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All Journal KAJIAN SASTRA LITERASI: Jurnal Ilmu-Ilmu Humaniora KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) UNEJ e-Proceeding Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Semiotika NOTION: Journal of Linguistics, Literature, and Culture Leksema: Jurnal Bahasa dan Sastra
Heru S.P. Saputra
Universitas Jember
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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MENYUARAKAN KAUM YANG TERABAIKAN Heru S.P. Saputra
LITERASI: Indonesian Journal of Humanities Vol 1 No 1 (2011)
Publisher : Faculty of Humanities, Jember University

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Abstract

Resensi bukuJudul buku Sastra Indonesia Awal: Kontribusi Orang TionghoaPenulis Claudine SalmonPenerbit Kepustakaan Populer Gramedia, Jakarta  
PEREMPUAN SENI TRADISI DAN PENGEMBANGAN MODEL INDUSTRI KREATIF BERBASIS SENI PERTUNJUKAN Novi Anoegrajekti; Ikwan Setyawan; Heru S.P. Saputra; Sudartomo Macaryus
Karsa: Journal of Social and Islamic Culture Vol. 23 No. 1 (2015): ISLAM, BUDAYA DAN PEREMPUAN
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v23i1.610

Abstract

The absence of government policy in supporting the creative industry practice is a factor inhibiting the development of performing arts in Banyuwangi. Diverse local performing arts which if managed properly can become a crutch for the emergence of creative economy. This study aims at describing the struggles of women in the tradition arts and in conceptualizing  a creative industry model ba-sed on performing arts. The study employed ethnography. The field data were obtained through interviews with the informants. The interpretation of data used a combination of tradition arts, gender, cultural studies, and creative industry perspectives. The results showed that women of tradition arts in general do not rely their livelihoods on art activitiy. They keep trying to develop creative know-ledge embodied in art creation and innovations. Arts institutions have a develop-ment program to maintain quality. The role of the government is manifested in the forms of policies, facilities, activity forums and infrastructural development. The development of Banyuwangi-style performing arts within the framework of the creative industry can support the realization of the creative economy.Copyright (c) 2015 by KARSA. All right reservedDOI: 10.19105/karsa.v23i1.610 
LOKALITAS: PANDANGAN-DUNIA DAN EKSPRESI KULTURAL MASYARAKAT PEMILIKNYA Heru S.P. Saputra; Agus Sariono; Titik Maslikatin; Edy Hariyadi; Zahratul Umniyyah; L. Dyah Purwita Wardani S.W.W.; Didik Suharijadi; Muhammad Zamroni
UNEJ e-Proceeding 2020: E-PROSIDING SEMINAR NASIONAL PEKAN CHAIRIL ANWAR
Publisher : UPT Penerbitan Universitas Jember

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Tulisan ini bertujuan mendiskusikan relasi antara bahasa lokal dan pandangan-dunia (worldview) serta ekspresi kultural masyarakat pemiliknya. Kajian didasari oleh konsep antropologi linguistik. Hasil kajian menunjukkan bahwa bahasa lokal menjadi pilihan utama dalam mengekspresikan diri, baik dalam konteks pergaulan sosial keseharian, ritual, maupun karya kreatif. Dengan bahasa lokal, ekspresi terasa mendalam, menyatu, dan representatif. Di Banyuwangi, berbagai ekspresi kultural seperti basanan, tembang, gendhing, mantra, seni pertunjukan, dan karya sastra lebih dominan menggunakan bahasa Using. Bahasa tersebut merefleksikan karakteristik masyarakat Using dan menjadi salah satu identitas kultural mereka. Dalam konteks inilah politik kebudayaan yang dikonstuksi oleh penguasa Banyuwangi cukup penting guna melestarikan dan mengembangkan bahasa Using. Nilai-nilai lokalitas yang tercermin dalam bahasa Using—dimensi kognitif, filosofi, nilai-nilai, norma, dan estetika—menyatu dengan dimensi-dimensi yang terkandung di dalam bahasa lokal, yang sekaligus menunjukkan worldview mereka. Hal tersebut menjadi angan-angan kolektif sekaligus proyeksi pranata kultural dalam memaknai fungsi bahasa lokal. Kata kunci: bahasa, budaya, lokalitas, worldview, Using
SASTRA USING: TAFSIR LOKALITAS DALAM KONTEKS PERKEMBANGAN ZAMAN Titik Maslikatin; Edy Hariyadi; Heru S.P. Saputra
UNEJ e-Proceeding 2020: E-PROSIDING SEMINAR NASIONAL PEKAN CHAIRIL ANWAR
Publisher : UPT Penerbitan Universitas Jember

