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All Journal Research Report - Engineering Science Jurnal Ruas (Review of Urbanism and Architectural Studies) Jurnal RISA ARTEKS : Jurnal Teknik Arsitektur Jurnal Arsitektur ARCADE Jurnal Permukiman Sustainable, Planning and Culture (Space) : Jurnal Perencanaan Wilayah dan Kota Jurnal Arsitektur TERRACOTTA Jurnal Arsitektur ARCADE
Alwin Suryono Sombu
Universitas Katolik Parahyangan
Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Engineering

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Gambar Terukur Konteks Pelestarian Arsitektur Masjid Ki Buyut Trusmi Cirebon Alwin Suryono; Sudianto Aly; Amirani RS; Irma Subagyo; Yasmin Suriansyah
RUAS Vol 20, No 2 (2022)
Publisher : RUAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2022.020.02.11

Abstract

Several heritage buildings dating back the ancient history of the Ki Buyut Trusmi Cirebon site have been renovated and new buildings added. This paper aims to examine measured drawings related to the absence of original architectural documents. The method consists of field observation, expression of cultural meaning and significant architectural elements, as well as measured drawing studies. The heritage of Hindu-Javanese architecture has historical significance as a tomb complex based on an 1898 map, which is still in great demand by pilgrims. The significance of Hindu-Javanese architecture is related to the position of the mosque in the tomb complex, the gate leading to the complex, the complex gate, the barrier wall, and the complex fence. The manifestation of Javanese architecture can be found in the building of the mosque with a three-tiered roof, connected to the two-level roof porch, and a place for ablution on the north side. The social meaning is related to the traditional events of procession, roof changing, Trusmian and the commemoration of the birth of the Prophet Muhammad SAW which has been preserved until now. Measured drawings of the situation of the mosque and the plans of the building reveal that the appearance of the complex is strictly limited to the main prayer rooms (signifying Javanese architecture), not yet accompanied by gates and barrier walls (indicating Hindu-Javanese architecture), for historical-archaeological relics. The measured image of the main door of the mosque (amounting to a height of 152 cm) shows the tradition of bowing respectfully when entering the prayer room (signifying Javanese Architecture). Hindu-Javanese architectural elements should also be recorded in measured drawings.
Pelestarian Budaya Lampung dalam Arsitektur Masa Kini pada Bangunan Menara Siger dan Sesat Agung Bumi Gayo Muhammad Diaz Adiyudha; Alwin Suryono
Jurnal Permukiman Vol 13 No 1 (2018)
Publisher : Direktorat Bina Teknik Permukiman dan Perumahan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31815/jp.2018.13.31-40

Abstract

Provinsi Lampung kini sedang berfokus pada pelestarian budayanya, dengan mengangkat Siger sebagai simbol budaya dan menjadikannya sebagai identitas baru. Siger dulu berupa mahkota wanita, kini dijadikan konsep pada fasad bangunan pemerintahan dan komersial. Isu penelitian tentang pelestarian budaya Lampung pada bangunan publik Menara Siger dan Sesat Agung Bumi Gayo. Hal ini bertujuan untuk memahami peranan budaya Lampung pada objek studi, mendeskripsikan elemen-elemen arsitektur signifikan, serta konsep tindakan pelestarian budaya Lampung. Metode yang digunakan secara kualitatif, dengan langah-langkahnya: 1) Mengungkap budaya Lampung; 2) Mengungkap elemen arsitektur signifikan pada Menara Siger dan Sesat Agung Bumi Gayo; 3) Tindakan pelestarian budaya Lampung. Temuan penelitian ini: a) Budaya Lampung merupakan budaya yang sarat akan nilai terkait dengan kegiatan, orientasi mata angin, tata massa bangunan, dan juga hasil karya manusia berupa Siger dan kain tradisional. Hal ini juga tercermin pada konsep bangunan Menara Siger dan Sesat Agung Bumi Gayo yang sebagian besar mengambil konsep dasar bermukim masyarakat Lampung dulu; b) Elemen arsitekturnya adalah arah orientasi, tata massa bangunan di dalam tapak, dan ruang komunal seperti dengan pola permukimanan masyarakat dulu; c) Tindakan pelestarian pada aspek bentuk yaitu dengan cara preventif, preservasi, dan adaptasi, sedangkan tindakan pelestarian pada aspek fungsi yaitu preservasi, adaptasi, dan rekonstruksi.  Upaya pelestarian dengan aspek bentuk dan fungsi dilakukan agar budaya lampung tidak tergerus oleh zaman saat ini dan agar budaya tetap terjaga baik benda maupun nilainya.
PEMANFAATAN POTENSI ARSITEKTUR RUMAH LIMASAN DALAM PENGEMBANGAN DESA WISATA BERKELANJUTAN DI KALURAHAN MANGUNAN – KABUPATEN BANTUL Nancy Yusnita Nugroho; Alwin Suryono Sombu; Fransiscus Xaverius Budi Pangarso; Christianto Hendrawan
Riset Arsitektur (RISA) Vol 8 No 02 (2024): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i02.7874.195 - 212

