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All Journal Humaniora Dialektika Publika Budaya Journal of Education and Learning (EduLearn) Jurnal Kajian Bali LITERASI: Jurnal Ilmu-Ilmu Humaniora Erudio: Journal of Educational Innovation Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia PUJANGGA: Jurnal Bahasa dan Sastra ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Jurnal Gramatika KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) UNEJ e-Proceeding Indonesian Language Education and Literature FKIP e-PROCEEDING Panggung Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Indonesian Journal of Learning and Instruction Warta Pengabdian Semiotika Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya English Language and Literature International Conference (ELLiC) Proceedings Sawerigading JENTERA: Jurnal Kajian Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Sastra Indonesia Jurnal Eduscience (JES) Journal of Community Empowerment for Health BERNAS: Jurnal Pengabdian Kepada Masyarakat Jurnal Skripta Jurnal Adat dan Budaya Indonesia Indonesian Journal of Social Research (IJSR) Jurnal Gramatika: Jurnal Penelitian Pendidikan Bahasa dan Sastra Indonesia Arif: Jurnal Sastra dan Kearifan Lokal Electronic Journal of Education, Social Economics and Technology PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Panggung Jurnal Serambi Ilmu

Novi Anoegrajekti

Universitas Negeri Jakarta

Author-ID : 229593

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Neuroscience Nursing Public Health Social Sciences Veterinary Other

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REALITAS SOSIAL DAN REPRESENTASI FIKSIMINI DALAM TINJAUAN SOSIOLOGI SASTRA Ratih, Kartikasari; Novi, Anoegrajekti; Titik, Maslikatin
Publika Budaya Vol 2, No 1 (2014): Maret
Publisher : Publika Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (157.121 KB)

Fiksimini merupakan karya sastra 140 karakter dan berkembang di media sosial. Penelitian ini bertujuanmendeskripsikan aspek masyarakat, pengarang dan karya sastra dalam Fiksimini. Penelitian ini menggunakanmetode kualitatif deskriptif. Hasil penelitian ditemukan bahwa Fiksimini merepresentasikan perubahan sosialdan realitas sosial yang terjadi dalam masyarakat serta pengaruh hubungan antara karya sastra dan masyarakatpengguna internet terhadap perkembangan bentuk Fiksimini.Kata Kunci: Fiksimini, sosiologi sastra, media sosial, internet.

PADA NONTON DAN SEBLANG LUKINTO: Membaca Lokalitas dalam Keindonesiaan Anoegrajekti, Novi
Kajian Linguistik dan Sastra Vol 22, No 2 (2010)
Publisher : Universitas Muhammadiyah Surakarta

Tulisan ini mengkaji lokalitas dalam konteks keindonesiaan. Kajiandifokuskan pada bagaimana teks syair-syair dalam pertunjukan gandrungmengartikulasikan lokalitas dan keindonesiaan. Tulisan ini menggunakan metodeetnografi. Analisis dilakukan dengan inventarisasi data sampai interpretasi sistembudaya Using. Hasil penelitian menunjukkan bahwa makna representasi identitasmelalui teks syair-syair gandrung menjelaskan dua hal. Pertama, adanya wilayahpertarungan yang berlangsung dinamis dan tidak stabil. Dominasi sebagai posisiterpenting akan tidak dikenali ketika penetrasinya semakin meluas dan tekanandari kekuatan yang lain terus meningkat. Kedua, representasi identitasmerupakan wilayah pertarungan pemaknaan yang kemudian menyebabkanidentitas itu sendiri lebih merupakan konstruksi dan politik penciptaan. Sebagaisesuatu yang terbangun, identitas merupakan sesuatu yang diskursif, retak, danberubah-ubah mengikuti perubahan ruang-waktu, baik sebagai bagian lokalitasatau bagian dari keindonesiaan.Kata kunci: lokalitas, pertunjukan gandrung, etnografi

SASTRA LISAN BERBASIS INDUSTRI KREATIF: RUANG PENYIMPANAN, PENGEMBANGAN, DAN IDENTITAS Anoegrajekti, Novi; Macaryus, Sudartomo
ATAVISME Vol 21, No 1 (2018): ATAVISME
Publisher : Balai Bahasa Jawa Timur

