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All Journal Sosiohumaniora Masyarakat, Kebudayaan dan Politik Journal of Tourism Destination and Attraction
Irsyad Martias
Universitas Brawijaya
Arts Humanities Economics, Econometrics & Finance Law, Crime, Criminology & Criminal Justice Social Sciences Other

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READING THE MUSEUM ANGKUT: CULTURAL SPACE PRODUCTION AND EXHIBITION NARRATIVE Nindyo Budi Kumoro; Irsyad Martias; Manggala Ismanto; Hipolitus Kristoforus Kewuel; Andi Azmi Saifullah; Jihananda Marcel Egidyah
Sosiohumaniora Vol 22, No 3 (2020): SOSIOHUMANIORA, NOVEMBER 2020
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/sosiohumaniora.v22i3.26956

Abstract

This article is a museum study from an anthropological perspective. Generally, the museum is an institution that stores and preserves particular material cultures. On the other side, a museum can also be critically seen as a space for the production of cultural discourse that narrates a particular ideology through exhibition strategies and display systems. This study wants to explore the discourse of cultural ideology that is represented by the museum through the design and exhibition. The museum is no longer only monopolized by the state but also developed by the private sector which offers a fusion model between the museum, edutainment, and amusement park. Thus, this article proposes a case study of the Museum Angkut in Batu, East Java, one of the most popular private museums in Indonesia that exhibits transportation system and world civilization themes assembled by implementing amusement park concepts.  This article would like to address the issue of the production of cultural discourse. The research questions are what kind of cultural discourse production is narrated in the Museum Angkut, and how has it been materialized through the display strategy? Additionally, this article explores the relationship of the visitor with material objects in the museum. This paper uses a hermeneutic approach, and Michael Foucault’s heterotopia to examine how cultural imagination with its ideology is represented in museum bodies. As a result, we argue that the Museum Angkut can reflect the character of society, as a post-colonial nation in the sense of seeing self and other cultures.
EKSPLORASI POTENSI SITUS-SITUS PARIWISATA DI GUNUNGSARI: SEBUAH KAJIAN AWAL RISET AKSI PARTISIPATIF TENTANG PARIWISATA BERBASIS MASYARAKAT Hipolitus K. Kewuel; Irsyad Martias; Aji Prasetya W.U; Manggala Ismanto; Siti Zurinani; Ari Budiyanto; Edlin Dahniar; Dyah Rahayuningtyas
Journal of Tourism Destination and Attraction Vol 8 No 1 (2020): Journal of Tourism Destination and Attraction
Publisher : Fakultas Pariwisata Universitas Pancasila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35814/tourism.v8i1.1317

Abstract

The aim of this preliminary participatory action research (PAR) is to explore potential tourism sites in Gunungsari Village, Batu City, East Java. As a PAR, it implements the ecotourism concept, which is called community-based tourism (CBT) by projecting the participatory mapping (PM). As a result, this PM activity reveals the diversification of potential tourism sites which can be classified into five categories: (1) religious and cultural tourism (RCT), (2) special interest tourism (SIT), (3) agro-tourism (AT), (4) home industry tourism (HIT), and (5) educational tourism (ET). Moreover, this diversification can give significant contributions in developing tourism planning programs based on the CBT perspective aiming to empower local communities.
Reconstructing and re-defining the space: Living in between the slum and the tourist destination Manggala Ismanto; Irsyad Martias; Reza Sutowo; Rizal Noviar
Masyarakat, Kebudayaan dan Politik Vol. 32 No. 3 (2019): Masyarakat, Kebudayaan dan Politik
Publisher : Faculty of Social and Political Science, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (756.315 KB) | DOI: 10.20473/mkp.V32I32019.323-333

Abstract

Efforts to reconstruct landscapes and living spaces occur in cities, especially in urban slums. This effort is not only carried out by the settlers but also by external actors who have the intention to improve their lives. It is interesting to see the encounter between actors, especially regarding how negotiations occur between their interests. Jodipan Village becomes one of the slums areas in Malang which make efforts to define and reconstruct the space of their living space by re-colouring the neighbourhood landscape. By the collaboration of various stakeholders such as private parties and the civil society, the village space redefined into a tourist destination that attracts tourists to visit. We gathered a set of information from six local people, one public official, and two team members of Guyspro. Nowadays, Jodipan is popularly known as Kampung Warna-Warni Jodipan or Jodipan Colorful Village (KWJ). The spatial changes which rise from the grass-root provide the opportunities and challenges for the community to negotiate the process of the urban planning implementation in Malang. As a result, the slum stigma has been alleviated and the public acknowledgements that Jodipan Village is being a tourist destination, giving a chance to the settlers to gain their right to live in Jodipan Village area. With this thematic village, the community learns to manage their assets independently by creating a management team that manages the printing of ticket passes, repainting and organising parking lots that benefit local people.
Co-Authors Aji Prasetya W.U Andi Azmi Saifullah Ari Budiyanto Dyah Rahayuningtyas Edlin Dahniar Hipolitus Kristoforus Kewuel Jihananda Marcel Egidyah Manggala Ismanto Nindyo Budi Kumoro Reza Sutowo Rizal Noviar Siti Zurinani