Abstract

Abstract - In the development of tourism villages, it is necessary to study the local potential that can be raised to empower the community, give a distinctive feature to local local tourism, while still emphasizing sustainable principles, including cultural preservation. Mangunan Village located in Bantul District – Yogyakarta Province has local Javanese architectural characters (including Limasan House Architecture) which can be appointed as one of the tourist attractions. For this purpose, documentation, studies of the condition of existing buildings, as well as studies of the potential and constraints of their use more broadly/long-term in supporting tourism. In addition, tourism development policies that have been implemented also need to be evaluated in order to improve the development plan of Mangunan Tourism Village. Keywords: Tourism Village, Sustainable Tourism, Limasan Architecture, Mangunan
Evaluasi Pelestarian Arsitektur Museum Bahari Jakarta Sugian, Gregorius Vincent; Sombu, Alwin Suryono
Jurnal Arsitektur TERRACOTTA Vol 4, No 3 (2023)
Publisher : Itenas, Institut Teknologi Nasional Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26760/terracotta.v4i3.8930

Abstract

Bangunan cagar budaya merupakan bagian dari cagar budaya yang menjadi identitas suatu bangsa. Oleh karena itu, bangunan cagar budaya wajib dilestarikan mutu dan juga nilai-nilai yang terkandung di dalamnya. Museum Bahari menjadi salah satu bangunan cagar budaya signifikan yang berada di Kota Tua Jakarta yang dulunya merupakan gudang rempah-rempah Belanda di Indonesia. Sebagai bangunan cagar budaya, Museum Bahari masih terus dilestarikan sampai saat ini. Namun, melihat dari kondisi bangunan tersebut di masa kini, terdapat beberapa elemen arsitektur dari Museum Bahari yang mulai mengalami penurunan mutu dan beberapa elemen lainnya sudah tidak lagi mengandung nilai yang ada di masa lalu. Penelitian ini mengungkap berbagai macam elemen arsitektur signifikan dari museum Bahari yang mengandung nilai-nilai, dan tindakan pelestarian yang tepat untuk dilakukan menyesuaikan dengan kondisinya saat ini. Hasil penelitian menunjukkan mayoritas pelestarian terhadap elemen sudah dilakukan dengan benar, namun terdapat juga beberapa yang elemen yang memerlukan intervensi pelestarian yang lebih besar. Salah satu elemen arsitektural Museum Bahari yang penting untuk direstorasi adalah Kali Ciliwung di depan Museum Bahari yang dulunya menjadi satu-satunya akses masuk perahu-perahu yang membawa rempah-rempah. Kali Ciliwung depan museum ini bisa direstorasi kembali kondisinya seperti di masa lalu dan menjadi pendorong ekonomi dan potensi wisata baru bagi para turis.
Conservation of Balinese Cultural Traditions in The Layout of The Tejaprana Resort in Ubud, Bali S, Alwin Suryono
RUAS Vol. 22 No. 1 (2024)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2024.022.01.1