This paper aims at explaining the development of creative industry-based oral literature. Banyuwangi's oral literature has autonomously developed along with tradition and modern arts, such as janger, fashion, dance, and song. The use of ethnographic method began with an inventory of bibliographic data and was supplemented by field data through interviews, observations, and participation. The story of Sri Tanjung Sidopekso becomes the janger play and theme of Banyuwangi Ethno Carnival. The mantra of jaran goyang is transformed into dance and song. Various creative industries have the potential as a source of reconstructing oral literature. In coastal societies there has developed oral literature related to maritime culture. In Muncar Banyuwangi, the rituals of petik laut use spells and maritime cultural symbols, such as mantras, pilgrimages to the tombs of the founders of the Muncar fishing village. While in Payangan Jember, the story of the founders of the fishing village is respected by singing macapat babad Marsodo. All that has a meaning when it becomes action, knowledge, experience, and appreciation of the supporting community. The results show that oral literature has the potential to inspire the creative industries. Likewise reversely, creative industries have the potential as a source for reconstructing oral literature that enriches their forms and versions.

ETNOGRAFI SASTRA USING: RUANG NEGOSIASI DAN PERTARUNGAN IDENTITAS Anoegrajekti, Novi
ATAVISME Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010
Publisher : Balai Bahasa Jawa Timur

Kajian ini menekankan bagaimana komunitas Using memandang, menyikapi, dan mensiasati sastra sebagai ungkapan identitas diri dan persentuhannya dengan kekuatan-kekuatan lain, terutama modernisasi, agama, dan kebijakan negara. Hal ini tampak terlihat pada teks lakon Jinggoan, syair-syair dalam pertunjukan Gandrung, dan basanan wangsalan dalam Warung Bathokan sebagai bentuk resistensi dan representasi identitas Using. Perlawanan terhadap berbagai ancaman, baik yang bersifat fisik maupun pencitraan negatif berulang kali terjadi dalam kesejarahan masyarakat Using. Konsep yang membangun hegemoni adalah budaya dominan (yang sedang berkuasa), budaya residual (unsur budaya yang tersisa dari masa lalu), dan budaya emegrent (unsur budaya yang baru muncul). Dalam analisis etnografis, metode interpretasi dipergunakan untuk mengakses lebih dalam terhadap berbagai domain yang dialamiahkan dan aktivitas karakteristik pelaku budaya yang diteliti. Abstract: This study emphasizes on how Using community view, respond, and anticipate literature as an expression of self identity and relation with other forces, especially modernization, religion and state policy. This can be seen on Jinggoan stories, poems, and basanan Gandrung wangsalan in Warung Bathokan as a form of resistance and the representation of Using identity. Resistance against various threats, both physical and negative imagery occur repeatedly in Using history. The concept that builds hegemony is the dominant culture (which is in power), the residual culture (cultural elements remaining from the past) and culture emegrent (newly emerging cultural elements). In the ethnographic analysis, interpretation method is used to access more of the various domains in which characteristics of perpetrators of cultural activities is being investigated. Key Words: Using literature, resistance, contestation, negotiation, identity

SASTRA LOKAL DAN INDUSTRI KREATIF: REVITALISASI SASTRA DAN BUDAYA USING Anoegrajekti, Novi
ATAVISME Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v16i2.92.183-193

Pemerintah mencanangkan tahun 2009 sebagai Tahun Industri Kreatif. Seni pertunjukan, termasuk tradisi lisan yang ada di dalam pertunjukan menjadi salah satu prioritas yang akan dikembangkan agar bisa meningkatkan kesejahteraan masyarakat pendukungnya. Tujuan tersebut representatif karena masyarakat Indonesia memiliki beragam seni pertunjukan dan sastra lokal yang apabila dikelola dengan baik bisa menjadi penopang munculnya ekonomi kreatif. Banyuwangi, misalnya, memiliki beragam seni pertunjukan dan tradisi lisan, seperti syair syair gandrung, lagulagu dalam pertunjukan angklung, cerita rakyat jinggoan, dan tradisi wangsalan dan basanan. Sampai saat ini, dinas terkait di Banyuwangi belum dapat membuat kebijakan yang mampu mendukung terciptanya pola pikir, sistem, dan praktik industri kreatif berbasis lokalitas dan tetap mengedepankan karakteristik nilainilai kultural yang ada. Untuk itu, tulisan ini bertujuan mengembangkan model industri kreatif berbasis sastra lokal dan budaya Using. Dengan metode etnografis dan analisis yang menggunakan pendekatan cultural studies, model tersebut diharapkan mampu mengembangkan industri kreatif di wilayah lokal. Abstract: The Indonesian government announced the year of 2009 as the Creative Industry Year. Performing art, including oral tradition existing in performance, has become a priority which will be developed to improve the prosperity of its supporting community. This goal is representative because Indonesian people have various performing arts and local literature which, if well managed, will support the creative economy. Banyuwangi, for instance, has various performing arts and oral tradition, such as gandrung poems, songs in angklung performance, jinggoan folklores, and traditions of wangsalan and basanan. To date, the relevant services of Banyuwangi government have not been able to make policies able to support the creation of creative industry pattern of thinking, system, and practice which are locally based and keep on proposing the characteristics of existing cultural values. Therefore, this article is aimed at developing a creative industry model based on Using local literature and culture. By using ethnography method and cultural studies approach, the model is expected to be able to develop the creative industry in the local area. Key Words: local literature; Using culture; creative industry; revitalization

