yang diangkat dari realitas sosial. Observasi lapangan dilakukan di wilayah Leles, Garut, dengan wawancara dengan narasumber terkait. Studi pustaka terhadap naskah Carita Parahyangan, serta perumusan treatment, penokohan, alur berbasis perkembangan watak, dan latar Leuweung Sancang dan Buwana Larang. Hasil karya adalah berupa naskah drama tiga babak yang mengaplikasikan pendekatan estetika surealisme satir politis. Naskah ini memadukan bahasa Sunda buhun dan keseharian, serta menyajikan elemen surealis (seperti tembok pasir) dan satir politik melalui dialog-dialog sindiran. Naskah yang dihasilkan menawarkan pendekatan penceritaan baru dalam teater ekologis melalui perpaduan unik antara surealisme satir politik, bahasa Sunda, dan narasi folklor yang diadaptasi secara kritis. Kata kunci: teater ekologis, Uga Wangsit Siliwangi, satir politik, surealisme, tambang pasir. AbstractSand Mining in Garut Regency as Inspiration for the Creation of the Drama Script Uga Wangsit Siliwangi. This creative research aims to produce a play script titled Uga Wangsit Siliwangi, based on a critique of environmental degradation and social conflicts resulting from sand mining exploitation in Garut Regency, West Java. The script also intends to revitalize the legend of Prabu Siliwangi as a symbol of nature conservation. The creation method employs an arts-based practice approach derived from social reality. Data collection included field observations in Leles, Garut, and interviews with relevant informants. Additionally, a literature study was conducted on the Carita Parahyangan manuscript, followed by the formulation of the treatment, characterization, character-driven plot, and settings in Leuweung Sancang and Buwana Larang. The final work is a three-act play script that applies a political-satiric surrealist aesthetic. The script blends archaic (buhun) and colloquial Sundanese, featuring surreal elements—such as walls of sand—and political satire through satirical dialogue. The resulting script offers a new storytelling approach in ecological theater through a unique synthesis of political satiric surrealism, Sundanese language, and critically adapted folklore narratives. Keywords: Ecological theater, Uga Wangsit Siliwangi, political satire, surrealism, sand mining.
Co-Authors Firmansyah, Nova Rizky Ghalif Putra Sadewa Ghalif Putra, Sadewa Kurnia Rahmad Dhani Philipus Nugroho Hari Wibowo S, Surya Farid Sayyidah, Nur Widhi, Dwi Putri Nugrahaning