Abstract

This paper aims to reveal the existence of Balinese cultural traditions in the layout of Tejaprana Resort in Ubud, Bali, and its preservation. The design of the site, restaurant, and villas reveals the physical-social-meaning system of Balinese cultural tradition through awareness of sense, purpose, and essence. The site's mass-space layout, which lines up in a south-north orientation and slopes eastward following the site's shape, achieves the meaning of appreciating the balance and harmony of nature. The restaurant architecture, with its hollow roof, upper room, and lower room, adapts to the local environment, preserving the meaning of the three layers of nature (top, middle, and bottom) of the Tri Loka philosophy. The restaurant's architecture's openness to local nature preserves the meaning of appreciating the balance of the natural environment (Manik Ring Cucupu Philosophy).
PELESTARIAN BUDAYA BALI DALAM ARSITEKTUR TAPAK DAN RESTORAN ARUNA RESORT TEJAPRANA TEGALALANG UBUD – BALI Suryono, Alwin
Jurnal Arsitektur ARCADE Vol 5 No 3 (2021): Jurnal Arsitektur ARCADE November 2021
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract: Revealing the conservation of Balinese culture forms in the architecture of Site and Aruna Restaurant of Tejaprana resort uses architectural phenomenological approach. The Balinese Culture’s physical-social system is expressed through sensory presence, conceptual systems through goal awareness, and the philosophy through essence awareness. The setting extends from the North-South direction, the Aruna restaurant surrounded by garden in the middle of the site and a temple in the North, preserving the principles of the Balinese Traditional Village setting. The essence of the site order is harmony with the local natural philosophy. Social activities surrounded by gardens in the middle of the site and temple in North form a harmonious-balanced human-nature-God relationship philosophy. The openness of Aruna restaurant is similar to Wantilan's architecture, but with different shape. The pool at the center of the floor and the eight columns around it symbolizes the "natural balance" of the Nawa Sanga concept. The essence of Aruna restaurant is local natural harmony philosophy and spiritual relations, forming a harmonious-balanced human-nature-God relationship philosophy. The principles of traditional village arrangements, Balinese cultural social system, concept of natural balance, bale Wantilan principle, Nawa Sanga concept, Tri Hita Karana philosophy are preserved in the site and Aruna restaurant.).Abstrak: Pengungkapan wujud-wujud Budaya Bali dalam arsitektur Tatanan Tapak dan Restoran Aruna resort Tejaprana dan pelestariannya menggunakan pendekatan fenomenologis arsitektur. Sistem fisik-sosial Budaya Bali diungkap melalui kehadiran inderawi, sistem konsep melalui kesadaran tujuan, dan filosofi melalui kesadaran esensi. Tatanan tapak memanjang arah Utara-Selatan, restoran Aruna dikelilingi taman di tengah tapak dan Pura di Utaranya, melestarikan prinsip tatanan tapak Desa Tradisional Bali, berikut sistem sosial Budaya Bali. Tatanan tapak membentuk Keseimbangan Alam konsep Catur Lokapala. Esensi tatanan tapak adalah keharmonisan-keselarasan dengan alam setempat filosofi Manik Ring Cucupu. Aktivitas sosial dikelilingi taman di tengah tapak dan ibadah di Utaranya membentuk relasi harmonis-seimbang manusia-alam-Tuhan filosofi Tri Hita Karana. Restoran Aruna bersosok terbuka, atapnya bersusun mirip arsitektur Wantilan, namun bentuknya kerucut berlantai dua. Kolam di pusat lantai dan delapan kolom sekelilingnya searah mata angin simbol ‘keseimbangan alam’ konsep Nawa Sanga, memperlihatkan sistem sosial Budaya Bali. Esensi restoran Aruna adalah keharmonisan-keselarasan alam setempat (filosofi Manik Ring Cucupu) dan relasi spiritual, sehingga membentuk relasi harmonis-seimbang manusia-alam-Tuhan (filosofi Tri Hita Karana). Prinsip tatanan desa tradisional, sistem sosial Budaya Bali, konsep keseimbangan alam, prinsip bale Wantilan, konsep Nawa Sanga, filosofi Tri Hita Karana dilestarikan pada tapak dan restoran Aruna.
PEMANFAATAN POTENSI ARSITEKTUR RUMAH LIMASAN DALAM PENGEMBANGAN DESA WISATA BERKELANJUTAN DI KALURAHAN MANGUNAN – KABUPATEN BANTUL X, Fransiscus; Yusnita Nugroho, Nancy; Suryono Sombu, Alwin; Xaverius Budi Pangarso, Fransiscus; Hendrawan, Christianto
Jurnal Riset Arsitektur Vol 8 No 02 (2024): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v8i02.7874.195-212