PEREMPUAN SENI TRADISI DAN PENGEMBANGAN MODEL INDUSTRI KREATIF BERBASIS SENI PERTUNJUKAN Anoegrajekti, Novi; Setyawan, Ikwan; Saputra, Heru S.P.; Macaryus, Sudartomo
KARSA: Journal of Social and Islamic Culture Vol 23, No 1 (2015): ISLAM, BUDAYA DAN PEREMPUAN
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v23i1.610

The absence of government policy in supporting the creative industry practice is a factor inhibiting the development of performing arts in Banyuwangi. Diverse local performing arts which if managed properly can become a crutch for the emergence of creative economy. This study aims at describing the struggles of women in the tradition arts and in conceptualizingÂ a creative industry model ba-sed on performing arts. The study employed ethnography. The field data were obtained through interviews with the informants. The interpretation of data used a combination of tradition arts, gender, cultural studies, and creative industry perspectives. The results showed that women of tradition arts in general do not rely their livelihoods on art activitiy. They keep trying to develop creative know-ledge embodied in art creation and innovations. Arts institutions have a develop-ment program to maintain quality. The role of the government is manifested in the forms of policies, facilities, activity forums and infrastructural development. The development of Banyuwangi-style performing arts within the framework of the creative industry can support the realization of the creative economy.Copyright (c) 2015 by KARSA. All right reservedDOI:Â 10.19105/karsa.v23i1.610Â

Freedom and Restriction of Opinion and Expression in Modern Indonesian Poem Seen from Levinson’s Pragmatics Irsyadi, Achmad Naufal; Anoegrajekti, Novi; Kusumayanti, Dina Dyah; Dzulqarnain, M. Iskandar
Jurnal Sastra Indonesia Vol 10 No 3 (2021): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v10i3.50069

We revisited Wiji Thukul’s poetry from normative and constructivist theories to find the scope of freedom and restriction of opinion and expression through various forms of literary works. We applied stylistic perspective of Jeffries and McIntyre (2010) by involving three of Wiji Thukul's poems, namely Aku Menuntut Perubahan, Sajak Suara, and Puisi Sikap. In their stylistic concept, Jeffries and McIntyre (2010) also have a tendency towards the fields of Pragmatics and Sociolinguistics which emphasized more on speech. Levinson’s Pragmatic approach (1983) connected pragmatics with human aspects, namely psychology, biology, and sociology that were inherent in sign. Therefore, as a symbol (sign) in a literary work, every word and speech were identical and closely related to these three aspects. We perceived that the choice of words in WIji Thukul's poetry aimed to create a threat to the power by the New Order, carried out a protest against the policies and actions of the New Order, made an allusion about the power of the New Order, and denigrated and isolated the New Order. Thus, Wiji Thukul's poetry was a combination and communication between psychological and biological aspects of the author as well as the sociology of society.

Gandrung Banyuwangi: Kontestasi dan Representasi Identitas Using Novi Anoegrajekti
Humaniora Vol 23, No 1 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The article wants to emphasize contestation among authorities in understanding gandrung as identity construction that increased since 2000 until 2005. Blambangan Art Council and bureaucracy, for example, tried to increase Using identity through political policies. By using hegemony perspective, especially in the concept of contestation among residual, dominant, and emergent culture, I will analyze (1) the process of the contestation for gandrung among bureaucracy, santri, and capitalist in the context of representation of Using identity based on socio-cultural powers of each authority in particular times and spaces and (2) the power position of each authority in crafting hegemony towards gandrung. As something constructed, cultural identity is discursive, fractured, and dynamic based on times and spaces. Representation of Using identity is a battle-field in a cultural political project.