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Dinamika zaman, dari era modern hingga era disrupsi, berimplikasi pada berbagai tatanan sosial, termasuk dalam konteks sastra. Artikel ini bertujuan menafsirkan aspek lokalitas yang termuat dalam novel-novel Using dalam kaitannya dengan perkembangan dinamika zaman. Metode penelitian menggunakan metode dialektik dalam konteks sosiologi sastra. Hasil kajian menunjukkan bahwa aspek lokalitas dalam novel-novel Using relatif relevan ditafsirkan dalam perkembangan zaman. Lokalitas Using yang ditawarkan para pengarang mampu berdialektika dengan dinamika zaman hingga saat ini. Dalam novel Agul-agul Belambangan, pengarang menekankan betapa kelas sosial rendah selalu menjadi objek hegemonik bagi kelas sosial dominan sehingga menjadi perantara nilai. Lingkungan kerajaan mengangkat kelas sosial rendah sebagai ksatria dengan gelar patriot sebagai upaya mempertahankan pengaruh. Dalam novel Nawi BKL Inah, pengarang mengkonstruksi bahwa romantisme kultural menjadi basis dalam membangun peradaban. Nilai-nilai lokalitas dengan beragam khazanah kultural menjadi bangunan sosial yang harus dibela dan diperjuangkan eksistensinya. Dalam novel Kerudung Santet Gandrung, intensi pengarang berpihak pada seni tradisi dan kaum abangan, yang berhadapan dengan kaum santri dan modern. Konstruksi pengarang berbeda dari persepsi mainstrean, dengan mengunggulkan penari gandrung dan pencipta lagu lokal yang berhadapan dengan kaum santri. Kata kunci: sastra Using, lokalitas, kultural, perkembangan zaman
BARONG IDER BUMI: MEMAKNAI NILAI-NILAI RITUAL DALAM DINAMIKA PERADABAN Edy Hariyadi; Titik Maslikatin; Heru S.P. Saputra
UNEJ e-Proceeding 2020: E-PROSIDING SEMINAR NASIONAL PEKAN CHAIRIL ANWAR
Publisher : UPT Penerbitan Universitas Jember

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Abstract

Ritual Barong Ider Bumi dalam masyarakat Using tetap eksis hingga kini lantaran bersifat fungsional. Artikel ini bertujuan menafsirkan nilai-nilai ritual dalam konteks perkembangan zaman, termasuk dalam dinamika peradaban. Metode penelitian yang digunakan adalah metode etnografi dengan perspektif emik. Hasil kajian menunjukkan bahwa prosesi dan pelaksanaan ritual Barong Ider Bumi berkembang dari waktu ke waktu seiring dinamika peradaban, dari peradaban lisan, tulisan, cetakan, hingga elektronik. Pada peradaban awal, yakni peradaban lisan, pelaksanaan ritual sangat sederhana dan atas dasar informasi lisan dari generasi sebelumnya. Dalam peradaban tulisan (khirografik), ritual mengalami sedikit pergeseran, bukan pada substansinya, melainkan hal-hal di sekitar yang menjadi sarana pendukungnya. Hal ini semakin meningkat ketika bergeser pada peradaban cetakan (tipografik). Dalam peradaban elektronik, pelaksanaan ritual menjadi semakin semarak karena didukung oleh berbagai sarana elektronik, mulai dari informasi yang bersifat promotif, hingga rangkaian pelaksanaan ritual, termasuk dukungan eksternal berupa khazanah seni budaya lain yang ada dalam masyarakat Using. Dalam perkembangan beberapa tahun terakhir, dukungan promotif dari Pemerintah Daerah berupa momentum Banyuwangi Festival, sebagai bagian integral dari promosi wisata, merupakan wujud dari dinamika peradaban, yang memasuki peradaban elektronik. Kata kunci: peradaban lisan, khirografik, tipografik, elektronik, makna kontekstual
KAJIAN EKSPRESIF TERHADAP NOVEL KEMARAU KARYA A.A. NAVIS Galang Garda Sanubari; Titik Maslikatin; Heru S.P. Saputra
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 1 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i1.19214

Abstract

The Drought Novel by A.A. Navis is the object of this research. Tells the life of a middle-aged man who lives in a village. His desire to change the way people around him think about work and make sense of life is hampered by their nature and personal past. Explicitly this novel is like discussing the life of the main character. The reality behind it, culture, innuendo, and religious observance neatly packaged in it. Therefore from that novel that is able to load content in the form of reality and expression of the author, the researcher chooses Dynamic Structuralism as the study theory. Will be achieved in this article the approach used only from the perspective of the expressive approach. The method used is reading, recording, watching, recording data on film sources, and processing data. The results of this study resulted in the study of extrasic (expressive) Sasra works, criticism of the authors of the work on human behavior, the introduction of several Minangkabau cultures, and personal experiences of A.A. Navis
REPRESENTASI KEARIFAN LOKAL DARI NOVEL KE FILM RAKSASA DARI JOGJA: KAJIAN EKRANISASI Ajeng Yuditya Siswara; Heru S.P. Saputra; Titik Maslikatin
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 2 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i2.17464