Abstract

Abstract - In the development of tourism villages, it is necessary to study the local potential that can be raised to empower the community, give a distinctive feature to local local tourism, while still emphasizing sustainable principles, including cultural preservation. Mangunan Village located in Bantul District – Yogyakarta Province has local Javanese architectural characters (including Limasan House Architecture) which can be appointed as one of the tourist attractions. For this purpose, documentation, studies of the condition of existing buildings, as well as studies of the potential and constraints of their use more broadly/long-term in supporting tourism. In addition, tourism development policies that have been implemented also need to be evaluated in order to improve the development plan of Mangunan Tourism Village. Keywords: Tourism Village, Sustainable Tourism, Limasan Architecture, Mangunan
Pelestarian Aspek Kesemestaan Dan Kesetempatan Dalam Arsitektur Bangsal Sitihinggil Di Kraton Yogyakarta Suryono, Alwin
RUAS Vol. 14 No. 2 (2016)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2016.014.02.1

Abstract

The Sitihinggil Kraton Yogyakarta building, completed in 1926, has a EuropeanJavanese architecture style. It is originally a coronation place of the Mataram Sultans and the first Indonesia President. In the present time, it is used for royal official ceremonies and tourist attractions. The purpose of this study is to reveal the universallocal aspects of Sitihinggil architecture and describe its conservation concept. The method used is descriptive-explanatory, with the approach of Javanese CultureArchitecture-Conservation. The universal aspect is based on the Javanese culture philosophy ”unitary natural-social-spiritual interaction”, whereas the local aspects are “philosophy of tolerance” and architecture style. Natural relation associates with symmetrical space layout towards the philosophical axis and the adaptive building (to the environment). The social relation associates with the dialogue between the Sultan (inside the building) with the people (sitting in the North Square). The spiritual relation associates with the Sultan’s meditation ritual in this building while looking at the White Post’s direction. “Tolerance” philosophy could be seen through the architectural styles. Conservation concept: Preservation of space layout (opennessposition of the building); Restoration of the North Square (thickened the surrounding grass and trees); Preservation-routine maintenance of building (Roofs, ceilings, beams, gutters, windows, pillars, ornaments)Keywords: universal, local, culture, preservation.
Gambar Terukur Konteks Pelestarian Arsitektur Masjid Ki Buyut Trusmi Cirebon Suryono, Alwin; Aly, Sudianto; RS, Amirani; Subagyo, Irma; Suriansyah, Yasmin
RUAS Vol. 20 No. 2 (2022)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2022.020.02.11