REALITAS SOSIAL DAN REPRESENTASI FIKSIMINI DALAM TINJAUAN SOSIOLOGI SASTRA Kartikasari Ratih; Anoegrajekti Novi; Maslikatin Titik
Publika Budaya Vol 2 No 1 (2014): Maret
Publisher : Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar

SUBJEKTIVITAS PENYAIR GRESIK TAHUN 2000-AN STUDI PSIKOANALISIS JACQUES LACAN Ekka Nur Islahiyah; Novi Anoegrajekti; Sunarti Mustamar
Publika Budaya Vol 6 No 2 (2018): Publika Budaya
Publisher : Fakultas Ilmu Budaya Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/pb.v6i2.8707

Abstrak Subjektivitas dalam psikoanalisis Lacan adalah proses pencarian, mengetahui, atau mengidentifikasi identitas diri subjek. Proses identifikasi selalu mendapat dorongan dari hasrat, dan pergerakan hasrat mendapat pengaruh dari kekuatan bawah sadar. Secara mendasar hasrat di bagi menjadi dua macam, yakni hasrat narsistik dan hasrat anaklitik. Perkembangan subjektivitas seseorang akan melewati tiga tahap (tripatrie) yakni, tahap Nyata (Real), tahap Imajiner (Imajinary), dan tahap Siombol (syimbolic). Implementasinya dalam penelitian ini adalah, bahwa Mardi Luhung, Lennon Machali dan Rikhwan Rifai merupakan penyair Gresik yang selalu kekurangan, dan mengalami keterbelahan dalam memenuhi hasrat idealnya. Perkembangan subjektivitas penyair Gresik dapat diidentifikasi melalui pergerakan hasrat narsistik dan hasrat anaklitik. Mekanisme tersebut dijelaskan dengan metode tripatrie Lacan. Kata Kunci: Psikoanalisis Jacques Lacan. Hasrat. Subjektivitas. Penyair Gresik.

Co-Authors Abdul Latif Bustami Abdullah, Khairul Hafezad Abdullah, St. Nur Fadillah Abu Bakar Ramadhan Muhamad Aceng Rahmat Aceng Rahmat Aceng Rahmat, Aceng Achmad Naufal Irsyadi Agustiani, Indah Windra Dwie Alifiah Nurachmana Almyra Diah Pangestu Anak Agung Gde Raka Andriwinata, Momon Anis Rahmawati Arif Firmansyah Asrumi Asrumi Asrumi Asrumi Asrumi Aulia Fauziah Azmin, Gres Grasia D. Nurfajrin Ningsih Diah Pangestu, Almyra Dian Herdiati Dzulqarnain, M. Iskandar Ekka Nur Islahiyah Endang Caturwati Endry Boeriswati Ezik Firman Syah Fida Ul Haq, Muhammad Gomo Attas, Sitti Hanni Miladia Maharani Hanny Rasni Heru S.P. Saputra Heru S.P. Saputra Heru S.P. Saputra Ifan Iskandar Ihwan Rahman Bahtiar Ikwan Setyawan Ikwan Setyawan, Ikwan Imam Qalyubi Imawati, Endah Irsyadi, Achmad Naufal Izzah, Latifatul Kartikasari Ratih Kusumayanti, Dina Dyah Librilianti Kurnia Yuki Librilianti Kurnia Yuki M. Zamroni Miftahulkhairah Anwar Miranti - Misrita Muhammad Kamal Bin Abdul Hakim Muhammad Nur, Kholid Rosyidi Munibi, Ahmad Zaki Nando Zikir Mahattir Ninuk Lustyantie Ninuk Lustyantie Nuruddin Nuruddin Pradicta Nurhuda Pusposari, Wulan Putu Ngurah Suyatna Yasa Rafli, Zainal Ratna Dewanti Ratna Dewanti Rendra Wirawan Rezky Alviniyanti Yosawati Samsi Setiadi Samsi Setiadi Sandi Budiana Sharfuddin Tajuddin Shobrina Imamah, Nurul Siminto Siti Ansoriyah Siti Gomo Attas Siti Syamsiah Renny Tounbama Suci Annisa Caroline Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus, Sudartomo Sunarti Mustamar Sya, Mega Febriani Tantut Susanto Titik Maslikatin Venus Khasanah Venus Khasanah Venus Khasanah Wardani, Rizki Yoesoef, M Yuliati Eka Asi

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