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This article analyzes the ecranization pattern between the novel Raksasa Dari Yogya and the adapted film. Filmize novel usually changes the story text's content because not all novel story text content can be moved on the screen. This study aims to get the changes that occur in the novel's adaptation pattern to the form of a film medium, and the shape of representations existed in the two works. This study uses an ecranization perspective. The methodology used in this study is qualitative because the data are in the form of narrative text in novels and visual texts which are the results of the film captured Raksasa Dari Yogya. The data collection method was collected by reading, taking notes, watching, recording film source data, and processing it. Data analysis is in the form of interpretation of data obtained from novel texts and films. The study results show that there are changes: reducing, adding, or varying modifications in terms of the content of the story text. It is caused by the difference between the media used between novels and films. Books and movies reveal Yogyakarta local wisdom representations in the form of arts and tourism. The local wisdom depicted in novels and movies reflects Yogyakarta culture's richness, strengthening a region's identity. The changes can make the film more attractive without changing the substance of the novel as a whole.
MODERNISASI PENDIDIKAN: POTRET DINAMIKA SOSIAL PENDIDIKAN PESANTREN DALAM NOVEL NEGERI 5 MENARA KARYA AHMAD FUADI Naeli Wardani; Heru S.P. Saputra; Sunarti Mustamar
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 2 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i2.16719

Abstract

This research discusses the pesantren (Islamic boarding school) education system's reflection in the novel entitled Negeri 5 Menara. The research method used is qualitative in the sociology of literature approach. It is used to cover up the author's social context, literature as a reflection of society, and literature's social function. The study results in the author's social context show that author creativity is motivated by the author's experience and social construction of the author's ideology. In literature as a reflection of society, it described some similarities are found between Pondok Madani and Pondok Modern Darussalam Gontor (PMDG) in implementing a modern education system. It shows that the novel is a representation of social conditions. Modernity in the education system at the pesantren includes jasus [spy], the strict of time discipline, discipline in dress, mudhaharah (speech in three languages), memorization of Arabic vocabulary, use of foreign languages (Arabic and English), a system of admission with selection, and extracurricular activities. In the social function of literature, there are several responses from readers in assessing the novel Negeri 5 Menara's benefits. The author's contribution in giving a message to readers is focused on the function of socio-educationalism.
REPRESENTASI PEREMPUAN SEBAGAI SIMBOL PERLAWANAN PADA NOVEL JALAN PANJANG MENUJU PULANG KARYA PIPIET SENJA: KAJIAN FEMINISME RADIKAL Suci Annisa Caroline; Novi Anoegrajekti; Heru S.P. Saputra
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 2 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v20i2.13298

Abstract

In a dominant patriarchal culture, women are considered lower than men in many aspects such as education, politics, workplace, and the sexuality discourse. This article shows the representation of women who symbolize her resistance which is reflected in the novel entitled Jalan Panjang Menuju Pulang by Pipiet Senja. It is used qualitative method supported by descriptive analysis on the basis of theoretical of radical feminism. The results of the study show that woman (Fatin) is subjugated by men. There are physical violence, psychological violence, and also domestic violence which happened to Fatin. Hans did Sexual harassment, while sexual violence done by Frankie. Meanwhile her husband ,Rimbong, threat her and hit her. Fatin suffers psychic and also physical violence. This spouse fought for the custody right. This research discuss about how Fatin showing her resistance to the domestic violence and sexual violence. In her apartment, Fatin dares to scuffles then reports Frankie to the police. She also reveals her resistance by hiding away her child when her husband will take her child.
NOVEL SIRKUS POHON KARYA ANDREA HIRATA: KAJIAN STILISTIKA Ayu Kristiana; Heru S.P. Saputra; Sri Mariati
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 2 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v20i2.11888

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The goal of this study is revealing the stylistic elements found in the novel entitled Sirkus Pohon by Andrea Hirata, preceding by describing the relationship between structural elements. The research method is a qualitative method with descriptive analysis based on structural theoretical concepts and stylistics. The results of the study shows that the structural elements in the novel Sirkus Pohon have a relationship between one to other element namely title, theme, character, conflict, and setting. All these five elements form the wholeness of the story. In the field of stylistics, the aesthetics of the story can be obtained from the language potentiality namely diction, sentence style and figurative language. The figurative language created by the writer are metaphor, sentence style, and personification. The potential language used by Andrea Hirata cannot be separated from the sociocultural context and also the sleight of the writer. The writer presents an intellectual figure, whereas the contextual society is a traditional and poor. It twitters people of Malay in the inland Belitung who still innocence but full of intrigue. In this novel, the appearance of pomegranates is related to the problems of love, traditional beliefs, the revival of the traveling circus, and political issues. The author expresses the traditional beliefs contradicting to the author's logic or intellect.
Co-Authors Agus Sariono Ajeng Yuditya Siswara Ayu Kristiana Didik Suharijadi Edy Hariyadi Galang Garda Sanubari Hery Prasetyo Ikwan Setyawan Jelita, Silis Jelita, Silis Muhammad Zamroni Naeli Wardani Nelfira Novi Anoegrajekti Putri, Mustika Yani Rahimullaily Rahimullaily Sainul Hermawan Sri Mariati Suci Annisa Caroline Sudartomo Macaryus Sunarti Mustamar Titik Maslikatin Wardani SWW, L. Dyah Purwita Zahratul Umniyyah