Abstract

Several heritage buildings dating back the ancient history of the Ki Buyut Trusmi Cirebon site have been renovated and new buildings added. This paper aims to examine measured drawings related to the absence of original architectural documents. The method consists of field observation, expression of cultural meaning and significant architectural elements, as well as measured drawing studies. The heritage of Hindu-Javanese architecture has historical significance as a tomb complex based on an 1898 map, which is still in great demand by pilgrims. The significance of Hindu-Javanese architecture is related to the position of the mosque in the tomb complex, the gate leading to the complex, the complex gate, the barrier wall, and the complex fence. The manifestation of Javanese architecture can be found in the building of the mosque with a three-tiered roof, connected to the two-level roof porch, and a place for ablution on the north side. The social meaning is related to the traditional events of procession, roof changing, Trusmian and the commemoration of the birth of the Prophet Muhammad SAW which has been preserved until now. Measured drawings of the situation of the mosque and the plans of the building reveal that the appearance of the complex is strictly limited to the main prayer rooms (signifying Javanese architecture), not yet accompanied by gates and barrier walls (indicating Hindu-Javanese architecture), for historical-archaeological relics. The measured image of the main door of the mosque (amounting to a height of 152 cm) shows the tradition of bowing respectfully when entering the prayer room (signifying Javanese Architecture). Hindu-Javanese architectural elements should also be recorded in measured drawings.
PELESTARIAN KEARIFAN LOKAL JAWA DALAM TATA RUANG KRATON YOGYAKARTA Suryono , Alwin
Sustainable, Planning and Culture (SPACE) : Jurnal Perencanaan Wilayah dan Kota Vol. 6 No. 2 (2025): Sustainable, Planning and Culture (SPACE) : Jurnal Perencanaan Wilayah dan Kota
Publisher : UNHI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/hfmdhk28

Abstract

Keraton Yogyakarta terbangun lengkap tahun 1926, hingga kini masih bertahan - berfungsi baik (fungsi asal dan objek wisata). Ruang-ruang utamanya bergaya Arsitektur Jawa serasi dengan ruang-ruang pendukungnya bergaya Arsitektur Eropa. Tujuan studi mengungkap Kearifan Lokal Jawa pada tatanan ruang Kraton Yogyakarta, mendeskripsikan elemen-elemen arsitektur signifikan untuk dilestarikan dan mendeskrisikan konsep pelestariannya. Metoda studi adalah deskriptif-eksplanatif, dengan pendekatan Budaya Jawa-Arsitektur-Pelestarian. Kearifan Lokal Jawa “kesatuan interaksi alam-sosial-spiritual” dan “budaya toleransi” mendasari tata ruang Kraton. Wujud kesatuan interaksi alam-sosial-spiritual berupa tata ruang Kraton berporos Sumbu Filosofis (garis lurus dari Tugu Pal Putih - Alun-alun - Kraton - Panggung Krapyak), posisi bangsal Sitihinggil di bagian muka, dan ruang-ruang utama pola terbuka-memusat (atap tajuk, dekorasi terpusat). Di dalam bangsal Sitihinggil Sultan bermeditasi (menatap Tugu Pal Putih), memimpin upacara Kraton, dan menerima keluhan rakyat (duduk di pusat Alun-alun Utara). Wujud Budaya toleransi berupa dua gaya arsitektur (Tradisional Jawa - Eropa) dalam satu bangunan, dekorasi ruang utama bermotif budaya Jawa-Islam-Budha, dan sarana dialog sultan - rakyatnya. Konsep pelestarian: Preservasi tata ruang Kraton simetri Sumbu Filosofis; Preservasi-perawatan rutin bangunan (tata ruang, atap, plafon, balok tumpangsari, talang, jendela, tiang-tiang, dekorasi-ornamen); Restorasi Alun-alun Utara (pasir-rumput, pohon sekeliling).
Co-Authors Adityavarman, Ryadi Amirani RS Budi Widodo P Chris Hendrawan Christianto Hendrawan Fransiscus Xaverius Budi Pangarso Indira Rahma D Irma Subagyo John Petrus Talan Laurentia Carrisa M. Pasha Adhima Basuki Muhammad Diaz Adiyudha Nancy Yusnita Nugroho Pramesti, Rochana Esti Rahma D, Indira RS, Amirani Ryadi Adityavarman Subagyo, Irma Sudianto Aly Sugian, Gregorius Vincent Talan, John Petrus William Sasmita X, Fransiscus Xaverius Budi Pangarso, Fransiscus Yasmin Suriansyah