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Perancangan Tempat Tidur Multifungsi untuk Apartemen Tipe Studio Melissa Christany; Lintu Tulistyantoro; Grace Setiati Kattu
Intra Vol 6, No 2 (2018): Desain Interior 2017/2018
Publisher : Intra

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Abstract

The room of studio apartment is relatively smaller than the 2 or 3 rooms apartment, where is the space only for bedroom and bathrooms. Bedroom is also used for living room, dining room, work space and kitchen. User in their activities sometimes has guests in the room, but there is no place to accommodate it. The effect, bed as a private for user used by guests too, and guests feel not comfortable to use. The purpose of designing furniture with more functions, characters and shapes that are useful to accommodate a wide range of workspaces. The method stages of this design is empathize, define, ideate, prototype and test. Multifunction bed as a place to rest, receive guests, work, eat, discuss and store items can help the needs of users.
Perancangan Interior Restoran Tradisional Makassar Lidwina Tham Djaya; Lintu Tulistyantoro
Intra Vol 2, No 2 (2014): Desain Interior 2013/2014
Publisher : Intra

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Abstract

Traditional culture has potential to attract tourists to come to one city. But along with the times, the traditional culture will extinct so we  need the effort to preserve them. In this day, culture and culinary is not an easy thing to find, more over just for a vacation. This Makassar’s restaurant interior desaign purposes is to give an information about Makassar’s culture through interior design that applied to the restaurant and to gives a taste of traditional cuisine of Makassar. Indonesia has a lot of culture, one of them is Makassar culture. For a foodies, this would be very nice to know about Makassar Traditional cuisine.
Perancangan Interior Fasilitas Bagi Komunitas Sepeda Tua di Surabaya Afriansyah Winata; Lintu Tulistyantoro; yohan santoso
Intra Vol 4, No 2 (2016): Desain Interior 2015/2016
Publisher : Intra

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Abstract

Surabaya is one big city that has a lot of culture or what we call multicultural caused many hobbies in common, one of which collects old bikes. Indonesia old bike community is a community that collects a lot of old bicycles and to educate the public about the collection of old bicycle and how to take care of the bike and do not have the facilities to accommodate. A facility design with contrast concept is designed to accommodate every activity of this old bike community, ranging from collecting, gathering, educating to tamper with spare-parts that have been damaged. Contrasting design concept enthusiasts will attract visitors to stop by and see the collection of the gallery this community, with a design that contrasts well as visitors will not feel bored while and was looking through a collection of old bikes there. A café designed addition to facilitating routine gathering of old bike community, this café can also be visited by the public and visitors gallery.
Perancangan Interior Galeri Kebaya Modern di Surabaya Winnie Tritanjaya Wong; Lintu Tulistyantoro
Intra Vol 2, No 2 (2014): Desain Interior 2013/2014
Publisher : Intra

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Abstract

Kebaya means an upper dress which was used firstly by Indonesian women, especially Javanese women. Nowadays, kebaya has transformed into much more modern design soit is desired by the Indonesian society.To support those people, will be held a modern kebaya gallery with many facilities such as:lobby, fashion show area,exhibition,store,consultation room,and many more.
Kajian Semiotik Ornamen Interior Pada Lamin Dayak Kenyah ( Studi Kasus Interior Lamin Di Desa Budaya Pampang) Maria Sicilia Mayasari; Lintu Tulistyantoro; M. Taufan Rizqy
Intra Vol 2, No 2 (2014): Desain Interior 2013/2014
Publisher : Intra

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Abstract

Know of a tribe not only understand how the tribe to survive and adapt , but can not be separated from knowing local customs / values are used . Likewise with the Dayak Kenyah in East Kalimantan that have unique customs and practice . Not only from daily uniqueness , but also of their crafts in the form of carved ornaments . Symbols and ornaments is not only the customary ritual objects but also on the equipment and the traditional long house ( Lamin ) . Just like other tribes in Indonesia , the Dayak Kenyah ornaments also has a meaning and significance in each symbol , so it is interesting to study . Used to assess these semiotic theory proposed by Pierce , which is a study of this method to obtain the meaning of a sign or symbol , function , and relevance of signs to one another . The existence of symbols and ornaments is closely related to the ancestors animism dynamism Dayak Kenyah.
Perancangan Interior Galeri Batik Semar di Surabaya Maria Adelia Nugroho; Lintu Tulistyantoro
Intra Vol 2, No 2 (2014): Desain Interior 2013/2014
Publisher : Intra

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Abstract

Batik is Indonesia’s most famous culture product, well known by both local community and international society. Unfortunately the art of batik nowadays is abandoned and underestimated by Indonesians themselves especially by the youngsters because batik has been regarded old and out of date. One of the ways to attract people’s interest in batik is creating a place, in this case is a shop or batik gallery with modern but featuring Indonesia cultures element as well, therefore it fascinates the visitors to come for admiring and even purchasing the batik products.In the interior design of Batik Semar Gallery in Surabaya, there are facilities such as retail shop of Batik Semar batik cloth, apparel, and accessories or souvenir and workshop space of batik cloth processing purposely shown to the visitors where they can watch and even take part in producing the batik. Dynamic is used as a concept, applied in shapes, lines, and layout composition in this design. It is expected that this design can raise the value of PT Batik Semar’s products.
Perancangan Interior Cafe Asian Tea di Surabaya Ronald Wiradinata; Lintu Tulistyantoro; M. Taufan Rizqy
Intra Vol 3, No 2 (2015): Desain Interior 2014/2015
Publisher : Intra

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Abstract

Cafe in Surabaya intended for tea lovers to enjoy tea after facing the daily routine - day and the pressure faced, in addition to be able to respond to their needs. Many people are less know more about tea though tea has become a quite drink in the interest of various parties, by providing a place to show the typical style of the origin of tea in Asia (Japan, Indonesia, China) in Surabaya, is expected to be a container according to the situation of communities saturating a day - day. The concept of this design is modern contemporary style, which in the process of designing blends modern concepts that are now being Boming by using a material that gives the impression of a natural with the formation of reps for meninjukkan consistency in the culture of tea-making. Of course the method of observation, brainstorming and implementation before design. Expected visitors can feel the atmosphere of the place is so into it. Therefore the design of the room is really a hallmark of the implementation of the State and tea combined with stylish modern interior, visible from the typical symbol of the State, stylized formation of the tea and the State itself.
Pergeseran Tradisi Pemujaan Leluhur Dalam Hubungan Dengan Organisasi Ruang Rumah Tionghoa Saat Ini Di Surabaya Priscillia Sasmita; Lintu Tulistyantoro
Intra Vol 2, No 2 (2014): Desain Interior 2013/2014
Publisher : Intra

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Abstract

Chinese people is the most immigrants around the world compared to the others. Although they lived with so many people around the world, they kept do their tradition with respect to their anchestor. Surabaya known as coastal settlements so that a lot of immigrants will come, include Chinese people. One of the Chinese tradition is Anchestor Worship. Chinese people who do this tradition usually has a anchestor worship’s altar in their house. Anchestor worship’s altar has a big influence in organization of space, because it has a lot of rules to organize. This research use the qualitatif method which is descriptive in character. The result of this research show that a lot of difference between the literature and the fact, that achestor worship’s altar didn’t give influence to chinese house anymore. It can because of so many factor, such as environmental condition or chinese people who forget their tradition.
Kajian Ikonografi Ornamen pada Interior Masjid Cheng Hoo Surabaya Tasha Victoria Tanaja; Lintu Tulistyantoro
Intra Vol 5, No 2 (2017): Desain Interior 2016/ 2017
Publisher : Intra

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Abstract

Cheng Hoo Mosque Surabaya is a Chinese architecture that is identical with the octagonal roof arrangement that is, Pat Kua strengthen the character of Chinese architecture. This is the main attraction of Cheng Hoo Mosque Surabaya, especially the interior ornaments used in the mosque to be studied by descriptive qualitative method described by Panofsky iconography theory. This theory has three stages: pre-iconography, iconographic analysis, and iconographic interpretation.The pre-iconography stage describes the interior ornaments used in the mosque through field data and interview results. An analysis iconography explains the meaning contained in the interior ornaments used from the literature data. The iconographic interpretation discusses the interrelation of the building with the political, social and cultural conditions in Indonesia. The results show the uniqueness of architecture and interior ornate Islamic Islam of China, and has a philosophical meaning.
Analisa Makna Ruang Pada Baileu Di Pulau Seram Barat, Maluku Hadisuwarno Tanzil; Lintu Tulistyantoro; Stephanie Melinda Frans
Intra Vol 7, No 2 (2019): Desain Interior 2018/2019
Publisher : Intra

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Abstract

West Seram people has many different culture heritages on many aspects like social, economy, belief, and culture. One form of heritage was manifested in traditional Baileu architecture. This diversity has not only found in the physical form of architecture, but also in the meaning of concept and spatial structure (place) formed on Baileu reviewed from local’s culture. West Seram people have rich in meaning Baileu. Belief in ancestors has an important role to determine the meaning of space in Baileu on West Seram Island. Theory approaches used is field cosmological primordial from Koentjaraningrat and Jakob Sumardjo. The research method and analysis used was triangulation, which check and correct obtained data or information from different varieties and perspectives to reduce as much bias as possible during the data analysis. The analysis result show that the meaning of space is inseperable from human activity. It’s because space was formed from experience of human senses which created perception and thoughts. This was also reflected in Baileu on West Seram Island’s image, where the belief in the spirit of ancestor influence the values and norms of the local people to create cultures.